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# |
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Title |
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Time |
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Info |
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1 |
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Contrapunctus 12, a 4 |
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2:22 |
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2 |
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Contrapunctus 12, a 4 |
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2:22 |
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3 |
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Contrapunctus 13, a 3 |
|
2:13 |
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4 |
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Contrapunctus 13, a 3 |
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2:16 |
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5 |
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Fuga a 2 Clav. |
|
2:13 |
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6 |
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Alio modo. Fuga a 2 Clav. |
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2:18 |
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7 |
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CAnon per Augmentationem in contrario Motu |
|
4:22 |
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8 |
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Fuga a 3 Soggetti (Contrapunctus 14) |
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7:39 |
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9 |
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Canon Trias Harmonica, a 8, BWV 1072 |
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0:47 |
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10 |
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Canon a 4, perpetuus, BWV 1073 |
|
1:41 |
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11 |
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Canon a 4, BWV 1074 |
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1:53 |
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12 |
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Canon a 2, perpetuus, BWV 1075 |
|
0:37 |
|
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13 |
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Canon triplex, a 6, BWV 1076 |
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0:34 |
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14 |
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Canone doppio sopr'il Soggetto, a4, BWV 1077 |
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0:53 |
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15 |
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Canon Concordia discors, a 2, BWV 1086 |
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1:23 |
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16 |
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Canon super Fa Mi, a 7, post Tempus Musicum, BWV 1078 |
|
1:45 |
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17 |
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Goldberg Canons BWV 1087 - Canon simplex |
|
0:22 |
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18 |
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All'roverscio |
|
0:22 |
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19 |
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Beede vorigen Canones zugleich, Motu recto e contrario |
|
0:17 |
|
|
20 |
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Motu contrario e recto |
|
0:20 |
|
|
21 |
|
Canon duplex, a4 |
|
0:24 |
|
|
22 |
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Canon simplex uber besagtes Fundament, a3 |
|
0:40 |
|
|
23 |
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Idem, a 3 |
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0:21 |
|
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24 |
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Canon simplex, a 3, il soggetto in Alto |
|
0:24 |
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25 |
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Canon in unisono post semifusam, a 3 |
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0:20 |
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|
26 |
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Alio modo, per syncopationes et per ligaturas, a 2 |
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0:23 |
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27 |
|
|
|
0:53 |
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28 |
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Canon duplex uber besagte Fundamental-Noten, a 5 |
|
0:34 |
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29 |
|
Canon triplex, a 6 |
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1:10 |
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30 |
|
Canon a 4 per Augmentationem et Diminutionem |
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0:35 |
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Total time |
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41:35 |
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