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|
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
The Power of Seven - Up Front - Stranger In My Bed |
|
3:54 |
|
|
2 |
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Thelma Houston - I've Got The Music In Me - Dish Rag |
|
3:39 |
|
|
3 |
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Prokofiev's - Romeo & Juliet - Dance of the Knights |
|
2:14 |
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|
4 |
|
Michael Ruff - Speaking In Melodie |
|
3:46 |
|
|
5 |
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Michael Ruff - Speaking In Melodies - Wishing Well |
|
5:40 |
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|
6 |
|
1 KHz sinewave at -20 dBFS |
|
2:53 |
|
|
7 |
|
1 KHz sinewave at -20 dBFS |
|
1:08 |
|
|
8 |
|
1 KHz sinewave at 0 dBFS |
|
1:08 |
|
|
9 |
|
20 Hz one octive warble |
|
0:09 |
|
|
10 |
|
62 Hz one octive warble |
|
0:09 |
|
|
11 |
|
125 Hz one octive warble |
|
0:09 |
|
|
12 |
|
250 Hz one octive warble |
|
0:09 |
|
|
13 |
|
500 Hz one octive warble |
|
0:09 |
|
|
14 |
|
2.5 KHz one octive warble |
|
0:09 |
|
|
15 |
|
5 KHz one octive warble |
|
0:09 |
|
|
16 |
|
10 KHz one octive warble |
|
0:09 |
|
|
17 |
|
15 KHz one octive warble |
|
0:09 |
|
|
18 |
|
19 KHz one octive warble |
|
0:11 |
|
|
19 |
|
Person Counting from 1 to 25 |
|
0:48 |
|
|
20 |
|
Right Channel Identification |
|
0:10 |
|
|
21 |
|
Left Channel Identification |
|
0:11 |
|
|
22 |
|
Relative polarity between left & right channels |
|
0:18 |
|
|
23 |
|
Polarity pulses |
|
1:03 |
|
|
24 |
|
1 KHz sinewave with bottom half clipped |
|
1:08 |
|
|
25 |
|
3 people describing position on sound stage in stereo |
|
0:37 |
|
|
26 |
|
Same as track 25 except talking simultaneously |
|
0:19 |
|
|
27 |
|
Same as track 27 except in mono (L |
|
0:16 |
|
|
28 |
|
Same as track 27 except in mono (L + R) |
|
0:15 |
|
|
29 |
|
Same as track 28 except sent to left channel only |
|
0:14 |
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|
30 |
|
Same as track 28 |
|
0:15 |
|
|
31 |
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Same as track 28 except sent to right channel only |
|
0:14 |
|
|
32 |
|
Same as track 27 |
|
0:22 |
|
|
33 |
|
Music recorded with normal transfer level of 0 dB |
|
0:50 |
|
|
34 |
|
Music recorded withl transfer level of -10 dB |
|
0:50 |
|
|
35 |
|
Music recorded withl transfer level of -20 dB |
|
0:50 |
|
|
36 |
|
Music recorded withl transfer level of -30 dB |
|
0:50 |
|
|
37 |
|
Music recorded withl transfer level of -40 dB |
|
0:50 |
|
|
38 |
|
Music recorded withl transfer level of -50 dB |
|
0:50 |
|
|
39 |
|
Music recorded withl transfer level of -60 dB |
|
0:50 |
|
|
40 |
|
Music recorded withl transfer level of -70 dB |
|
0:47 |
|
|
41 |
|
Recording of Digital Black or 0 bits |
|
1:05 |
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|
42 |
|
Correlated pink noise 20 Hz to 20 |
|
0:40 |
|
|
43 |
|
Correlated pink noise 20 Hz to 20 KHz |
|
1:08 |
|
|
44 |
|
Uncorrelated pink noise 20 Hz to 20 KHz |
|
2:06 |
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|
45 |
|
Pink Noise raised in 1 dB steps every 3 seconds |
|
0:28 |
|
|
46 |
|
Pink Noise raised in 3 dB steps 4 times |
|
0:20 |
|
|
47 |
|
1-3 octive Pink Noise at 25 - 31.5 - 40 Hz |
|
0:36 |
|
|
48 |
|
1-3 octive Pink Noise at 50 - 63 - 80 Hz |
|
0:33 |
|
|
49 |
|
1-3 octive Pink Noise at 100 - 125 - 160 Hz |
|
0:34 |
|
|
50 |
|
1-3 octive Pink Noise at 200 - 250 - 315 Hz |
|
0:35 |
|
|
51 |
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1-3 octive Pink Noise at 400 - 500 - 630 Hz |
|
0:34 |
|
|
52 |
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1-3 octive Pink Noise at 800 Hz - 1 - 1.2 KHz |
|
0:35 |
|
|
53 |
|
1-3 octive Pink Noise at 1.6 - 2 - 2.5 KHz |
|
0:34 |
|
|
54 |
|
1-3 octive Pink Noise at 3.15 - 4 - 5 KHz |
|
0:35 |
|
|
55 |
|
1-3 octive Pink Noise at 6.3 - 8 - 10 KHz |
|
0:34 |
|
|
56 |
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1-3 octive Pink Noise at 12.5 - 16 - 20 KHz |
|
0:36 |
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|
57 |
|
20 Hz to 20 KHz continuous warble |
|
0:42 |
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|
58 |
|
100 Hz to 20 Hz warble for subwoofer evaluation |
|
0:45 |
|
|
59 |
|
Individual frequencies from 10 Hz to 99 Hz |
|
7:38 |
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|
60 |
|
Flat low distortion sweep from 20 - 200 Hz |
|
0:29 |
|
|
61 |
|
Flat low distortion sweep from 200 Hz - 2 KHz |
|
0:21 |
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|
62 |
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Flat low distortion sweep from 2 - 20 KHz |
|
0:24 |
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|
63 |
|
Contains the musical note A (440 Hz) |
|
0:38 |
|
|
64 |
|
100 Hz tone burst with duty cycle of 25% |
|
1:09 |
|
|
65 |
|
Same as track 64 except at 1 KHz |
|
1:09 |
|
|
66 |
|
Same as track 64 except at 10 KHz |
|
1:09 |
|
|
67 |
|
100 Hz square wave |
|
0:38 |
|
|
68 |
|
Same as track 67 except at 1 KHz |
|
0:38 |
|
|
69 |
|
Full dynamics of the original recording |
|
1:08 |
|
|
70 |
|
Compressed version of track 69 with same peak level |
|
1:08 |
|
|
71 |
|
Tone with 0.03% distortion |
|
0:18 |
|
|
72 |
|
Same as track 71, except with 0.1% distortion |
|
0:18 |
|
|
73 |
|
Same as track 71, except with 0.3% distortion |
|
0:18 |
|
|
74 |
|
Same as track 71, except with 1% distortion |
|
0:18 |
|
|
75 |
|
Same as track 71, except with 3% distortion |
|
0:18 |
|
|
76 |
|
Same as track 71, except with 10% distortion |
|
0:18 |
|
|
77 |
|
Music with distortion of about 0.03% |
|
0:38 |
|
|
78 |
|
Same as track 77, except with 0.1% distortion |
|
0:38 |
|
|
79 |
|
Same as track 77, except with 0.3% distortion |
|
0:38 |
|
|
80 |
|
Same as track 77, except with 1% distortion |
|
0:38 |
|
|
81 |
|
Same as track 77, except with 3% distortion |
|
0:38 |
|
|
82 |
|
Same as track 77, except with 10% distortion |
|
0:37 |
|
|
83 |
|
Musical selection with no added delay |
|
1:49 |
|
|
84 |
|
Same as track 83 with 7 mS of group delay below 100 Hz |
|
1:49 |
|
|
85 |
|
Standing between Penske's pits and main straightaway |
|
3:15 |
|
|
86 |
|
Short walk down pit row of race car track |
|
2:32 |
|
|
|
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Total time |
|
79:47 |
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