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Grey Larsen
The Essential Guide to Irish Flute and Tin Whistle (disc 1)
#
Title
Time
Info
1
Figure 1-1: The seven so called church modes (Concertina)
0:51
2
Figure 1-2: Comparison between the Ionian and Mixolydian modes a...
0:36
3
Figure 1-4: Examples of the two pentatonic modes found in Irish
0:18
4
Figure 1-5: The first part of Turtle's Reel in D Dorian (Concert...
0:22
5
Figure 1-6: The first part of Turtle's Reel transposed up to E D...
0:21
6
Figure 1-7: An example of the use of slur notation (Whistle)
0:10
7
Figure 1-10: The opening bars of the march Lord Mayo (Whistle)
0:13
8
Exercise 7-1: Practicing cuts on repeated D's (Whistle)
0:18
9
Exercise 7-7: F-sharp to a cut G (Flute)
0:31
10
Figure 7-15: A version of The Lonesome Jig, which makes use of c...
1:43
11
Exercise 7-12: D to a cut F-sharp (Whistle)
0:20
12
Exercise 7-13: D to a cut G (Whistle)
0:20
13
Exercise 7-14: D to a cut A (Whistle)
0:20
14
Exercise 7-15: D to a cut B (Whistle)
0:20
15
Exercise 7-22: G down to a cut F-sharp (Flute)
0:29
16
Exercise 7-27: F-sharp down to a cut D (Flute)
0:20
17
Figure 7-16: A version of the slip jog The Boys of Ballisodare t...
2:18
18
Figure 7-17: The first two bars of the slip jig Hardiman the Fid...
0:11
19
Figure 7-19: The first two parts of the slip jig Hardiman the Fi...
0:11
20
Exercise 8-1: Practicing repeated strikes on G (Flute)
0:26
21
Exercise 8-8: Practicing strikes on F-sharp when descending from...
0:25
22
Figure 8-15: A version of the hornpipe Bantry Bay using cuts and...
1:11
23
Exercise 18-13: Practising strikes on E when descending from G (...
0:25
24
Figure 8-16: A version of the hornpipe Bantry Bay using cuts and...
1:24
25
Figure 9-1: Sliding up from E to F-sharp (Flute)
0:09
26
Figure 9-6: The opening bars from The Blarney Pilgrim with a sim...
0:13
27
Figure 9-8: An excerpt from a variation on the beginning of the
0:13
28
Figure 9-9a: The opening bars of The Star Above the Garter with
0:12
29
Figure 9-9b: Played again, this time using a struck slide as des...
0:12
30
Figure 9-10: The opening bars of Willie Coleman's Jig (Flute)
0:10
31
Exercise 10-1: Practicing long rolls on G (Flute)
0:25
32
Figure 10-5: The jig The Sporting Pitchfork with long rolls on G...
0:55
33
Figure 10-6: The jig The Sporting Pitchfork with long rolls on B...
0:53
34
Figure 10-16: The first two bars of the reel The Banshee with lo...
0:10
35
Figure 10-18: The first two bars of Whelan's Jig with long roll
0:09
36
Figure 10-20: The first two bars of the reel The Drunken Landlad...
0:10
37
Figure 10-22: The first two bars of the reel The Gravel Walk wit...
0:09
38
Figure 10-24: The first two bars of a variation on The Monaghan
0:09
39
Figure 10-26: The first four bars of the B part of The Rose in t...
0:12
40
Figure 10-30: Sliding into long rolls on the start of the reel R...
0:09
41
Exercise 11-1: Practicing short rolls on G (Whistle)
0:15
42
Figure 11-6: A setting of The Sporting Pitchfork using short rol...
0:46
43
Figure 11-7: A setting of The Sporting Pitchfork using short rol...
0:51
44
Figure 11-18: A variant on the start of Lad O'Beirne's Reel demo...
0:10
45
Figure 11-19: A more musical variant on the start of Lad O'Beirn...
0:10
46
Figure 11-10: A short roll in the second bar of The Lonesome Jig...
0:10
47
Figure 11-11: A short roll in the second bar of The Lonesome Jig...
0:09
48
Figure 11-12: Short rolls in the opening bar of the jig Tripping...
0:18
49
Figure 11-14: A variant on the opening bars of the jig The Frost...
0:12
50
Figure 11-15: An example of a short roll preceded by an eighth n...
0:07
51
Figure 11-19: The first part of the reel The Drunken Landlady (W...
0:21
52
Figure 11-20: The opening bars of Old Joe's Jig beginning with a...
0:09
53
Figure 11-21: The opening bars of Old Joe's Jig beginning with a...
0:09
54
Figure 12-4: Four different ways to play the beginning of The Gl...
0:19
55
Exercise 12-1: Practicing condensed long rolls on G (Flute)
0:20
56
Figure 12-7: A setting of The Sporting Pitchfork using condensed...
0:53
57
Figure 12-8: A setting of The Sporting Pitchfork using condensed...
0:49
58
Figure 13-6: A condensed short roll on f-sharp in the third bar
0:12
59
Exercise 13-1: Practicing condensed short rolls on G (Whistle)
0:14
60
Figure 13-9: A setting of The Sporting Pitchfork using condensed...
0:54
61
Figure 13-10: A setting of The Sporting Pitchfork using condense...
0:52
62
Exercise 15-1: Practicing long double-cut rolls on G (Flute)
0:25
63
Figure 15-4: A setting of the reel The Skylark using long double...
1:04
64
Exercise 15-5: Practicing short double-cut rolls on G (Whistle)
0:20
65
Figure 15-9: A setting of the reel The Skylark using short doubl...
1:10
66
Exercise 15-9: Practicing condensed long double-cut rolls on G (...
0:20
67
Figure 15-13: A setting of the reel The Skylark using condensed
1:04
68
Exercise 15-13: Practicing condensed short double-cut rolls on G...
0:19
69
Figure 15-17: A setting of the reel The Skylark using condensed
1:07
70
Exercise 16-1: Practicing long cranns on D (Whistle)
0:25
71
Figure 16-6: A setting of the reel The Trip to Durrow which make...
1:28
72
Exercise 16-3: Practicing short cranns on low D (Whistle)
0:20
73
Figure 16-11: A setting of the jig Garret Barry which short and
0:52
74
Figure 16-13: The first two bars of the jig The Humours of Bally...
0:09
75
Figure 16-14: A variant of the first two bars of the reel The La...
0:09
76
Figure 16-16: The first two bars of the third part of the reel T...
0:10
77
Figure 16-18: A variant on the first two bars of the reel The La...
0:10
78
Figure 16-20: The first two bars of the third part of the jig Th...
0:09
79
Figure 16-22: The first two bars of the second part of Old Joe's...
0:10
80
Figure 16-24: The ending of the first, third and fourth parts of...
0:13
81
Figure 16-30: A variant on the first two bars of The Home Ruler
0:10
82
Figure 16-32: A variant on the first two bars of the jig The Bla...
0:10
83
Figure 18-6: An expert from the second part of the hornpipe Bant...
0:11
84
Figure 18-8: The first two bars of the slip jig The Whinny Hills...
0:11
85
Figure 18-10: The first two bars of the slip jig The Whinny Hill...
0:11
86
Figure 18-12: An excerpt from the second part of Mary Bergin's v...
0:12
87
Figure 18-17: The most common notes for a tight triplet (played
0:10
88
Figure 18-18: Another note sequence which can be played as a tig...
0:08
89
Figure 18-19: A setting of the first part of the jig Garrett Bar...
0:18
90
Figure 19-1: A typical way of playing the first two bars of The
0:10
91
Figure 19-2: Another way to play the first two bars of The Glen
0:10
92
Figure 19-5: A melodic alternative to a long crann on d (a long
0:08
93
Figure 19-6: The first two bars of the jig Scotsman Over the Bor...
0:09
94
Figure 19-8: A melodic alternative to a short crann on low d (a
0:08
95
Figure 19-9: A melodic alternative to a short crann on high d (a...
0:08
96
Figure 19-10: A setting of the jig Garrett Barry showing how mel...
0:52
97
Figure 19-11: Four melodic variants on the long g roll found in
0:29
98
Figure 19-13: Three melodic variants of the beginning of the fou...
3:28
99
Data Track
0:08
Total time
43:32