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# |
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Title |
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Time |
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Info |
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1 |
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01-The Power of Seven - Up Front / Stranger In My Bed |
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3:50 |
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2 |
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02-Thelma Houston - I've Got The Music In Me / Dish Rag |
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3:33 |
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3 |
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03-Prokofiev's - Romeo & Juliet / Dance of the Knights |
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2:08 |
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4 |
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04-Adam Makowicz with Phil Woods - The Name is Makowicz / Dirty |
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3:42 |
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5 |
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05-Michael Ruff - Speaking In Melodies / Wishing Well |
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5:36 |
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6 |
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06-Lioncoln Mayorga & Distinguished Colleagues - Vol. III / Dock... |
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2:49 |
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7 |
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07-1 KHz sinewave at -20 dBFS |
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1:02 |
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8 |
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08-1 KHz sinewave at 0 dBFS |
|
1:04 |
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9 |
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09-20 Hz one octive warble |
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0:05 |
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10 |
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10-62 Hz one octive warble |
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0:05 |
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11 |
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11-125 Hz one octive warble |
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0:05 |
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12 |
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12-250 Hz one octive warble |
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0:05 |
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13 |
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13-500 Hz one octive warble |
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0:05 |
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14 |
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14-2.5 KHz one octive warble |
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0:05 |
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15 |
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15-5 KHz one octive warble |
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0:05 |
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16 |
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16-10 KHz one octive warble |
|
0:05 |
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17 |
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17-15 KHz one octive warble |
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0:05 |
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18 |
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18-19 KHz one octive warble |
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0:07 |
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19 |
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19-Person Counting from 1 to 25 |
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0:44 |
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20 |
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20-Right Channel Identification |
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0:06 |
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21 |
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21-Left Channel Identification |
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0:07 |
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22 |
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22-Relative polarity between left & right channels |
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0:14 |
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23 |
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23-Polarity pulses |
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0:59 |
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24 |
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24-1 KHz sinewave with bottom half clipped |
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1:04 |
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25 |
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25-3 people describing position on sound stage in stereo |
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0:33 |
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26 |
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26-Same as track 25 except talking simultaneously |
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0:14 |
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27 |
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27-Music for evaluating accuracy and focus of sound stage in ste... |
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0:12 |
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28 |
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28-Same as track 27 except in mono (L + R) |
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0:11 |
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29 |
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29-Same as track 28 except sent to left channel only |
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0:10 |
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30 |
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30-Same as track 28 |
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0:11 |
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31 |
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31-Same as track 28 except sent to right channel only |
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0:10 |
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32 |
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32-Same as track 27 |
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0:16 |
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33 |
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33-Music recorded with normal transfer level of 0 dB |
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0:44 |
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34 |
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34-Music recorded withl transfer level of -10 dB |
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0:44 |
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35 |
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35-Music recorded withl transfer level of -20 dB |
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0:44 |
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36 |
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36-Music recorded withl transfer level of -30 dB |
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0:46 |
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37 |
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37-Music recorded withl transfer level of -40 dB |
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0:44 |
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38 |
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38-Music recorded withl transfer level of -50 dB |
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0:46 |
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39 |
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39-Music recorded withl transfer level of -60 dB |
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0:46 |
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40 |
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40-Music recorded withl transfer level of -70 dB |
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0:43 |
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41 |
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41-Recording of Digital Black or 0 bits |
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1:01 |
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42 |
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42-High Frequency low level alternating between 0000 & FFFF |
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0:36 |
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43 |
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43-Correlated pink noise 20 Hz to 20 KHz |
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1:04 |
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44 |
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44-Uncorrelated pink noise 20 Hz to 20 KHz |
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2:02 |
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45 |
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45-Pink Noise raised in 1 dB steps every 3 seconds |
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0:24 |
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46 |
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46-Pink Noise raised in 3 dB steps 4 times |
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0:14 |
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47 |
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47-1/3 octive Pink Noise at 25 - 31.5 - 40 Hz |
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0:32 |
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48 |
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48-1/3 octive Pink Noise at 50 - 63 - 80 Hz |
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0:30 |
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49 |
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49-1/3 octive Pink Noise at 100 - 125 - 160 Hz |
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0:30 |
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50 |
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50-1/3 octive Pink Noise at 200 - 250 - 315 Hz |
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0:31 |
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51 |
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51-1/3 octive Pink Noise at 400 - 500 - 630 Hz |
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0:30 |
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52 |
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52-1/3 octive Pink Noise at 800 Hz - 1 - 1.2 KHz |
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0:31 |
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53 |
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53-1/3 octive Pink Noise at 1.6 - 2 - 2.5 KHz |
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0:30 |
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54 |
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54-1/3 octive Pink Noise at 3.15 - 4 - 5 KHz |
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0:31 |
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55 |
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55-1/3 octive Pink Noise at 6.3 - 8 - 10 KHz |
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0:30 |
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56 |
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56-1/3 octive Pink Noise at 12.5 - 16 - 20 KHz |
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0:31 |
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57 |
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57-20 Hz to 20 KHz continuous warble |
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0:38 |
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58 |
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58-100 Hz to 20 Hz warble for subwoofer evaluation |
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0:41 |
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59 |
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59-Individual frequencies from 10 Hz to 99 Hz |
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7:34 |
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60 |
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60-Flat low distortion sweep from 20 - 200 Hz |
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0:25 |
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61 |
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61-Flat low distortion sweep from 200 Hz - 2 KHz |
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0:17 |
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62 |
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62-Flat low distortion sweep from 2 - 20 KHz |
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0:18 |
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63 |
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63-Contains the musical note A (440 Hz) |
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0:34 |
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64 |
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64-100 Hz tone burst with duty cycle of 25% |
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1:05 |
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65 |
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65-Same as track 64 except at 1 KHz |
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1:03 |
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66 |
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66-Same as track 64 except at 10 KHz |
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1:05 |
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67 |
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67-100 Hz square wave |
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0:34 |
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68 |
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68-Same as track 67 except at 1 KHz |
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0:32 |
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69 |
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69-Full dynamics of the original recording |
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1:04 |
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70 |
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70-Compressed version of track 69 with same peak level |
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1:04 |
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71 |
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71-Tone with 0.03% distortion |
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0:14 |
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72 |
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72-Same as track 71, except with 0.1% distortion |
|
0:14 |
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73 |
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73-Same as track 71, except with 0.3% distortion |
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0:14 |
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74 |
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74-Same as track 71, except with 1% distortion |
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0:12 |
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75 |
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75-Same as track 71, except with 3% distortion |
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0:12 |
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76 |
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76-Same as track 71, except with 10% distortion |
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0:12 |
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77 |
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77-Music with distortion of about 0.03% |
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0:32 |
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78 |
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78-Same as track 77, except with 0.1% distortion |
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0:32 |
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79 |
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79-Same as track 77, except with 0.3% distortion |
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0:32 |
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80 |
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80-Same as track 77, except with 1% distortion |
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0:32 |
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81 |
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81-Same as track 77, except with 3% distortion |
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0:32 |
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82 |
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82-Same as track 77, except with 10% distortion |
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0:34 |
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83 |
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83-Musical selection with no added delay |
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1:45 |
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84 |
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84-Same as track 83 with 7 mS of group delay below 100 Hz |
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1:45 |
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85 |
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85-Standing between Penske's pits and main straightaway |
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3:10 |
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86 |
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86-Short walk down pit row of race car track |
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2:31 |
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Total time |
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73:27 |
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