|
| |
Deller Consort
The Complete Vanguard Recordings, Volume 2: Music of Henry Purcell
2008
|
|
CD 1: Homage to Henry Purcell |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Fantasia upon a ground in D minor for 3 violins and continuo, Z. 731 |
|
5:44 |
|
|
| 2 |
|
Oedipus (1692), Z. 583: Song. "Music for a while" |
|
4:05 |
|
|
| 3 |
|
Song, Z. 382 "I love and I must" |
|
2:58 |
|
|
| 4 |
|
The Comical History of Don Quixote, Z. 578: Part I: "Let the dreadful engines" |
|
7:45 |
|
|
| 5 |
|
The Faerie Queen, Z. 629: Epithalamium. "Thrice happy lovers" |
|
3:07 |
|
|
| 6 |
|
Song, Z. 379A (1st version, 1692) "If music be the food of love" |
|
2:37 |
|
|
| 7 |
|
The Blessed Virgin's Expostulation, Z. 186 "Tell me, some pitying angel" |
|
7:51 |
|
|
| 8 |
|
Song, Z. 400 "Not all my torments" |
|
2:22 |
|
|
| 9 |
|
Upon a Quiet Conscience, Z. 184 "Close thine eyes" |
|
4:17 |
|
|
| 10 |
|
King Arthur, Z. 628: Venus's Song. "Fairest isle, all isles excelling" |
|
2:42 |
|
|
| 11 |
|
Pausanias, Z. 585: "Sweeter than roses" |
|
3:35 |
|
|
| 12 |
|
Song, Z. 421 "The fatal hour comes apace" |
|
4:22 |
|
|
| 13 |
|
Ode on Queen Mary's birthday (1693), Z. 321: "Crown the altar" |
|
2:50 |
|
|
| 14 |
|
The Indian Queen, Z. 630: "I attempt from love's sickness to fly" |
|
2:17 |
|
|
| 15 |
|
Bonduca, Z. 574: Bonduca's Song. "Oh! lead me to some peaceful gloom" |
|
3:10 |
|
|
| 16 |
|
Dioclesian, Z. 627: "What shall I do to show all much I love her?" |
|
3:53 |
|
|
| 17 |
|
The Comical History of Don Quixote, Z. 578: Part III: "From rosy bow'rs" |
|
7:17 |
|
|
|
|
|
Total time |
|
70:52 |
|
|
CD 2: Music of Purcell |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Secrecie's Song |
|
0:00 |
|
|
| 2 |
|
The Fairy Queen, Z. 629: Mystery's Song |
|
0:00 |
|
|
| 3 |
|
Cantate "If Ever I More Riches Did Desire" Z. 544: Song (4vv, 2 Violin) "Here Let My Life" |
|
0:00 |
|
|
| 4 |
|
Welcome to All the Pleasures, Z 339: Here the Deities Approve |
|
0:00 |
|
|
| 5 |
|
The Prophetess or the History of Dioclesian, Z. 627: Song "Since From My Dear Astrea's Sight" |
|
0:00 |
|
|
| 6 |
|
The Fairy Queen, Z. 629: The Plaint (O Let Me Weep) |
|
0:00 |
|
|
| 7 |
|
Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Allegro |
|
0:00 |
|
|
| 8 |
|
Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Adagio |
|
0:00 |
|
|
| 9 |
|
Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Canzona Allegro |
|
0:00 |
|
|
| 10 |
|
Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Grave |
|
0:00 |
|
|
| 11 |
|
Ten Sonatas in Four Parts: Sonata No. 9" F (Golden Sonata), Z. 810: Allegro |
|
0:00 |
|
|
| 12 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: I. Song Tune in C, Z. T694 |
|
0:00 |
|
|
| 13 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: II. Con Spirito, Z. 647 |
|
0:00 |
|
|
| 14 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: III. March in C, Z. 648 |
|
0:00 |
|
|
| 15 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: IV. New Minuet in D Minor, Z. T689 |
|
0:00 |
|
|
| 16 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: V. Minuet in a Minor, Z. 649 |
|
0:00 |
|
|
| 17 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: VI. Minuet in a Minor, Z. 650 |
|
0:00 |
|
|
| 18 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: VII. A New Scotch Tune in G, Z. 655 |
|
0:00 |
|
|
| 19 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: VIII. A New Ground in E Minor, Z. T682 |
|
0:00 |
|
|
| 20 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: IX. A New Irish Tune, Z. 646 |
|
0:00 |
|
|
| 21 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: X. Rigadoon in C, Z. 653 |
|
0:00 |
|
|
| 22 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: Xi. Sefauchi's Farewell, in D Minor, Z. 656 |
|
0:00 |
|
|
| 23 |
|
Musick's Hand-Made, Part II: Music Lessons 1-12: Xii. Minuet in D Minor, Z. T688 |
|
0:00 |
|
|
| 24 |
|
Sonata in G Minor for Violin and Continuo, Z. 780: Adagio-Moderato |
|
0:00 |
|
|
| 25 |
|
Sonata in G Minor for Violin and Continuo, Z. 780: Adagio Con Espressione |
|
0:00 |
|
|
| 26 |
|
Sonata in G Minor for Violin and Continuo, Z. 780: Vivace |
|
0:00 |
|
|
| 27 |
|
Suite in D for Harpsichord, Z. 667: Prelude |
|
0:00 |
|
|
| 28 |
|
Suite in D for Harpsichord, Z. 667: Almand |
|
0:00 |
|
|
| 29 |
|
Suite in D for Harpsichord, Z. 667: Hornpipe |
|
0:00 |
|
|
|
|
|
Total time |
|
0:00 |
|
|
CD 3: Dido and Aeneas, Z. 626 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Dido and Aeneas, Z. 626: Overture |
|
2:46 |
|
|
| 2 |
|
Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda, Chorus) |
|
1:07 |
|
|
| 3 |
|
Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido) |
|
4:06 |
|
|
| 4 |
|
Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing..." (Belinda, Dido) |
|
0:35 |
|
|
| 5 |
|
Dido and Aeneas, Z. 626: Act I. "When monarchs unite, how happy their state" (Chorus) |
|
0:26 |
|
|
| 6 |
|
Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda) |
|
2:01 |
|
|
| 7 |
|
Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue" (Belinda, Second Woman, Chorus) |
|
1:45 |
|
|
| 8 |
|
Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Aeneas, Dido) |
|
0:57 |
|
|
| 9 |
|
Dido and Aeneas, Z. 626: Act I. "Cupid only throws the dart" (Cupid) |
|
0:44 |
|
|
| 10 |
|
Dido and Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Aeneas) |
|
0:30 |
|
|
| 11 |
|
Dido and Aeneas, Z. 626: Act I. "Pursue thy conquest, Love" (Belinda) |
|
0:49 |
|
|
| 12 |
|
Dido and Aeneas, Z. 626: Act I. "To the hills and the vales" (Chorus) |
|
1:26 |
|
|
| 13 |
|
Dido and Aeneas, Z. 626: Act I. The Triumphing Dance |
|
1:15 |
|
|
| 14 |
|
Dido and Aeneas, Z. 626: Act II. Prelude for the Witches |
|
1:16 |
|
|
| 15 |
|
Dido and Aeneas, Z. 626: Act II. "Wayward sisters, you that fright" (Sorceress, First Witch) |
|
1:17 |
|
|
| 16 |
|
Dido and Aeneas, Z. 626: Act II. "Harm's our delight and mischief all our skill" (Chorus) |
|
0:20 |
|
|
| 17 |
|
Dido and Aeneas, Z. 626: Act II. "The Queen of Carthage, whom we hate" (Sorceress) |
|
0:54 |
|
|
| 18 |
|
Dido and Aeneas, Z. 626: Act II. "Ha, ha, ha" (Chorus) |
|
0:14 |
|
|
| 19 |
|
Dido and Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress) |
|
1:19 |
|
|
| 20 |
|
Dido and Aeneas, Z. 626: Act II. "Ha, ha, ha" (Chorus) |
|
0:11 |
|
|
| 21 |
|
Dido and Aeneas, Z. 626: Act II. "But ere we this perform" (Witches) |
|
1:25 |
|
|
| 22 |
|
Dido and Aeneas, Z. 626: Act II. "In our deep vaulted cell" (Chorus) |
|
0:59 |
|
|
| 23 |
|
Dido and Aeneas, Z. 626: Act II. Echo Dance of the Furies |
|
1:02 |
|
|
| 24 |
|
Dido and Aeneas, Z. 626: Act II. Ritornello |
|
0:35 |
|
|
| 25 |
|
Dido and Aeneas, Z. 626: Act II. "Thanks to these lonesome vales" (Belinda, Chorus) |
|
1:14 |
|
|
| 26 |
|
Dido and Aeneas, Z. 626: Act II. "Oft she visits this lov'd mountain" (Second Woman) |
|
2:09 |
|
|
| 27 |
|
Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Aeneas, Dido) |
|
0:34 |
|
|
| 28 |
|
Dido and Aeneas, Z. 626: Act II. "Haste, haste to town" (Belinda, Chorus) |
|
0:55 |
|
|
| 29 |
|
Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit, Aeneas) |
|
3:08 |
|
|
| 30 |
|
Dido and Aeneas, Z. 626: Act III. Prelude for the sailors |
|
0:39 |
|
|
| 31 |
|
Dido and Aeneas, Z. 626: Act III. "Come away, fellow sailors" (First Sailor, Chorus) |
|
1:19 |
|
|
| 32 |
|
Dido and Aeneas, Z. 626: Act III. The Sailors' Dance |
|
0:51 |
|
|
| 33 |
|
Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling" (Sorceress, Witches) |
|
0:58 |
|
|
| 34 |
|
Dido and Aeneas, Z. 626: Act III. "Our next motion" (Sorceress) |
|
0:43 |
|
|
| 35 |
|
Dido and Aeneas, Z. 626: Act III. "Destruction's our delight" (Chorus) |
|
0:37 |
|
|
| 36 |
|
Dido and Aeneas, Z. 626: Act III. "The Witches' Dance" (Jack of the Lanthorn Dance) |
|
1:20 |
|
|
| 37 |
|
Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Aeneas) |
|
4:20 |
|
|
| 38 |
|
Dido and Aeneas, Z. 626: Act III. "Great minds against themselves conspire" (Chorus) |
|
1:15 |
|
|
| 39 |
|
Dido and Aeneas, Z. 626: Act III. "Thy hand, Belinda" (Dido) |
|
0:52 |
|
|
| 40 |
|
Dido and Aeneas, Z. 626: Act III. "When I am laid in earth" (Dido) |
|
3:06 |
|
|
| 41 |
|
Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus) |
|
2:32 |
|
|
|
|
|
Total time |
|
54:31 |
|
|
CD 4: Music for Saint Cecilia's Day |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Rejoice in the Lord Alway, Z49: Anthem |
|
0:00 |
|
|
| 2 |
|
My Beloved Spake, Z23: Ouverture (Sinfonia): I. Slow |
|
0:00 |
|
|
| 3 |
|
My Beloved Spake, Z23: My Beloved Spake |
|
0:00 |
|
|
| 4 |
|
My Beloved Spake, Z23: For, Lo, the Winter Is Past |
|
0:00 |
|
|
| 5 |
|
My Beloved Spake, Z23: The Time of the Singing |
|
0:00 |
|
|
| 6 |
|
My Beloved Spake, Z23: And the Voice of the Turtle |
|
0:00 |
|
|
| 7 |
|
My Beloved Spake, Z23: The Fig Tree |
|
0:00 |
|
|
| 8 |
|
My Beloved Spake, Z23: Arise |
|
0:00 |
|
|
| 9 |
|
My Beloved Spake, Z23: My Beloved Is Mine |
|
0:00 |
|
|
| 10 |
|
Ode on St. Cecilia's Day, 1683: Welcome to All the Pleasures, Z339: Ouverture (Sinfonia): I. Maestoso / II. Vivace |
|
0:00 |
|
|
| 11 |
|
Ode on St. Cecilia's Day, 1683: Welcome to All the Pleasures |
|
0:00 |
|
|
| 12 |
|
Ode on St. Cecilia's Day, 1683: Here the Deities Approve (Counter-Tenor) |
|
0:00 |
|
|
| 13 |
|
Ode on St. Cecilia's Day, 1683: While Joys Celestial (Trio) |
|
0:00 |
|
|
| 14 |
|
Ode on St. Cecilia's Day, 1683: Then Lift Up Your Voices (Bass, Chorus) |
|
0:00 |
|
|
| 15 |
|
Ode on St. Cecilia's Day, 1683: Adagio (Harpsichord) |
|
0:00 |
|
|
| 16 |
|
Ode on St. Cecilia's Day, 1683: Beauty Thou Scene of Love (Tenor) |
|
0:00 |
|
|
| 17 |
|
Ode on St. Cecilia's Day, 1683: In a Consort of Voices (Tenor, Chorus) |
|
0:00 |
|
|
| 18 |
|
Ode on the Death of Mr. Henry Purcell: Mark How the Lark and Linnet Sing |
|
0:00 |
|
|
| 19 |
|
Ode on the Death of Mr. Henry Purcell: But in the Close of the Night |
|
0:00 |
|
|
| 20 |
|
Ode on the Death of Mr. Henry Purcell: So Ceas'd the Rival Crew |
|
0:00 |
|
|
| 21 |
|
Ode on the Death of Mr. Henry Purcell: We Beg Not Hell |
|
0:00 |
|
|
| 22 |
|
Ode on the Death of Mr. Henry Purcell: The Pow'r of Harmony Too Well They Knew |
|
0:00 |
|
|
| 23 |
|
Ode on the Death of Mr. Henry Purcell: The Heav'Nly Choir |
|
0:00 |
|
|
| 24 |
|
Ode on the Death of Mr. Henry Purcell: Ye Brethren of the Lyre |
|
0:00 |
|
|
|
|
|
Total time |
|
0:00 |
|
|
CD 5: The Masque in Dioclesian |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
The Masque in Dioclesian (First Part): I. Solo (Soprano) & Chorus: Call the Nymphs and the Fauns From Woods |
|
0:00 |
|
|
| 2 |
|
The Masque in Dioclesian (First Part): II. Air (Soprano): Let the Graces and Pleasures Repair |
|
0:00 |
|
|
| 3 |
|
The Masque in Dioclesian (First Part): III. Duet (Basses): Come, Come Away, No Delay |
|
0:00 |
|
|
| 4 |
|
The Masque in Dioclesian (First Part): IV. Chorus: Behold, o Mighty'St of Gods |
|
0:00 |
|
|
| 5 |
|
The Masque in Dioclesian (First Part): V. Paspe (Passepied) |
|
0:00 |
|
|
| 6 |
|
The Masque in Dioclesian (First Part): VI. Duet (Sopranos): Oh the Sweet Delights of Love |
|
0:00 |
|
|
| 7 |
|
The Masque in Dioclesian (First Part): VII. Air (Soprano) & Chorus: Let Monarchs Fight for Power and Fame |
|
0:00 |
|
|
| 8 |
|
The Masque in Dioclesian (First Part): VIII. Duet (Tenor and Baritone): Make Room for the Great God |
|
0:00 |
|
|
| 9 |
|
The Masque in Dioclesian (First Part): IX. Solo (Bacchus) Trio & Chorus: I'm Here With My Jolly Crew |
|
0:00 |
|
|
| 10 |
|
The Masque in Dioclesian (First Part): X. Dance of Bacchanals |
|
0:00 |
|
|
| 11 |
|
The Masque in Dioclesian (First Part): Xi. Air (Soprano): Still I'm Wishing, Stil Desiring |
|
0:00 |
|
|
| 12 |
|
The Masque in Dioclesian (First Part): Ritornello - Xii: Can Drusilla Give No More? |
|
0:00 |
|
|
| 13 |
|
The Masque in Dioclesian (Conclusion): Xiii. Canaries |
|
0:00 |
|
|
| 14 |
|
The Masque in Dioclesian (Conclusion): Xiv. Dialogue (Soprano and Baritone): Tell Me Why, My Charming Fair |
|
0:00 |
|
|
| 15 |
|
The Masque in Dioclesian (Conclusion): Xv. Dance |
|
0:00 |
|
|
| 16 |
|
The Masque in Dioclesian (Conclusion): Xvi. Air (Tenor) & Chorus: All Our Days and Our Nights |
|
0:00 |
|
|
| 17 |
|
The Masque in Dioclesian (Conclusion): Xvii. Dance |
|
0:00 |
|
|
| 18 |
|
The Masque in Dioclesian (Conclusion): Xviii. Trio & Chorus: Triumph Victorious Love |
|
0:00 |
|
|
| 19 |
|
The Masque in Dioclesian (instrumental Music): First Music |
|
0:00 |
|
|
| 20 |
|
The Masque in Dioclesian (instrumental Music): First Act Tune or Hornpipe |
|
0:00 |
|
|
| 21 |
|
The Masque in Dioclesian (instrumental Music) [Unknown] |
|
0:00 |
|
|
| 22 |
|
The Masque in Dioclesian (instrumental Music): Dance of the Furies |
|
0:00 |
|
|
| 23 |
|
The Masque in Dioclesian (instrumental Music): Second Act Tune |
|
0:00 |
|
|
| 24 |
|
The Masque in Dioclesian (instrumental Music) [Unknown] |
|
0:00 |
|
|
| 25 |
|
The Masque in Dioclesian (instrumental Music): The Chair Dance |
|
0:00 |
|
|
| 26 |
|
The Masque in Dioclesian (instrumental Music): Third Act Tune |
|
0:00 |
|
|
| 27 |
|
The Masque in Dioclesian (instrumental Music): Butterfly Dance |
|
0:00 |
|
|
| 28 |
|
The Masque in Dioclesian (instrumental Music): Country Dance |
|
0:00 |
|
|
|
|
|
Total time |
|
0:00 |
|
|
CD 6: Hail! Bright Cecilia / Come, Ye Sons of Art |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Overture: Symphony |
|
0:00 |
|
|
| 2 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Soli and Chorus: Hail! Bright Cecilia |
|
0:00 |
|
|
| 3 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Duet: Hark, Each Tree |
|
0:00 |
|
|
| 4 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Alto Solo: 'Tis Nature Voice |
|
0:00 |
|
|
| 5 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Chorus: Soul of the World |
|
0:00 |
|
|
| 6 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Soprano Solo: Thou Tun'St This World |
|
0:00 |
|
|
| 7 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Trio: With That Sublime Celestial Lay |
|
0:00 |
|
|
| 8 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Bass Solo: Wond'Rous Machine |
|
0:00 |
|
|
| 9 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Alto Solo: The Airy Violin |
|
0:00 |
|
|
| 10 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Duet: In Vain the Am'Rous Flute |
|
0:00 |
|
|
| 11 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Alto Solo: The Fife and All the Harmony of War |
|
0:00 |
|
|
| 12 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Duet: Let These Among Themselves Contest |
|
0:00 |
|
|
| 13 |
|
Ode for Saint Cecilia's Day, Z. 328" Hail! Bright Cecilia": Great Chorus: Hail! Bright Cecilia |
|
0:00 |
|
|
| 14 |
|
Ode on the Birthday of Mary II, 1694, Z323 "Come, Ye Sons of Art": Ouverture (Sinfonia): I. Largo / II. Allegro / III. Adagio |
|
0:00 |
|
|
| 15 |
|
Ode on the Birthday of Mary II, 1694, Z323 "Come, Ye Sons of Art": "Come, Come, Ye Sons of Art" (Counter-Tenor, Chorus) |
|
0:00 |
|
|
| 16 |
|
Ode on the Birthday of Mary II, 1694, Z323 "Come, Ye Sons of Art": "Sound the Trumpet Till Around" (Counter-Tenors) |
|
0:00 |
|
|
| 17 |
|
Ode on the Birthday of Mary II, 1694, Z323 "Come, Ye Sons of Art": "Come, Come, Ye Sons of Art" (Chorus) |
|
0:00 |
|
|
| 18 |
|
Ode on the Birthday of Mary II, 1694, Z323 "Come, Ye Sons of Art": "Strike the Viol" (Counter-Tenor) |
|
0:00 |
|
|
| 19 |
|
Ode on the Birthday of Mary II, 1694, Z323 "Come, Ye Sons of Art": "The Day That Such a Blessing Gave" (Bass, Chorus) |
|
0:00 |
|
|
| 20 |
|
Ode on the Birthday of Mary II, 1694, Z323 "Come, Ye Sons of Art": "Bid the Virtues" (Soprano, Oboe) |
|
0:00 |
|
|
| 21 |
|
Ode on the Birthday of Mary II, 1694, Z323 "Come, Ye Sons of Art": "These Are the Sacred Charms That Shield" (Bass) |
|
0:00 |
|
|
| 22 |
|
Ode on the Birthday of Mary II, 1694, Z323 "Come, Ye Sons of Art": "See Nature, Rejoicing" (Soprano, Bass, Chorus) |
|
0:00 |
|
|
|
|
|
Total time |
|
0:00 |
|
|
|
|
|
|
|
