Grey Larsen
The Essential Guide to Irish Flute and Tin Whistle (disc 1)


#    Title    Time    Info  
1 Figure 1-1: The seven so called church modes (Concertina) 0:51
2 Figure 1-2: Comparison between the Ionian and Mixolydian modes a... 0:36
3 Figure 1-4: Examples of the two pentatonic modes found in Irish 0:18
4 Figure 1-5: The first part of Turtle's Reel in D Dorian (Concert... 0:22
5 Figure 1-6: The first part of Turtle's Reel transposed up to E D... 0:21
6 Figure 1-7: An example of the use of slur notation (Whistle) 0:10
7 Figure 1-10: The opening bars of the march Lord Mayo (Whistle) 0:13
8 Exercise 7-1: Practicing cuts on repeated D's (Whistle) 0:18
9 Exercise 7-7: F-sharp to a cut G (Flute) 0:31
10 Figure 7-15: A version of The Lonesome Jig, which makes use of c... 1:43
11 Exercise 7-12: D to a cut F-sharp (Whistle) 0:20
12 Exercise 7-13: D to a cut G (Whistle) 0:20
13 Exercise 7-14: D to a cut A (Whistle) 0:20
14 Exercise 7-15: D to a cut B (Whistle) 0:20
15 Exercise 7-22: G down to a cut F-sharp (Flute) 0:29
16 Exercise 7-27: F-sharp down to a cut D (Flute) 0:20
17 Figure 7-16: A version of the slip jog The Boys of Ballisodare t... 2:18
18 Figure 7-17: The first two bars of the slip jig Hardiman the Fid... 0:11
19 Figure 7-19: The first two parts of the slip jig Hardiman the Fi... 0:11
20 Exercise 8-1: Practicing repeated strikes on G (Flute) 0:26
21 Exercise 8-8: Practicing strikes on F-sharp when descending from... 0:25
22 Figure 8-15: A version of the hornpipe Bantry Bay using cuts and... 1:11
23 Exercise 18-13: Practising strikes on E when descending from G (... 0:25
24 Figure 8-16: A version of the hornpipe Bantry Bay using cuts and... 1:24
25 Figure 9-1: Sliding up from E to F-sharp (Flute) 0:09
26 Figure 9-6: The opening bars from The Blarney Pilgrim with a sim... 0:13
27 Figure 9-8: An excerpt from a variation on the beginning of the 0:13
28 Figure 9-9a: The opening bars of The Star Above the Garter with 0:12
29 Figure 9-9b: Played again, this time using a struck slide as des... 0:12
30 Figure 9-10: The opening bars of Willie Coleman's Jig (Flute) 0:10
31 Exercise 10-1: Practicing long rolls on G (Flute) 0:25
32 Figure 10-5: The jig The Sporting Pitchfork with long rolls on G... 0:55
33 Figure 10-6: The jig The Sporting Pitchfork with long rolls on B... 0:53
34 Figure 10-16: The first two bars of the reel The Banshee with lo... 0:10
35 Figure 10-18: The first two bars of Whelan's Jig with long roll 0:09
36 Figure 10-20: The first two bars of the reel The Drunken Landlad... 0:10
37 Figure 10-22: The first two bars of the reel The Gravel Walk wit... 0:09
38 Figure 10-24: The first two bars of a variation on The Monaghan 0:09
39 Figure 10-26: The first four bars of the B part of The Rose in t... 0:12
40 Figure 10-30: Sliding into long rolls on the start of the reel R... 0:09
41 Exercise 11-1: Practicing short rolls on G (Whistle) 0:15
42 Figure 11-6: A setting of The Sporting Pitchfork using short rol... 0:46
43 Figure 11-7: A setting of The Sporting Pitchfork using short rol... 0:51
44 Figure 11-18: A variant on the start of Lad O'Beirne's Reel demo... 0:10
45 Figure 11-19: A more musical variant on the start of Lad O'Beirn... 0:10
46 Figure 11-10: A short roll in the second bar of The Lonesome Jig... 0:10
47 Figure 11-11: A short roll in the second bar of The Lonesome Jig... 0:09
48 Figure 11-12: Short rolls in the opening bar of the jig Tripping... 0:18
49 Figure 11-14: A variant on the opening bars of the jig The Frost... 0:12
50 Figure 11-15: An example of a short roll preceded by an eighth n... 0:07
51 Figure 11-19: The first part of the reel The Drunken Landlady (W... 0:21
52 Figure 11-20: The opening bars of Old Joe's Jig beginning with a... 0:09
53 Figure 11-21: The opening bars of Old Joe's Jig beginning with a... 0:09
54 Figure 12-4: Four different ways to play the beginning of The Gl... 0:19
55 Exercise 12-1: Practicing condensed long rolls on G (Flute) 0:20
56 Figure 12-7: A setting of The Sporting Pitchfork using condensed... 0:53
57 Figure 12-8: A setting of The Sporting Pitchfork using condensed... 0:49
58 Figure 13-6: A condensed short roll on f-sharp in the third bar 0:12
59 Exercise 13-1: Practicing condensed short rolls on G (Whistle) 0:14
60 Figure 13-9: A setting of The Sporting Pitchfork using condensed... 0:54
61 Figure 13-10: A setting of The Sporting Pitchfork using condense... 0:52
62 Exercise 15-1: Practicing long double-cut rolls on G (Flute) 0:25
63 Figure 15-4: A setting of the reel The Skylark using long double... 1:04
64 Exercise 15-5: Practicing short double-cut rolls on G (Whistle) 0:20
65 Figure 15-9: A setting of the reel The Skylark using short doubl... 1:10
66 Exercise 15-9: Practicing condensed long double-cut rolls on G (... 0:20
67 Figure 15-13: A setting of the reel The Skylark using condensed 1:04
68 Exercise 15-13: Practicing condensed short double-cut rolls on G... 0:19
69 Figure 15-17: A setting of the reel The Skylark using condensed 1:07
70 Exercise 16-1: Practicing long cranns on D (Whistle) 0:25
71 Figure 16-6: A setting of the reel The Trip to Durrow which make... 1:28
72 Exercise 16-3: Practicing short cranns on low D (Whistle) 0:20
73 Figure 16-11: A setting of the jig Garret Barry which short and 0:52
74 Figure 16-13: The first two bars of the jig The Humours of Bally... 0:09
75 Figure 16-14: A variant of the first two bars of the reel The La... 0:09
76 Figure 16-16: The first two bars of the third part of the reel T... 0:10
77 Figure 16-18: A variant on the first two bars of the reel The La... 0:10
78 Figure 16-20: The first two bars of the third part of the jig Th... 0:09
79 Figure 16-22: The first two bars of the second part of Old Joe's... 0:10
80 Figure 16-24: The ending of the first, third and fourth parts of... 0:13
81 Figure 16-30: A variant on the first two bars of The Home Ruler 0:10
82 Figure 16-32: A variant on the first two bars of the jig The Bla... 0:10
83 Figure 18-6: An expert from the second part of the hornpipe Bant... 0:11
84 Figure 18-8: The first two bars of the slip jig The Whinny Hills... 0:11
85 Figure 18-10: The first two bars of the slip jig The Whinny Hill... 0:11
86 Figure 18-12: An excerpt from the second part of Mary Bergin's v... 0:12
87 Figure 18-17: The most common notes for a tight triplet (played 0:10
88 Figure 18-18: Another note sequence which can be played as a tig... 0:08
89 Figure 18-19: A setting of the first part of the jig Garrett Bar... 0:18
90 Figure 19-1: A typical way of playing the first two bars of The 0:10
91 Figure 19-2: Another way to play the first two bars of The Glen 0:10
92 Figure 19-5: A melodic alternative to a long crann on d (a long 0:08
93 Figure 19-6: The first two bars of the jig Scotsman Over the Bor... 0:09
94 Figure 19-8: A melodic alternative to a short crann on low d (a 0:08
95 Figure 19-9: A melodic alternative to a short crann on high d (a... 0:08
96 Figure 19-10: A setting of the jig Garrett Barry showing how mel... 0:52
97 Figure 19-11: Four melodic variants on the long g roll found in 0:29
98 Figure 19-13: Three melodic variants of the beginning of the fou... 3:28
99 Data Track 0:08
Total time 43:32