|
CD 1: ABEGG Variation, Op. 1 / Études symphoniques, Op. 13 / Three Romances, Op. 28 / Impromptus on a Theme of Clara Wieck, Op. 5 (feat. piano: Jean-Philippe Collard) |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Variations on the name 'ABEGG' in F, Op. 1 |
|
0:00 |
|
|
| 2 |
|
Études symphoniques in C sharp minor, Op. 13: Thema: Andante |
|
0:00 |
|
|
| 3 |
|
Études symphoniques in C sharp minor, Op. 13: Variation I. Un poco più vivo |
|
0:00 |
|
|
| 4 |
|
Études symphoniques in C sharp minor, Op. 13: Variation (posthumous) I |
|
0:00 |
|
|
| 5 |
|
Études symphoniques in C sharp minor, Op. 13: Variation II. Marcato il canto |
|
0:00 |
|
|
| 6 |
|
Études symphoniques in C sharp minor, Op. 13: Variation III. Vivace |
|
0:00 |
|
|
| 7 |
|
Études symphoniques in C sharp minor, Op. 13: Variation IV |
|
0:00 |
|
|
| 8 |
|
Études symphoniques in C sharp minor, Op. 13: Variation V. Scherzando |
|
0:00 |
|
|
| 9 |
|
Études symphoniques in C sharp minor, Op. 13: Variation (posthumous) IV |
|
0:00 |
|
|
| 10 |
|
Études symphoniques in C sharp minor, Op. 13: Variation VI. Agitato |
|
0:00 |
|
|
| 11 |
|
Études symphoniques in C sharp minor, Op. 13: Variation VII. Allegro molto |
|
0:00 |
|
|
| 12 |
|
Études symphoniques in C sharp minor, Op. 13: Variation (posthumous) II |
|
0:00 |
|
|
| 13 |
|
Études symphoniques in C sharp minor, Op. 13: Variation VIII. Sempre marcatissimo |
|
0:00 |
|
|
| 14 |
|
Études symphoniques in C sharp minor, Op. 13: Variation IX. Presto possibile |
|
0:00 |
|
|
| 15 |
|
Études symphoniques in C sharp minor, Op. 13: Variation (posthumous) III |
|
0:00 |
|
|
| 16 |
|
Études symphoniques in C sharp minor, Op. 13: Variation X. Con energia sempre |
|
0:00 |
|
|
| 17 |
|
Études symphoniques in C sharp minor, Op. 13: Variation XI. Con espressione |
|
0:00 |
|
|
| 18 |
|
Études symphoniques in C sharp minor, Op. 13: Variation (posthumous) V |
|
0:00 |
|
|
| 19 |
|
Études symphoniques in C sharp minor, Op. 13: Finale: Allegro brillante |
|
0:00 |
|
|
| 20 |
|
Three Romances, Op. 28, No. 1 in B flat minor. Sehr markiert |
|
0:00 |
|
|
| 21 |
|
Three Romances, Op. 28, No. 2 in F sharp major. Einfach |
|
0:00 |
|
|
| 22 |
|
Three Romances, Op. 28, No. 3 in B major. Sehr markiert - Intermezzo I - Intermezzo II |
|
0:00 |
|
|
| 23 |
|
Impromptus on a Theme of Clara Wieck, Op. 5 |
|
0:00 |
|
|
|
|
|
Total time |
|
0:00 |
|
|
CD 2: Piano Sonata No. 1 in F sharp minor, Op. 11 / Fantasie in C, Op. 17 (feat. piano: Leif Ove Andsnes) / Toccata, Op. 7 (feat. piano: Youri Egorov) |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Piano Sonata No. 1 in F sharp minor, Op. 11: I. Un poco adagio - Allegro vivace |
|
0:00 |
|
|
| 2 |
|
Piano Sonata No. 1 in F sharp minor, Op. 11: II. Senza passione, ma espressivo |
|
0:00 |
|
|
| 3 |
|
Piano Sonata No. 1 in F sharp minor, Op. 11: III. Scherzo e intermezzo: Allegrissimo - Lento. Alla burla, ma pomposo - Tempo I |
|
0:00 |
|
|
| 4 |
|
Piano Sonata No. 1 in F sharp minor, Op. 11: IV. Finale: Allegro un poco maestoso |
|
0:00 |
|
|
| 5 |
|
Fantasie in C, Op. 7: I. Durchaus phantastisch und leidenschaftlich vorzutragen |
|
0:00 |
|
|
| 6 |
|
Fantasie in C, Op. 7: II. Mäßig - Durchaus energisch |
|
0:00 |
|
|
| 7 |
|
Fantasie in C, Op. 7: III. Langsam getragen - Durchweg leise zu halten |
|
0:00 |
|
|
| 8 |
|
Toccata, Op. 7 |
|
0:00 |
|
|
|
|
|
Total time |
|
0:00 |
|
|
|
|
|
|
|
