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Grey Larsen
The Essential Guide to Irish Flute and Tin Whistle, disc 1
2002
celtic
#
Title
Time
Info
1
Figure 1-1: The Seven So-Called Church Modes (Concertina)
0:51
2
Figure 1-2: Comparison Between the Ionian and Mixolydian ...
0:36
3
Figure 1-4: Examples of the Two Pentatonic Modes Found in ...
0:18
4
Figure 1-5: The First Part of 'Tuttle's Reel' in D Dorian (...
0:22
5
Figure 1-6: The First Part of 'Tuttle's Reel' Transposed Up ...
0:21
6
Figure 1-7: An Example of the Use of Slur Notation (Whistle)
0:10
7
Figure 1-10: The Opening Bars of the March 'Lord Mayo' (Whistle)...
0:13
8
Exercise 7-1: Practicing Cuts on Repeated Ds (Whistle)
0:18
9
Exercise 7-7: F-Sharp to a Cut G (Flute)
0:31
10
Figure 7-15: A Version of 'The Lonesome Jig', Which Makes ...
1:43
11
Exercise 7-12: D to a Cut F-Sharp (Whistle)
0:20
12
Exercise 7-13: D to a Cut G (Whistle)
0:20
13
Exercise 7-14: D to a Cut A (Whistle)
0:20
14
Exercise 7-15: D to a Cut B (Whistle)
0:20
15
Exercise 7-22: G Down to a Cut F-Sharp (Flute)
0:29
16
Exercise 7-27: F-Sharp Down to a Cut D (Flute)
0:20
17
Figure 7-16: A Version of the Slip Jig 'The Boys of ...
2:18
18
Figure 7-17: The First Two Bars of the Slip Jig 'Hardiman ...
0:11
19
Figure 7-19: The First Two Bars of the Slip Jig 'Hardiman ...
0:11
20
Exercise 8-1: Practicing Repeated Strikes on G (Flute)
0:26
21
Exercise 8-8: Practicing Strikes on F-Sharp When Descending ...
0:25
22
Figure 8-15: A Version of the Hornpipe 'Bantry Bay' Using ...
1:11
23
Exercise 18-13: Practising Strikes on E When Descending from ......
0:25
24
Figure 8-16: A Version of the Hornpipe 'Bantry Bay' Using ...
1:24
25
Figure 9-1: Sliding Up from E to F-Sharp (Flute)
0:09
26
Figure 9-6: The Opening Bars from 'The Blarney Pilgrim' With ......
0:13
27
Figure 9-8: An Excerpt from a Variation on the Beginning of ...
0:13
28
Figure 9-9a: The Opening Bars of 'The Star Above the Garter' ......
0:12
29
Figure 9-9b: Played Again, This Time Using a Struck Slide as ......
0:12
30
Figure 9-10: The Opening Bars of 'Willie Coleman's Jig' (Flute)
0:10
31
Exercise 10-1: Practicing Long Rolls on G (Flute)
0:25
32
Figure 10-5: the Jig 'The Sporting Pitchfork' With Long ...
0:55
33
Figure 10-6: The Jig 'The Sporting Pitchfork' With Long ...
0:53
34
Figure 10-16: The First Two Bars of the Reel 'The Banshee' ...
0:10
35
Figure 10-18: The First Two Bars of 'Whelan's Jig' With Long ......
0:09
36
Figure 10-20: The First Two Bars of the Reel 'The Drunken ...
0:10
37
Figure 10-22: The First Two Bars of the Reel 'The Gravel ...
0:09
38
Figure 10-24: The First Two Bars of a Variation on 'The ...
0:09
39
Figure 10-26: The First Four Bars of the B Part of 'The Rose ......
0:12
40
Figure 10-30: Sliding into Long Rolls on the Start of the ...
0:09
41
Exercise 11-1: Practicing Short Rolls on G (Whistle)
0:15
42
Figure 11-6: A Setting of 'The Sporting Pitchfork' Using ...
0:46
43
Figure 11-7: A Setting of 'The Sporting Pitchfork' Using ...
0:51
44
Figure 11-18: A Variant on the Start of 'Lad O'Beirne's Reel'......
0:10
45
Figure 11-19: A More Musical Variant on the Start of 'Lad O'...
0:10
46
Figure 11-10: A More Common Way to Play the Start of 'Lad O'...
0:10
47
Figure 11-11: A Short Roll in the Second Bar of 'The ...
0:09
48
Figure 11-12: Short Rolls in the Opening Bar of the Jig '...
0:18
49
Figure 11-14: A Variant on the Opening Bars of the Jig 'The ...
0:12
50
Figure 11-15: An Example of a Short Roll Preceded by an ...
0:07
51
Figure 11-19: The First Part of the Reel 'The Drunken ...
0:21
52
Figure 11-20: The Opening Bars of 'Old Joe's Jig' Beginning ...
0:09
53
Figure 11-21: The Opening Bars of 'Old Joe's Jig' Beginning ...
0:09
54
Figure 12-4: Four Different Ways to Play the Beginning of '...
0:19
55
Exercise 12-1: Practicing Condensed Long Rolls on G (Flute)
0:20
56
Figure 12-7: A Setting of 'The Sporting Pitchfork' Using ...
0:53
57
Figure 12-8: A Setting of 'The Sporting Pitchfork' Using ...
0:49
58
Figure 13-6: A Condensed Short Roll on F-Sharp in the Third ...
0:12
59
Exercise 13-1: Practicing Condensed Short Rolls on G (Whistle)
0:14
60
Figure 13-9: A Setting of 'The Sporting Pitchfork' Using ...
0:54
61
Figure 13-10: A Setting of 'The Sporting Pitchfork' Using ...
0:52
62
Exercise 15-1: Practicing Long Double-Cut Rolls on G (Flute)
0:25
63
Figure 15-4: A Setting of the Reel 'The Skylark' Using Long ...
1:04
64
Exercise 15-5: Practicing Short Double-Cut Rolls on G (Whistle)
0:20
65
Figure 15-9: A Setting of the Reel 'The Skylark' Using Short ......
1:10
66
Exercise 15-9: Practicing Condensed Long Double-Cut Rolls on ......
0:20
67
Figure 15-13: A Setting of the Reel 'The Skylark' Using ...
1:04
68
Exercise 15-13: Practicing Condensed Short Double-Cut Rolls ...
0:19
69
Figure 15-17: A Setting of the Reel 'The Skylark' Using ...
1:07
70
Exercise 16-1: Practicing Long Cranns on D (Whistle)
0:25
71
Figure 16-6: A Setting of the Reel 'The Trip to Durrow' ...
1:28
72
Exercise 16-3: Practicing Short Cranns on Low D (Whistle)
0:20
73
Figure 16-11: A Setting of the Jig 'Garret Barry' Which ...
0:52
74
Figure 16-13: The First Two Bars of the Reel 'The Trip to ...
0:09
75
Figure 16-14: The First Two Bars of the Jig 'The Humours of ...
0:09
76
Figure 16-16: The First Two Bars of the Third Part of the ...
0:10
77
Figure 16-18: A Variant on the First Two Bars of the Reel '...
0:10
78
Figure 16-20: The First Two Bars of the Third Part of the ...
0:09
79
Figure 16-22: The First Two Bars of the Second Part of 'Old ...
0:10
80
Figure 16-24: The Ending of the First, Third and Fourth ...
0:13
81
Figure 16-30: A Variant on the First Two Bars of 'The Home ...
0:10
82
Figure 16-32: A Variant on the First Two Bars of the Jig '...
0:10
83
Figure 18-6: An Excerpt From the Second Part of the Hornpipe ......
0:11
84
Figure 18-8: The First Two Bars of the Slip Jig 'The Whinny ...
0:11
85
Figure 18-10: The First Two Bars of the Slip Jig 'The Whinny ......
0:11
86
Figure 18-12: An Excerpt From the Second Part of Mary Bergin'......
0:12
87
Figure 18-17: The Most Common Notes for a Tight Triplet (...
0:10
88
Figure 18-18: Another Note Sequence Which Can Be Played as a ......
0:08
89
Figure 18-19: A Setting of the First Part of the Jig '...
0:18
90
Figure 19-1: A Typical Way of Playing the First Two Bars of '......
0:10
91
Figure 19-2: Another Way to Play the First Two Bars of 'The ...
0:10
92
Figure 19-5: A Melodic Alternative to a Long Crann on D (A ...
0:08
93
Figure 19-6: The First Two Bars of the Jig 'Scotsman Over ...
0:09
94
Figure 19-8: A Melodic Alternative to a Short Crann on Low D ......
0:08
95
Figure 19-9: A Melodic Alternative to a Short Crann on High ...
0:08
96
Figure 19-10: A Setting of the Jig 'Garrett Barry' Showing ...
0:52
97
Figure 19-11: Four Melodic Variants on the Long G Roll Found ......
0:29
98
Figure 19-13: Three Melodic Variants of the Beginning of the ......
3:28
99
DATA
0:08
Total time
43:32