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Divers
The Instruments of the Orchestra, Siepmann, CD2
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Title |
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Time |
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Info |
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1 |
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Introduction To The Viola |
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0:43 |
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2 |
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Viola Concerto (Mvt 1) |
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2:47 |
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3 |
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Khatchaturian Gets A Very Different Sound From It: Fuller, Fruit... |
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0:15 |
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4 |
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Gayane Suite No.1 (Armen's Solo) |
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1:16 |
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5 |
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Very Nearly The Whole Of The Violin's Upper Register Is Also Ava... |
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0:40 |
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6 |
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Passacaglia, Op.33b From 'Peter Grimes' |
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1:01 |
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7 |
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The Viola Can Bring A Special, Rich Twanginess To Pizzicato That... |
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1:04 |
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8 |
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Harold In Italy (Mvt 4) |
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2:01 |
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9 |
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The Muted Viola: Intimate, Gentle, Poignant In Dvork |
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0:35 |
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10 |
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Cypresses (No.9) |
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3:01 |
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11 |
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The Massed Violas Of The Modern Symphony Orchestra In Mahler |
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0:41 |
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12 |
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Symphony No.4 (Mvt 3) |
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1:14 |
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13 |
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The 'Period' Viola In Bach |
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1:06 |
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14 |
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Brandenburg Concerto No.6 (Last Mvt) |
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5:19 |
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15 |
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The Cello: A Voice Of Unique Nobility |
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0:29 |
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16 |
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Suite No.1 For Unaccompanied Cello (Prelude) |
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2:31 |
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17 |
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Brahms And The 'Soul' Of The Cello |
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0:20 |
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18 |
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Piano Concerto No.2 In B Flat Major (Mvt 3) |
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1:05 |
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19 |
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Most Orchestral Composers Tend To Emphasize The Cello's Lower Re... |
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0:28 |
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20 |
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Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria... |
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3:04 |
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21 |
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In The Time Of Beethoven The Cello Remained As Fundamental As Ev... |
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0:15 |
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22 |
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Symphony No.3 'Eroica' (Finale) |
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0:47 |
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23 |
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But The Cello Is Not Condemned To Spend Its Life In The Basement... |
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0:34 |
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24 |
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Elfentanz, Op.39 |
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2:56 |
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25 |
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Not Only In Recital Showpieces Like That Is The Cello Is Used In... |
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0:11 |
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26 |
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The Protecting Veil (Opening) |
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2:55 |
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27 |
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A Cello With An Identity-Crisis: The Pizzicato Flamencan |
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0:16 |
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28 |
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Flamenco |
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2:49 |
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29 |
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Double-Stopping In The Lower Reaches Of The Cello's Range |
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0:32 |
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30 |
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Solo Suiet For Cello And Piano (Sardana) |
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1:09 |
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31 |
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It's In The Middle Register That The Cello Really Comes Into Its... |
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0:22 |
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32 |
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Oriental Dance, Op.2 No.2 |
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1:33 |
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33 |
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It Was To The Cellos That Beethoven Gave Two Of His Most Famous |
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0:55 |
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34 |
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Symphony No.9 (Finale) |
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0:55 |
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35 |
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Introduction To The Double-Bass |
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0:44 |
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36 |
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The Carnival Of The Animals (The Elephant) |
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1:33 |
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37 |
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But The Double-Bass Can Be Intensely Expressive And Graceful. |
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0:11 |
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38 |
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Elegy No.1 In D Major |
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2:38 |
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39 |
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The Range Of The Double-Bass Is The Greatest Of All The String I... |
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0:48 |
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40 |
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Capriccio Di Bravura |
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4:43 |
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41 |
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Double-Bass Solos In Orchestral Scores Are Rare But Often Memora... |
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1:34 |
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42 |
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The Double-Bass Muted In Prokofiev Lieutenant Kije Suite (Kije's... |
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3:47 |
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43 |
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Symphony No.5 (Mvt 3) So Much For The Strings On Now To The Wind... |
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1:21 |
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Total time |
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61:30 |
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