Marc Schonbrun
The Everything Reading Music Book
2005
classical

#    Title    Time    Info  
1 01 Simple Rhythm Pattern 0:11
2 02 Practicing Quarter and Half Notes 0:18
3 03 Practicing Quarter, Half and Whole Notes 0:17
4 04 Camp Chant 0:12
5 05 Eighth and Sixteenth note beaming 0:10
6 06 Grace Notes 0:08
7 07 Tied Notes 0:12
8 08 Eighth Notes Triplets 0:10
9 09 Whole Notes and Whole Rests 0:23
10 10 Half Notes and Half Rests 0:20
11 11 Quarter Notes and Quarter Rests 0:19
12 12 Quarter Half and Whole Rest Practice 0:27
13 13 Eighth Notes and Eighth Rests 0:17
14 14 Sixteenth Notes and Sixteenth Rests 0:11
15 15 Eighth Rests inside of Eighth Note Triplets 0:10
16 16 More Counting in 6-8 time 0:10
17 17 Dividing Rhythm in half 0:19
18 18 Eighth Eighth 0:17
19 19 Four sixteenths 0:12
20 20 Eighth, Sixteenth, Sixteenth 0:12
21 21 Sixteenth, Sixteenth, Eighth 0:12
22 22 Sixteenth, Eighth, Sixteenth 0:12
23 23 Dotted Eighth Sixteenth 0:12
24 24 Eighths and Triplets 0:12
25 25 Reading Practice 0:48
26 26 Subdividing Eighth Notes 0:17
27 27 Strong beams 0:17
28 28 Basic Syncopation 0:10
29 29 More Basic Syncopations 0:10
30 30 Tied Syncopation 0:14
31 31 Rhythm Etude Nos1 0:35
32 32 Rhythm Etude Nos2 1:05
33 33 Rhythm Etude Nos3 1:04
34 34 Rhythm Etude Nos4 1:05
35 35 Slurs 0:09
36 36 Stoccato 0:08
37 37 Accent Markings 0:09
38 38 Ending a Simile Passage 0:30
39 39 Trills 0:15
40 40 C Major Scale 0:11
41 41 Half Steps on the Piano 0:11
42 42 Whole Steps on the Piano 0:11
43 43 Bach Example 0:32
44 44 Oh Susanna 0:19
45 45 C Major Triad 0:09
46 46 Sequence Number 1 0:15
47 47 More Example Sequences 0:56
48 48 Sequence Transposition 1:05
49 49 Beethovens Fifth Symphony Theme 0:12
50 50 A Minor Scale 0:11
51 51 C Minor Triad 0:08
52 52 Natural Minor to Harmonic Minor 0:19
53 53 Natural Minor to Melodic Minor 0:18
54 54 Classical Minor Scales 0:15
55 55 Tritone 0:09
56 56 Triads to Chords 0:10
57 57 Diminshed Triad 0:13
58 58 Augmented Triad 0:13
59 59 Major to Minor Triad 0:10
60 60 Major to Diminshed Triad 0:12
61 61 Major to Augmented Triad 0:10
62 62 Triads into Arpeggios 0:15
63 63 Dominant Seventh Chord 0:11
64 64 Major Seventh Chord 0:10
65 65 Minor Seventh Chord 0:10
66 66 Diminished Chord 0:11
67 67 C Major Scale 0:13
68 68 C Major Scale with Thirds 0:13
69 69 C Major Scale with Triads 0:13
70 70 A Minor Scale Harmonised 0:13
71 71 Example of a Dominant Chord 0:15
72 72 Dominant Chord resolving 0:18
73 73 Leading Tone 0:13
74 74 Minor Key Chord progression 0:18
75 75 'Silent Night' Analysis 0:17
76 76 V chord Leading Tone Pull 0:11
77 77 V7 Chord Resolution 0:11
78 78 VI II V I Chord Progression 0:35
79 79 Minor Progression I IV V I 0:15
80 80 Reharmonisation 0:24
81 81 Authentic Cadence 0:13
82 82 Plagal Cadence 0:13
83 83 Deceptive Cadence 0:13
84 84 Deceptive Cadence with Final Resolution 0:20
85 85 Half Cadence 0:12
86 86 Voice Lead Triads 0:14
87 87 Bass Line Harmonised 0:24
88 88 Simple Chord progressions with Inversions 0:19
89 89 Dorian Mode 0:12
90 90 Phrygian Mode 0:12
91 91 Lydian Mode 0:12
92 92 Myolydian Mode 0:12
93 93 Locrian Mode 0:12
94 94 Major Pentatonic Mode 0:12
95 95 Minor Pentatonic Mode 0:12
96 96 Minor Blues Scale 0:12
97 97 Whole Tone Scale 0:12
98 98 Chromatic Scales 0:41
99 99 Diminished Scales 0:23
Total time 27:45