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CD 1: Section One |
| # |
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Title |
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Time |
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Info |
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| 1 |
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The Cross Fade (The Turning Point to a Cross Fade in a Carpark) |
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12:29 |
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| 2 |
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The Outcast (Rejection Enforcement Takes Hold) |
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3:24 |
|
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| 3 |
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The Rut (The Point of Recall Is No Longer the Grasp of Stability as a Result Direction Can Never Be the Same) |
|
7:05 |
|
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| 4 |
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Restraint (Point One) |
|
2:01 |
|
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| 5 |
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Recess (Point Two) |
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3:52 |
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| 6 |
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Release (Point Three) (Myself Beyond the Point as a Real Person in Three Points) |
|
2:15 |
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| 7 |
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Self-Separation Through Dislocation (State One) |
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6:34 |
|
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| 8 |
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Self-Separation Through Dislocation (State Two) |
|
3:38 |
|
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| 9 |
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Release of Dislocation (State Three) (Absent Forms Without Any Resentment) |
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1:02 |
|
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| 10 |
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Release of Dislocation (Through Desperation) (State Four) (One Road Leads to Another but Never at the Same Forseeable Way; The Carpark Is a Lie, the Formation of the Release Is a Catch) |
|
3:30 |
|
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| 11 |
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The Turning Point (The Cycle Continues in One Direction) |
|
4:43 |
|
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| 12 |
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Towards the Centre (Out Across Both Ways Before or After There Is No Difference) |
|
2:01 |
|
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| 13 |
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Birth of Fade Out (At 6am on a Sunday Morning) |
|
3:41 |
|
|
| 14 |
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Remission of Self-Separation Through Dislocation |
|
1:51 |
|
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| 15 |
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Seclusion (Outlook One) |
|
1:45 |
|
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| 16 |
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Reclusion (Outlook Two) (From the Walls of Seclusion) |
|
2:07 |
|
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| 17 |
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Reference Outside (Outlook Three) |
|
3:31 |
|
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| 18 |
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1st Divider (In the State of Three Doors the Bridging of One Throught Direction Is to Remain Yet to Another; To Each Former Outlook, the Perspective Becomes Even More Abstracted Beyond Any Internal Level) |
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2:58 |
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Total time |
|
68:27 |
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CD 2: Section Two |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
The State of Change (Hallway to the Kitchen) |
|
3:02 |
|
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| 2 |
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2nd Divider (The Divider of the Hall Outside the Foundations of the Kitchen) |
|
2:01 |
|
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| 3 |
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8:30pm (On a Saturday Night the Kitchen Aids Remission in the short Fall Into the Realm of Obscurity, Well Before Any Outside Interference) |
|
3:18 |
|
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| 4 |
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The 1st Self-Less Reflection |
|
5:34 |
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| 5 |
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9:26pm (Re-Birth of Self Within the Lifeform of the Kitchen, Forgetting All Past Experienced Cycles) |
|
2:29 |
|
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| 6 |
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The 2nd Self-Less Reflection |
|
6:34 |
|
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| 7 |
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Resectioned From Despair (Lost at the Opening From a Location Without Breathing) |
|
3:29 |
|
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| 8 |
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The 3rd Self-Less Reflection (The Breathing of One Extension Without Breathing) |
|
5:22 |
|
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| 9 |
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End-Dip (Mind Odyssey/State One) (Lost of Any Relation to a Degree of State, the Flow Moves Onwards) |
|
5:10 |
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| 10 |
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The Act (Mind Odyssey/State Two) (Sub-Movement Towards the Re-Enactment Until a Point of Unrecognisable Sickness Overrides and the Premonition Breaks Down as Before Into a Mass of Unresolved Emotions) |
|
8:47 |
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|
|
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Total time |
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45:46 |
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CD 3: Section Three |
| # |
|
Title |
|
Time |
|
Info |
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| 1 |
|
Odyssey to Fade Out (Mind Odyssey/State Three) (Standing From the Back of a Carpark to the Drop Out of All Life; The Systems of Compulsion, One Move Sucks to Another, the Self of Formations as to Point One's Self in One Major Direction. It Is a Move to To |
|
23:09 |
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| 2 |
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The Fade Out (In the Black State All Direction Is Lost Void to All Extensions Inside the Four Walls of Selfless Contradiction, Closing Down All Aspects of Drive to a Point of Decimation. There Nothing Remains as Relevant.) |
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10:43 |
|
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| 3 |
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Gun-Down (Objective Aggression With the Aid of a Rifle. The Taking Out of All Meaning, the Breaking of All Self Control.) |
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5:57 |
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| 4 |
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Sub-Fadeback (The Loss of Control Now Takes Over; The Beginning of the Present Out-State Cannot Continue Onward. There Will Be Only Decay.) |
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6:12 |
|
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| 5 |
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The Lost State (Entropy/Descent Back to the Carpark, as an Intervention to Dissolution. The Beginning of the Lost State Throughout One Long Transgression to Another; There Was No Real Different From One to the Other.) |
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12:24 |
|
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| 6 |
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Egress (Towards Retraction of All Points) |
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4:06 |
|
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| 7 |
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The Final Call (Resectioned Towards the Drive to Cross Fade, Before Absorption.) |
|
6:10 |
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Total time |
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68:42 |
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