| |
Dick Grove
Arranging Concepts Complete
1972
arranging book
|
|
|
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Introduction |
|
0:51 |
|
|
2 |
|
Ex. #302 Melodic Development |
|
0:42 |
|
|
3 |
|
Ex. #316 - #318 Blues And Modal Counterpoint |
|
0:49 |
|
|
4 |
|
Ex. #320 Blues And Modal Counterpoint |
|
0:17 |
|
|
5 |
|
Ex. #321 Harmonic Implications |
|
0:43 |
|
|
6 |
|
Ex. #331 Parallel Motion |
|
0:21 |
|
|
7 |
|
Ex. #333 - #334 Contrary Motion |
|
0:39 |
|
|
8 |
|
Ex. #339 - #341 7 -3 Voiceleading |
|
1:11 |
|
|
9 |
|
Ex. #342 - #343 Addtition Of The Other Tones |
|
0:49 |
|
|
10 |
|
Ex. #362 - #363 Harmonisation Of The New Bass Line |
|
1:01 |
|
|
11 |
|
Ex. #364 - #365 Minor Key Areas |
|
0:47 |
|
|
12 |
|
Ex. #366 Pedal Point |
|
0:22 |
|
|
13 |
|
Ex. #370 Ostinato |
|
0:18 |
|
|
14 |
|
Ex. #384 - #386 Types Of Modulation |
|
1:20 |
|
|
15 |
|
Ex. #387 - #389 Types Of Modulation |
|
0:56 |
|
|
16 |
|
Ex. #390 - #392 Types Of Modulation |
|
1:05 |
|
|
17 |
|
Ex #393 Types Of Modulation |
|
0:28 |
|
|
18 |
|
Ex #396 Types Of Modulation |
|
0:22 |
|
|
19 |
|
Ex #398 Endings Or Tag Endings |
|
0:37 |
|
|
20 |
|
Ex #399 - #400 Endings Or Tag Endings |
|
1:04 |
|
|
21 |
|
Ex. #401 - #402 Endings Or Tag Endings |
|
0:53 |
|
|
22 |
|
Ex. #403 - #404 Endings Or Tag Endings |
|
0:56 |
|
|
23 |
|
Ex. #420 One Part Density |
|
0:22 |
|
|
24 |
|
Ex. #421 Melodic Overlap - Lead Sheet |
|
0:30 |
|
|
25 |
|
Ex. #422 Melodic Overlap |
|
0:30 |
|
|
26 |
|
Ex. #425 - #429 Melodic Couplings |
|
1:21 |
|
|
27 |
|
Ex. #430 - #431 Repeated Chord Tones Against The Melody |
|
0:36 |
|
|
28 |
|
Ex. #432 Repeated Chord Tones Against The Melody |
|
0:17 |
|
|
29 |
|
Ex. #439 Arranging Rock Music For Records |
|
0:21 |
|
|
30 |
|
Ex. #440 Substitution Notes |
|
0:22 |
|
|
31 |
|
Ex. #441 - #443 Substitution Notes |
|
0:50 |
|
|
32 |
|
Ex. #457 Substitution Notes |
|
0:23 |
|
|
33 |
|
Ex. #466 - #467 Chord Tones, Passing And Neighboring Tones |
|
0:42 |
|
|
34 |
|
Ex. #470 Adjacent Alternating Diatonic Triads |
|
0:19 |
|
|
35 |
|
Ex. #471 Adjacent Alternating Diatonic Triads |
|
0:21 |
|
|
36 |
|
Ex. #478 Chromatic Triads |
|
0:41 |
|
|
37 |
|
Ex. #480 Chomatic Triads |
|
0:16 |
|
|
38 |
|
Ex.. #490 - #493 Fourths Applied To Melodic Couplings |
|
1:00 |
|
|
39 |
|
Ex. #494 - #496 Diatonic Open 4th |
|
1:02 |
|
|
40 |
|
Ex. #497 - #499 Chromatic Parallel Closed And Open Fourth |
|
0:57 |
|
|
41 |
|
Ex. #521 Four Part Density In Open And Closed Position |
|
0:22 |
|
|
42 |
|
Ex. #522 - #523 Four Part Density In Open And Closed Position |
|
0:35 |
|
|
43 |
|
Ex. #525 - #426 Four Part Density In Open And Closed Position |
|
0:31 |
|
|
44 |
|
Ex. #528 Four Part Density In Open And Closed Position |
|
0:24 |
|
|
45 |
|
Ex. #535 Implying 4, 6 And 7 Part Harmony With Four Pitches |
|
0:35 |
|
|
46 |
|
Ex. #538 4th Structures In Open Positions |
|
0:23 |
|
|
47 |
|
Ex. #540 Diatonic Closed 5th Clusters |
|
0:28 |
|
|
48 |
|
Ex. #543 Chromatic Closed 5th Clusters |
|
0:24 |
|
|
49 |
|
Ex. #549 Mixing One, Twao, Three And Four Part Densitiy |
|
0:36 |
|
|
50 |
|
Ex. #552 - #555 Inversions Of Five Part Chords |
|
0:31 |
|
|
51 |
|
Table 24 Special Five Part Voicings |
|
4:15 |
|
|
52 |
|
Ex. #592 Applying Plural Chord Relationships |
|
0:19 |
|
|
53 |
|
Ex, #593 Six, Seven And Eight Part Diatonic Clusters |
|
0:19 |
|
|
54 |
|
Ex, #594 Six, Seven And Eight Part Diatonic Clusters |
|
0:33 |
|
|
55 |
|
Ex, #595 Six, Seven And Eight Part Diatonic Clusters |
|
0:30 |
|
|
56 |
|
Ex. #597 Instrumental Families |
|
0:21 |
|
|
57 |
|
Ex. #598 Instrumental Families |
|
0:20 |
|
|
58 |
|
Ex. #599 Instrumental Families |
|
0:17 |
|
|
59 |
|
Ex. #600 Instrumental Families |
|
0:16 |
|
|
60 |
|
Ex. #601 Instrumental Families |
|
0:22 |
|
|
61 |
|
Ex. #602 Instrumental Families |
|
0:19 |
|
|
62 |
|
Ex. #603 Instrumental Families |
|
0:23 |
|
|
63 |
|
Ex. #604 Instrumental Families |
|
0:19 |
|
|
64 |
|
Ex. #605 Instrumental Families |
|
0:22 |
|
|
65 |
|
Ex. #606 Instrumental Families |
|
0:29 |
|
|
66 |
|
Ex. #607 Instrumental Families |
|
0:21 |
|
|
67 |
|
Ex. #608 Instrumental Families |
|
0:14 |
|
|
68 |
|
Ex. #609 Instrumental Families |
|
0:17 |
|
|
69 |
|
Ex. #610 Instrumental Families |
|
0:18 |
|
|
70 |
|
Ex. #611 Instrumental Families |
|
0:16 |
|
|
71 |
|
Ex. #612 Instrumental Families |
|
0:18 |
|
|
72 |
|
Ex. #613 Instrumental Families |
|
0:15 |
|
|
73 |
|
Ex. #614 Instrumental Families |
|
0:17 |
|
|
74 |
|
Ex. #615 Instrumental Families |
|
0:17 |
|
|
75 |
|
Ex. #616 Instrumental Families |
|
0:15 |
|
|
76 |
|
Ex. #617 Instrumental Families |
|
0:14 |
|
|
77 |
|
Ex. #618 Instrumental Families |
|
0:44 |
|
|
78 |
|
Ex. #619 Instrumental Families |
|
0:18 |
|
|
79 |
|
Ex. #620 Instrumental Families |
|
0:16 |
|
|
80 |
|
Ex. #621 Instrumental Families |
|
0:17 |
|
|
81 |
|
Ex. #622 Instrumental Families |
|
0:22 |
|
|
82 |
|
Ex. #623 Instrumental Families |
|
0:15 |
|
|
83 |
|
Ex. #624 Instrumental Families |
|
0:15 |
|
|
84 |
|
Ex. #625 Instrumental Families |
|
0:16 |
|
|
85 |
|
Ex. #626 Instrumental Families |
|
0:16 |
|
|
86 |
|
Ex. #627 Instrumental Families |
|
0:20 |
|
|
87 |
|
Ex. #628 Instrumental Families |
|
0:17 |
|
|
88 |
|
Ex. #629 Instrumental Families |
|
0:23 |
|
|
89 |
|
Ex. #630 Instrumental Families |
|
0:17 |
|
|
90 |
|
Ex. #631 Instrumental Families |
|
0:19 |
|
|
91 |
|
Ex. #632 Instrumental Families |
|
0:19 |
|
|
92 |
|
Ex. #644 New Composition Forms |
|
0:31 |
|
|
93 |
|
Appendix - Scuffle |
|
6:14 |
|
|
94 |
|
Epilog |
|
1:07 |
|
|
|
|
|
Total time |
|
55:32 |
|
|
|
|
|