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CD 1 |
| # |
|
Title |
|
Time |
|
Info |
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| 1 |
|
The Story of "I'm Alabama Bound" (Spoken) / I'm Alabama Bound (Song) |
|
4:03 |
|
|
| 2 |
|
Time in Mobile (Spoken) / "I'm Alabama Bound," continued (Song) |
|
4:13 |
|
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| 3 |
|
"King Porter Stomp" (Piano Instrumental) / The Story of "King Porter Stomp" (Spoken) |
|
4:06 |
|
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| 4 |
|
The Story of "King Porter Stomp," continued (Spoken) / "You Can Have It, I Don't Want It" (Song) / Copyrights and Battles of Music (Spoken) |
|
3:53 |
|
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| 5 |
|
Jell Roll's Background (Spoken) |
|
4:21 |
|
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| 6 |
|
Music Lessons (Spoken) / "Miserere" (Piano Instrumental) |
|
4:06 |
|
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| 7 |
|
"Miserere," continued (Piano Instrumental) / The French Opera House and the Tenderloin (Spoken) |
|
4:05 |
|
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| 8 |
|
The Stomping Grounds |
|
4:15 |
|
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| 9 |
|
"The Style of Sammy Davis" (Piano Instrumental) / The Renown of Tony Jackson (Spoken) / "Pretty Baby" (Song) |
|
4:18 |
|
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| 10 |
|
Tony Jackson Was the Favorite / Dope, Crown, and Opium (Spoken) |
|
4:00 |
|
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| 11 |
|
Poor Alfred Wilson (Spoken) / Tony Jackson's "Naked Dance" (Piano Instrumental) |
|
4:03 |
|
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| 12 |
|
"Honkey Tonk Blues" (Song) / In New Orleans, Anyone Could Carry a Gun (Spoken) |
|
4:21 |
|
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| 13 |
|
New Orleans Was a Free and Easy Place (Spoken) / "Levee Man Blues" (Song) |
|
4:08 |
|
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| 14 |
|
The Story of Aaron Harris (Spoken) |
|
4:05 |
|
|
|
|
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Total time |
|
57:57 |
|
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CD 2 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
The Story of Aaron Harris, continued (Spoken) / "Aaron Harris Blues" (Song) |
|
4:06 |
|
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| 2 |
|
Aaron Harris, His Hoodoo Woman, and the The Hat That Started a Riot (Spoken) |
|
4:10 |
|
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| 3 |
|
The Story of the 1900 New Orleans Riot and the Song of Robert Charles (Spoken) |
|
4:05 |
|
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| 4 |
|
The Story of the 1900 New Orleans Riot, continued (Spoken) / "Game Kid Blues" (Song) |
|
4:05 |
|
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| 5 |
|
"Game Kid Blues," continued (Piano Instrumental) / "Buddy Carter Rag" (Piano Instrumental) |
|
3:57 |
|
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| 6 |
|
New Orleans Funerals (Spoken) / "Steal Away" (Song) / "Nearer My God to Thee" (Song) |
|
4:18 |
|
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| 7 |
|
Funeral Marches (Spoken) / "Flee as the Bird to the Mountain" (Piano Instrumental) |
|
4:12 |
|
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| 8 |
|
"Oh! Didn't He Ramble" (Piano Instrumental) / Evolution of Tiger Rag (Spoken) / "Tiger Rag" first and second strains (Piano Instrumental) |
|
4:07 |
|
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| 9 |
|
"Tiger Rag" third, fourth, and fifth strains (Piano Instrumental) / "Tiger Rag" transformed (Piano Instrumental) |
|
4:01 |
|
|
| 10 |
|
"Tiger Rag" (Piano Instrumental) / "Panama" (Piano Instrumental) |
|
4:03 |
|
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| 11 |
|
The Right Tempo Is the Accurate Tempo (Interview and Demonstration) / Harmony, Melody, and Riffs (Interview and Demonstration) |
|
4:40 |
|
|
| 12 |
|
Jazz Discords and the Story of the "Kansas City Stomp" (Interview and Demonstration) / "Kansas City Stomp" (Piano Instrumental) |
|
4:31 |
|
|
| 13 |
|
"Kansas City Stomp," continued (Piano Instrumental) / Breaks in Jazz (Interview and Demonstration) / "Darktown Strutters' Ball" (Piano Instrumental) |
|
4:35 |
|
|
| 14 |
|
Slow Swing and "Sweet Jazz Music" (Interview and Demonstration) |
|
4:34 |
|
|
| 15 |
|
"Salty Dog" (Song) / Bill Johnson, Jelly's Brother-in-Law (Spoken) |
|
4:23 |
|
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| 16 |
|
"Hesitation Blues" (Interview and Song) |
|
4:30 |
|
|
|
|
|
Total time |
|
68:17 |
|
|
CD 3 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
"My Gal Sal," original and transformation (Interview and Song) |
|
3:53 |
|
|
| 2 |
|
The St. Louis Scene (Spoken) / Randall's Tune (Piano Instrumental) / "Maple Leaf Rag," St. Louis style (Piano Instrumental) |
|
4:10 |
|
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| 3 |
|
"Maple Leaf Rag," St. Louis style, conclusion (Piano Instrumental) / "Maple Leaf Rag," New Orleans style (Piano Instrumental) |
|
4:20 |
|
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| 4 |
|
Jelly Roll Carves St. Louis (Spoken) |
|
4:20 |
|
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| 5 |
|
Jelly Roll Carves St. Louis, continued (Spoken) / "Miserere," swinging arrangement, with portion of "Anvil Chorus" (Piano Instrumental) |
|
4:24 |
|
|
| 6 |
|
"New Orleans Blues" (Song) |
|
3:59 |
|
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| 7 |
|
"Winin' Boy Blues" (Song) |
|
3:45 |
|
|
| 8 |
|
"Winin' Boy Blues," continued (Song) |
|
4:24 |
|
|
| 9 |
|
"The Anamule Dance" (Song) |
|
3:47 |
|
|
| 10 |
|
"The Anamule Dance," continued (Song) / The Story of the "The Anmule Dance" (Spoken) / The Origins of Scat, "Scat Song" (Interview and Demonstration) |
|
4:20 |
|
|
| 11 |
|
The Great Buddy Bolden (Spoken) / "Buddy Bolden's Blues" (Song) |
|
4:12 |
|
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| 12 |
|
The Great Buddy Bolden, continued (Spoken) |
|
4:11 |
|
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| 13 |
|
"Mr. Jelly Lord" (Song) |
|
4:10 |
|
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| 14 |
|
How Jelly Roll Got His Name (Spoken) / "Original Jelly Roll Blues" (Piano Instrumental) |
|
4:15 |
|
|
| 15 |
|
"Original Jelly Roll Blues," continued (Song) / Jelly Roll's Four-Beat Foot (Spoken) |
|
4:10 |
|
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| 16 |
|
"Honky Tonk Blues" (Song) / Old-Time Honky Tonks (Spoken) |
|
4:06 |
|
|
|
|
|
Total time |
|
66:26 |
|
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CD 4 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Real Tough Boys (Spoken) |
|
4:32 |
|
|
| 2 |
|
Sporting Attire and Shooting the Agate (Spoken) |
|
4:33 |
|
|
| 3 |
|
Sweet Mamas and Sweet Papas (Spoken) / "See See Rider" (Song) |
|
4:21 |
|
|
| 4 |
|
"See See Rider," continued (Song) / Parading With the Broadway Swells (Spoken) |
|
4:25 |
|
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| 5 |
|
Parading With the Broadway Swells, continued (Spoken) |
|
4:24 |
|
|
| 6 |
|
Fights and Weapons (Spoken) / "Stars and Stripes Forever" (Piano Instrumental) |
|
4:28 |
|
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| 7 |
|
Luis Russell and New Orleans Riffs (Interview and Demonstration) / "Call of the Freaks" (Song) |
|
4:27 |
|
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| 8 |
|
Jelly's Travels: From Yazoo to Clarksdale (Spoken) |
|
4:14 |
|
|
| 9 |
|
Jelly's Travels: From Clarksdale to Helena (Spoken) |
|
4:34 |
|
|
| 10 |
|
Jelly's Travels: From Helena to Memphis (Spoken) |
|
4:23 |
|
|
| 11 |
|
In Memphis: The Monarch Saloon and Benny Frenchy (Spoken) / "Benny Frenchy's Tune" (Piano Instrumental) |
|
4:24 |
|
|
| 12 |
|
"Benny Frenchy's Tune," continued (Piano Instrumental) / Bad Sam, Memphis' Toughest (Interview) / "The Stomp That Beat Benny Frenchy" (Piano Instrumental) / "All That I Ask Is Love" (Song) |
|
4:24 |
|
|
| 13 |
|
"Make Me a Pallet on the Floor" (Interview and Song) |
|
4:16 |
|
|
| 14 |
|
"Make Me a Pallet on the Floor," continued (Song) |
|
4:15 |
|
|
| 15 |
|
"Make Me a Pallet on the Floor," continued (Song) |
|
4:14 |
|
|
| 16 |
|
"Make Me a Pallet on the Floor," conclusion (Song) |
|
4:35 |
|
|
|
|
|
Total time |
|
70:29 |
|
|
CD 5 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
"The Dirty Dozen" (Interview and Song) |
|
4:31 |
|
|
| 2 |
|
The Murder Ballad, Part One (Song) |
|
4:03 |
|
|
| 3 |
|
The Murder Ballad, Part Two (Song) |
|
4:18 |
|
|
| 4 |
|
The Murder Ballad, Part Three (Song) |
|
4:28 |
|
|
| 5 |
|
The Murder Ballad, Part Four (Song) |
|
4:20 |
|
|
| 6 |
|
The Murder Ballad, Part Five (Song) |
|
4:13 |
|
|
| 7 |
|
The Murder Ballad, Part Six (Song) |
|
4:25 |
|
|
| 8 |
|
The Murder Ballad, conclusion (Song) |
|
4:30 |
|
|
| 9 |
|
"Fickle Fay Creep" (Piano Instrumental) |
|
3:16 |
|
|
| 10 |
|
"Jungle Blues" (Piano Instrumental) |
|
3:45 |
|
|
| 11 |
|
"King Porter Stomp" (Piano Instrumental) |
|
2:57 |
|
|
| 12 |
|
"Sweet Peter" (Piano Instrumental) |
|
3:05 |
|
|
| 13 |
|
"Hyena Stomp" (Piano Instrumental) |
|
3:34 |
|
|
| 14 |
|
"Wolverine Blues" (Song) |
|
3:47 |
|
|
| 15 |
|
"Wolverine Blues," continued (Song) |
|
4:02 |
|
|
| 16 |
|
"State and Madison" (Piano Instrumental) |
|
3:45 |
|
|
| 17 |
|
"The Pearls" (Piano Instrumental) |
|
3:31 |
|
|
| 18 |
|
"The Pearls," continued (Piano Instrumental) |
|
3:35 |
|
|
|
|
|
Total time |
|
70:05 |
|
|
CD 6 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
"Bert Williams" (Piano Instrumental) |
|
3:42 |
|
|
| 2 |
|
"Freakish" (Piano Instrumental) |
|
4:00 |
|
|
| 3 |
|
"Pep" (Piano Instrumental) |
|
3:34 |
|
|
| 4 |
|
The Georgia Skin Game (Spoken) |
|
3:56 |
|
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| 5 |
|
The Georgia Skin Game, continued (Spoken) |
|
3:04 |
|
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| 6 |
|
The Georgia Skin Game, conclusion (Spoken) / "I'm Gonna Get One and Go Directly" (Song) |
|
3:21 |
|
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| 7 |
|
"Ungai Hai," the Sign of the Indians (Interview and Song) |
|
4:11 |
|
|
| 8 |
|
"New Orleans Blues" (Piano Instrumental) / The Spanish Tinge (Spoken) |
|
4:08 |
|
|
| 9 |
|
The Spanish Tinge, continued (Interview and Demonstration) |
|
4:15 |
|
|
| 10 |
|
Improving Spanish Tempos and "Creepy Feeling" (Interview and Piano Instrumental) |
|
4:07 |
|
|
| 11 |
|
"Creepy Feeling" (Piano Instrumental) |
|
4:20 |
|
|
| 12 |
|
"The Crave" (Piano Instrumental) |
|
4:32 |
|
|
| 13 |
|
"Mamanita" (Piano Instrumental) |
|
4:09 |
|
|
| 14 |
|
C'était N'aut' Can-Can, Payez Donc (Interview and Song) / "If You Don't Shake, You Don't Get No Cake" (Song" |
|
4:23 |
|
|
| 15 |
|
"Spanish Swat" (Piano Instrumental) |
|
4:14 |
|
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| 16 |
|
"Ain't Misbehavin'" (Song) |
|
4:13 |
|
|
| 17 |
|
"I Hate a Man Like You" (Interview and Song) / "Rolling Stuff" (Piano Instrumental) |
|
4:13 |
|
|
| 18 |
|
"Michigan Water Blues" (Interview and Song) |
|
3:51 |
|
|
|
|
|
Total time |
|
72:13 |
|
|
CD 7 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
"Winin' Boy Blues" (Song) |
|
4:10 |
|
|
| 2 |
|
"Winin' Boy Blues," continued (Song) |
|
4:16 |
|
|
| 3 |
|
"Boogie Woogie Blues" (Piano Instrumental) / "Albert Carroll's Tune" (Piano Instrumental) / "Buddy Bertrand's Blues" (Piano Instrumental) |
|
4:22 |
|
|
| 4 |
|
"Buddy Bertrand's Blues," continued (Piano Instrumental) / "Mamie's Blues" (Interview, Piano Instrumental, and Song) |
|
4:27 |
|
|
| 5 |
|
When the Hot Stuff Came In (Spoken) |
|
8:41 |
|
|
| 6 |
|
The First Hot Arrangements (Spoken) |
|
9:02 |
|
|
| 7 |
|
The Pensacola Kid and the Cadillac Café (Spoken) |
|
8:00 |
|
|
| 8 |
|
At the Cadillac Café, Los Angeles, continued (Spoken) / "Little Liza Jane" (Song) |
|
9:56 |
|
|
| 9 |
|
"Little Liza Jane," continued (Song) / On the West Coast: Getting Along Swell (Spoken) |
|
9:47 |
|
|
| 10 |
|
In the Publishing Business (Spoken) / "Tricks Ain't Walking No More" (Song) |
|
8:50 |
|
|
|
|
|
Total time |
|
71:31 |
|
|
CD 8 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
"Original Jelly Roll Blues" (Guitar Instrumental) |
|
1:52 |
|
|
| 2 |
|
Jelly Roll's Early Playing Days in the District (Spoken) |
|
1:23 |
|
|
| 3 |
|
Hot Bands and Creole Tunes (Spoken) |
|
4:30 |
|
|
| 4 |
|
"Eh, La Bas" (Song) / Riffs and Breaks From Creole Songs (Spoken) |
|
2:03 |
|
|
| 5 |
|
Old-Time Creole Musicians and the French Element (Spoken) |
|
3:33 |
|
|
| 6 |
|
Playing Hot With Buddy Bolden (Spoken) |
|
3:18 |
|
|
| 7 |
|
"High Society" (Instrumental) |
|
2:17 |
|
|
| 8 |
|
Sporting Life Costumes (Spoken) |
|
1:39 |
|
|
| 9 |
|
Buddy Bolden: Man and Musician (Spoken) |
|
2:24 |
|
|
| 10 |
|
Creoles Playing With Negroes: Getting That Drive (Spoken) |
|
4:29 |
|
|
| 11 |
|
Jelly Roll's Compositions (Spoken) |
|
3:23 |
|
|
| 12 |
|
How Johnny St. Cyr Learned to Play Guitar (Spoken) |
|
2:21 |
|
|
| 13 |
|
"Guitar Blues" (Guitar Instrumental) / Just the Guitar Blues (Spoken) |
|
2:18 |
|
|
| 14 |
|
Bad Men and Pimps (Spoken) |
|
3:39 |
|
|
| 15 |
|
The Story of the "Coon Blues" (Spoken) |
|
1:35 |
|
|
| 16 |
|
"Coon Blues" (Instrumental) |
|
2:23 |
|
|
| 17 |
|
Jazz Is Just a Makeup: Buddy Bolden, Honky Tonks, Brass Band Funerals, and Parades (Spoken) |
|
5:26 |
|
|
| 18 |
|
Young Sidney Bechet: Jim Crow and the Dangers of the District (Spoken) |
|
3:41 |
|
|
| 19 |
|
The Main Idea in Jazz: "Just Watch Me" – Improvising and Reading Music (Spoken) |
|
3:25 |
|
|
| 20 |
|
"Of All His Mother's Children He Loved Jelly the Best": A Little Tale of Jelly Roll Morton (Spoken) |
|
8:50 |
|
|
|
|
|
Total time |
|
64:29 |
|
|
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|
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