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| # |
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Title |
|
Time |
|
Info |
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| 1 |
|
Micheal Ruff - Eyes of Love (Stereo) |
|
3:33 |
|
|
| 2 |
|
Micheal Ruff - Eyes of Love (Mono) |
|
2:04 |
|
|
| 3 |
|
Micheal Ruff - Eyes of Love (L, C, R - Constant Power) |
|
2:02 |
|
|
| 4 |
|
Micheal Ruff - Eyes of Love (L, C, R - Constant Voltage) |
|
2:03 |
|
|
| 5 |
|
Three Snare Drum Beats (L, C, R) |
|
0:20 |
|
|
| 6 |
|
Seven Snare Drum Beats Across the Sound Stage |
|
0:26 |
|
|
| 7 |
|
Pink Noise Band Limited (2.5 KHz to 20 KHz) |
|
1:04 |
|
|
| 8 |
|
Band Limited Pink Noise as in Track Seven but (L, C, R) |
|
0:39 |
|
|
| 9 |
|
Pink Noise Band Limited (400 Hz to 2.5 KHz) |
|
1:04 |
|
|
| 10 |
|
Band Limited Pink Noise as in Track Nine but (L, C, R) |
|
0:39 |
|
|
| 11 |
|
Pink Noise Band Limited (100 Hz to 400 Hz) |
|
1:04 |
|
|
| 12 |
|
Band Limited Pink Noise as in Track Eleven but (L, C, R) |
|
0:39 |
|
|
| 13 |
|
Pink Noise Passed Through a 100 Hz Low Pass Filter |
|
1:04 |
|
|
| 14 |
|
Same Pink Noise as in Track Thriteen but C is (-6dB) |
|
0:39 |
|
|
| 15 |
|
Pink Noise (20 Hz to 20 KHz) Left Channel Only |
|
1:04 |
|
|
| 16 |
|
Pink Noise (20 Hz to 20 KHz) Right Channel Only |
|
1:05 |
|
|
| 17 |
|
Correlated Pink Noise (20 Hz to 20 KHz) |
|
1:05 |
|
|
| 18 |
|
Un-Correlated Pink Noise (20 Hz to 20 KHz) |
|
2:07 |
|
|
| 19 |
|
1/3rd Octave Bands of Noise from 100 Hz to 20 KHz |
|
2:04 |
|
|
| 20 |
|
1/3rd Octave Band Noise from 400 Hz to 20 KHz and (L, C, R) |
|
4:34 |
|
|
| 21 |
|
Demonstration of Comb Filtering |
|
0:48 |
|
|
| 22 |
|
Out of Phase Correlated Pink Noise (L-R) |
|
1:04 |
|
|
| 23 |
|
Correlated Pink Noise that Slowly Fades to Black |
|
1:56 |
|
|
| 24 |
|
Stereo Drum Recording for Accurate Placement |
|
0:57 |
|
|
| 25 |
|
50 Hz Tone, Clipped 14-18 Seconds, Then All High Bits |
|
1:04 |
|
|
| 26 |
|
400 Hz Tone, Clipped 14-16 Seconds, Then All High Bits |
|
1:04 |
|
|
| 27 |
|
1 KHz Tone, Clipped 12-15 Seconds, Then All High Bits |
|
1:04 |
|
|
| 28 |
|
4 KHz Tone, Clipped 15-20 Seconds, Then All High Bits |
|
1:04 |
|
|
| 29 |
|
8 KHz Tone, Clipped 13-19 Seconds, Then All High Bits |
|
1:05 |
|
|
| 30 |
|
Asychronously Generated Low Frequency Tones |
|
1:03 |
|
|
| 31 |
|
Trial of Seconds (Musical Composite Track for SPL) |
|
7:35 |
|
|
| 32 |
|
Digital Black Recording of All Low Bits |
|
5:01 |
|
|
|
|
|
Total time |
|
47:41 |
|
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