Paul Schmeling
Berklee Music Theory Book 2
2006
educational

#    Title    Time    Info  
1 Major Triads 0:39
2 Minor Triads 0:45
3 Augmented Triads 0:45
4 Diminished Triads 0:45
5 Exercises, Lessons 37-41 : Ear Training 1 1:09
6 Exercises, Lessons 37-41 : Ear Training 2 1:05
7 Exercises, Lessons 37-41 : Ear Training 3 1:09
8 Exercises, Lessons 37-41 : Ear Training 4 1:41
9 Triad Inversions 0:33
10 Triads with Bass 0:53
11 Close and Open Position Triads 0:43
12 Voice Leading of Triads 0:33
13 Comparing Not-Voice-Led with Voice-Led Triads 0:33
14 Voice Leading in Contrary/Parallel Motion 0:27
15 Exercises, Lessons 42-46 : Ear Training 1 2:19
16 Exercises, Lessons 42-46 : Ear Training 2 2:23
17 Major 7 Chord 0:21
18 Dominant 7 Chord 0:23
19 Minor 7 Chord 0:25
20 Minor 7(b5) Chord 0:25
21 Diminished 7 Chord 0:23
22 Exercises, Lessons 47-51 : Ear Training 1 1:29
23 Exercises, Lessons 47-51 : Ear Training 2 1:29
24 Exercises, Lessons 47-51 : Ear Training 3 1:35
25 Exercises, Lessons 47-51 : Ear Training 4 1:39
26 7 Chord Inversions 0:36
27 Voice Leading 7 Chords in Contrary/Parallel Motion 0:32
28 7 Chords with 3, 5, and 7 over Bass 0:37
29 Exercises, Lessons 52-55 : Ear Training 1 2:43
30 Harmonic Accompaniment from Chord Symbols 0:22
31 Arpeggiated Chords as Accompaniment 0:24
32 3, 5, and 7 over Bass as Accompaniment 0:25
33 2:1 Pattern as Accompaniment 0:27
34 Exercises, Lessons 56-59 : Ear Training 1 2:01
35 Exercises, Lessons 56-59 : Ear Training 2 2:15
36 Chord Tone Melody 0:23
37 Exercises, Lessons 60-61 : Ear Training 1 0:43
38 Exercises, Lessons 60-61 : Ear Training 2 0:43
39 Exercises, Lessons 60-61 : Ear Training 3 0:41
40 Melodic Resolutions over Change of Harmony 0:37
41 Melodic Phrases 0:22
42 Melody Note Adjustments for Different Chords 0:25
43 Melodic Sequence 0:27
44 Exercises, Lessons 62-64 : Ear Training 1 0:34
45 Exercises, Lessons 62-64 : Ear Training 2 1:12
46 Exercises, Lessons 62-64 : Ear Training 3 0:38
Total time 40:26