Grey Larsen
The Essential Guide to Irish Flute and Tin Whistle, disc 1
2002
celtic

#    Title    Time    Info  
1 Figure 1-1: The Seven So-Called Church Modes (Concertina) 0:51
2 Figure 1-2: Comparison Between the Ionian and Mixolydian ... 0:36
3 Figure 1-4: Examples of the Two Pentatonic Modes Found in ... 0:18
4 Figure 1-5: The First Part of 'Tuttle's Reel' in D Dorian (... 0:22
5 Figure 1-6: The First Part of 'Tuttle's Reel' Transposed Up ... 0:21
6 Figure 1-7: An Example of the Use of Slur Notation (Whistle) 0:10
7 Figure 1-10: The Opening Bars of the March 'Lord Mayo' (Whistle)... 0:13
8 Exercise 7-1: Practicing Cuts on Repeated Ds (Whistle) 0:18
9 Exercise 7-7: F-Sharp to a Cut G (Flute) 0:31
10 Figure 7-15: A Version of 'The Lonesome Jig', Which Makes ... 1:43
11 Exercise 7-12: D to a Cut F-Sharp (Whistle) 0:20
12 Exercise 7-13: D to a Cut G (Whistle) 0:20
13 Exercise 7-14: D to a Cut A (Whistle) 0:20
14 Exercise 7-15: D to a Cut B (Whistle) 0:20
15 Exercise 7-22: G Down to a Cut F-Sharp (Flute) 0:29
16 Exercise 7-27: F-Sharp Down to a Cut D (Flute) 0:20
17 Figure 7-16: A Version of the Slip Jig 'The Boys of ... 2:18
18 Figure 7-17: The First Two Bars of the Slip Jig 'Hardiman ... 0:11
19 Figure 7-19: The First Two Bars of the Slip Jig 'Hardiman ... 0:11
20 Exercise 8-1: Practicing Repeated Strikes on G (Flute) 0:26
21 Exercise 8-8: Practicing Strikes on F-Sharp When Descending ... 0:25
22 Figure 8-15: A Version of the Hornpipe 'Bantry Bay' Using ... 1:11
23 Exercise 18-13: Practising Strikes on E When Descending from ...... 0:25
24 Figure 8-16: A Version of the Hornpipe 'Bantry Bay' Using ... 1:24
25 Figure 9-1: Sliding Up from E to F-Sharp (Flute) 0:09
26 Figure 9-6: The Opening Bars from 'The Blarney Pilgrim' With ...... 0:13
27 Figure 9-8: An Excerpt from a Variation on the Beginning of ... 0:13
28 Figure 9-9a: The Opening Bars of 'The Star Above the Garter' ...... 0:12
29 Figure 9-9b: Played Again, This Time Using a Struck Slide as ...... 0:12
30 Figure 9-10: The Opening Bars of 'Willie Coleman's Jig' (Flute) 0:10
31 Exercise 10-1: Practicing Long Rolls on G (Flute) 0:25
32 Figure 10-5: the Jig 'The Sporting Pitchfork' With Long ... 0:55
33 Figure 10-6: The Jig 'The Sporting Pitchfork' With Long ... 0:53
34 Figure 10-16: The First Two Bars of the Reel 'The Banshee' ... 0:10
35 Figure 10-18: The First Two Bars of 'Whelan's Jig' With Long ...... 0:09
36 Figure 10-20: The First Two Bars of the Reel 'The Drunken ... 0:10
37 Figure 10-22: The First Two Bars of the Reel 'The Gravel ... 0:09
38 Figure 10-24: The First Two Bars of a Variation on 'The ... 0:09
39 Figure 10-26: The First Four Bars of the B Part of 'The Rose ...... 0:12
40 Figure 10-30: Sliding into Long Rolls on the Start of the ... 0:09
41 Exercise 11-1: Practicing Short Rolls on G (Whistle) 0:15
42 Figure 11-6: A Setting of 'The Sporting Pitchfork' Using ... 0:46
43 Figure 11-7: A Setting of 'The Sporting Pitchfork' Using ... 0:51
44 Figure 11-18: A Variant on the Start of 'Lad O'Beirne's Reel'...... 0:10
45 Figure 11-19: A More Musical Variant on the Start of 'Lad O'... 0:10
46 Figure 11-10: A More Common Way to Play the Start of 'Lad O'... 0:10
47 Figure 11-11: A Short Roll in the Second Bar of 'The ... 0:09
48 Figure 11-12: Short Rolls in the Opening Bar of the Jig '... 0:18
49 Figure 11-14: A Variant on the Opening Bars of the Jig 'The ... 0:12
50 Figure 11-15: An Example of a Short Roll Preceded by an ... 0:07
51 Figure 11-19: The First Part of the Reel 'The Drunken ... 0:21
52 Figure 11-20: The Opening Bars of 'Old Joe's Jig' Beginning ... 0:09
53 Figure 11-21: The Opening Bars of 'Old Joe's Jig' Beginning ... 0:09
54 Figure 12-4: Four Different Ways to Play the Beginning of '... 0:19
55 Exercise 12-1: Practicing Condensed Long Rolls on G (Flute) 0:20
56 Figure 12-7: A Setting of 'The Sporting Pitchfork' Using ... 0:53
57 Figure 12-8: A Setting of 'The Sporting Pitchfork' Using ... 0:49
58 Figure 13-6: A Condensed Short Roll on F-Sharp in the Third ... 0:12
59 Exercise 13-1: Practicing Condensed Short Rolls on G (Whistle) 0:14
60 Figure 13-9: A Setting of 'The Sporting Pitchfork' Using ... 0:54
61 Figure 13-10: A Setting of 'The Sporting Pitchfork' Using ... 0:52
62 Exercise 15-1: Practicing Long Double-Cut Rolls on G (Flute) 0:25
63 Figure 15-4: A Setting of the Reel 'The Skylark' Using Long ... 1:04
64 Exercise 15-5: Practicing Short Double-Cut Rolls on G (Whistle) 0:20
65 Figure 15-9: A Setting of the Reel 'The Skylark' Using Short ...... 1:10
66 Exercise 15-9: Practicing Condensed Long Double-Cut Rolls on ...... 0:20
67 Figure 15-13: A Setting of the Reel 'The Skylark' Using ... 1:04
68 Exercise 15-13: Practicing Condensed Short Double-Cut Rolls ... 0:19
69 Figure 15-17: A Setting of the Reel 'The Skylark' Using ... 1:07
70 Exercise 16-1: Practicing Long Cranns on D (Whistle) 0:25
71 Figure 16-6: A Setting of the Reel 'The Trip to Durrow' ... 1:28
72 Exercise 16-3: Practicing Short Cranns on Low D (Whistle) 0:20
73 Figure 16-11: A Setting of the Jig 'Garret Barry' Which ... 0:52
74 Figure 16-13: The First Two Bars of the Reel 'The Trip to ... 0:09
75 Figure 16-14: The First Two Bars of the Jig 'The Humours of ... 0:09
76 Figure 16-16: The First Two Bars of the Third Part of the ... 0:10
77 Figure 16-18: A Variant on the First Two Bars of the Reel '... 0:10
78 Figure 16-20: The First Two Bars of the Third Part of the ... 0:09
79 Figure 16-22: The First Two Bars of the Second Part of 'Old ... 0:10
80 Figure 16-24: The Ending of the First, Third and Fourth ... 0:13
81 Figure 16-30: A Variant on the First Two Bars of 'The Home ... 0:10
82 Figure 16-32: A Variant on the First Two Bars of the Jig '... 0:10
83 Figure 18-6: An Excerpt From the Second Part of the Hornpipe ...... 0:11
84 Figure 18-8: The First Two Bars of the Slip Jig 'The Whinny ... 0:11
85 Figure 18-10: The First Two Bars of the Slip Jig 'The Whinny ...... 0:11
86 Figure 18-12: An Excerpt From the Second Part of Mary Bergin'...... 0:12
87 Figure 18-17: The Most Common Notes for a Tight Triplet (... 0:10
88 Figure 18-18: Another Note Sequence Which Can Be Played as a ...... 0:08
89 Figure 18-19: A Setting of the First Part of the Jig '... 0:18
90 Figure 19-1: A Typical Way of Playing the First Two Bars of '...... 0:10
91 Figure 19-2: Another Way to Play the First Two Bars of 'The ... 0:10
92 Figure 19-5: A Melodic Alternative to a Long Crann on D (A ... 0:08
93 Figure 19-6: The First Two Bars of the Jig 'Scotsman Over ... 0:09
94 Figure 19-8: A Melodic Alternative to a Short Crann on Low D ...... 0:08
95 Figure 19-9: A Melodic Alternative to a Short Crann on High ... 0:08
96 Figure 19-10: A Setting of the Jig 'Garrett Barry' Showing ... 0:52
97 Figure 19-11: Four Melodic Variants on the Long G Roll Found ...... 0:29
98 Figure 19-13: Three Melodic Variants of the Beginning of the ...... 3:28
99 DATA 0:08
Total time 43:32