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Vari
111 Years of Deutsche Grammophon: The Collectors' Edition 2
2010
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CD 1: Bizet: Carmen: Acts 1 & 2 (beginning) |
# |
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Title |
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Time |
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Info |
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1 |
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Carmen: Prélude |
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3:31 |
|
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2 |
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Carmen: Acte I. No. 1 Introduction "Sur la place chacun passe" (les Soldats, Moralès) |
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2:10 |
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3 |
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Carmen: Acte I. "Regardez donc cette petite" (Moralès, les Soldats, Micaëla) |
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4:09 |
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4 |
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Carmen: Acte I. No. 2 Marche et Chœur des gamins "Avec la garde montante" (les gamins) |
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2:34 |
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5 |
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Carmen: Acte I. "Repos!" (Zuniga, Moralès, Don José) |
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0:45 |
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6 |
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Carmen: Acte I. "Allons! allons!" (Zuniga, les gamins) |
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1:38 |
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7 |
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Carmen: Acte I. "Dites-moi, brigadier?" (Zuniga, Don José) |
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1:07 |
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8 |
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Carmen: Acte I. No. 3 Chœur et Scène "La cloche a sonné" (les Jeunes Gens, les Soldats, les Cigarières) |
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5:12 |
|
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9 |
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Carmen: Acte I. "Mais nous ne voyons pas la Carmencita" (les Soldats, les Jeunes Gens) |
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0:45 |
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10 |
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Carmen: Acte I. "Quand je vous aimerai?" (Carmen) – No. 4 Havanaise "L'amour est un oiseau rebelle" (Carmen, chœur) |
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4:50 |
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11 |
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Carmen: Acte I. No. 5 Scène "Carmen, sur tes pas nous nous pressons tous" (les Jeunes Gens, le Cigarières, Don José) |
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2:24 |
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12 |
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Carmen: Acte I. "Monsieur le brigadier?" (Micaëla, Don José) – No. 6 Duo "Parle-moi de ma mère" (Don José, Micaëla) |
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1:42 |
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13 |
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Carmen: Acte I. "Votre mère avec moi sortait de la chapelle" (Micaëla, Don José) |
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2:19 |
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14 |
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Carmen: Acte I. "Ma mère, je la vois..." (Don José, Micaëla) |
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2:25 |
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15 |
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Carmen: Acte I. "Que son fils l'aime et la vénère" (Don José, Micaëla) – "Eh bien, eh bien!" (Zuniga) |
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4:04 |
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16 |
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Carmen: Acte I. No. 7 Chœur "Au secours!" (les Cigarières, Zuniga, les Soldats) |
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3:19 |
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17 |
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Carmen: Acte I. "Voyons, brigadier..." (Zuniga, Don José) – No. 8 Chanson et Mélodrame "Tra la la la..." (Carmen, Zuniga, les Cigarières, un Soldat, Don José) |
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4:14 |
|
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18 |
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Carmen: Acte I. No. 9 Chanson (Séguedille) et Duo "Près des remparts de Séville" (Carmen, Don José) |
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4:30 |
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19 |
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Carmen: Acte I. No. 10 Finale "Le lieutenant!... Prenez garde!" (Don José, Zuniga, Carmen) |
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2:17 |
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20 |
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Carmen: Entr'acte |
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1:48 |
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21 |
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Carmen: Acte II. No. 11 Chanson "Les tringles des sistres tintaient" (Carmen, Mercédès, Frasquita) |
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5:06 |
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22 |
|
Carmen: Acte II. "Vous avez quelque chose à nous dire" (Zuniga, Pastia, Frasquita, Mercédès, Andrès, Carmen) |
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1:16 |
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23 |
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Carmen: Acte II. "Tout est bien alors" (Carmen, Zuniga) – No. 12 Chœur et Ensemble "Vivat! vivat le toréro!" (chœur, Zuniga, Mercédes, Andrès, Frasquita, Pastia) |
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1:31 |
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24 |
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Carmen: Acte II. No. 13 Couplet (Air du Toréador) "Votre toast... je peux vous le rendre" (Escamillo, chœur, Frasquita, Mercédès, Carmen, Pastia, Zuniga) – No. 13 bis Chœur "Toréador, en garde" (chœur, Frasquita, Pastia, Dancaïre, Remendado) |
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8:01 |
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25 |
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Carmen: Acte II. No. 14 Quintette "Nous avons en tête une affaire" (Dancaïre, Frasquita, Mercédès, Remendado, Carmen) |
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4:49 |
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26 |
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Carmen: Acte II. "Amoureuse... ce n'est pas une raison, cela" (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) – No. 15 Chanson "Halte-là! Qui va là?" (Don José, Mercédès, Frasquita, Dancaïre, Carmen) |
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2:33 |
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|
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Total time |
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78:59 |
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CD 2: Bizet: Carmen: Acts 2 (continued) & 3 |
# |
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Title |
|
Time |
|
Info |
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1 |
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Carmen: Acte II. No. 16 Duo "Je vais danser en votre honneur" (Carmen, Don José) |
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5:42 |
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2 |
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Carmen: Acte II. Air de la fleur "La fleur que tu m'avais jetée" (Don José) |
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4:16 |
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3 |
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Carmen: Acte II. "Non! Tu ne m'aimes pas!" (Carmen, Don José) |
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4:01 |
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4 |
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Carmen: Acte II. No. 17 Finale "Holà! Carmen! holà!" (Zuniga, Don José, Carmen, Dancaïre, Remendado, les Bohémiens) |
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3:32 |
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5 |
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Carmen: Acte II. "Suis-nous à travers la campagne" (Frasquita, Mercédès, Dancaïre, Remendado, les Bohémiens, les Bohémiennes) |
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2:00 |
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6 |
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Carmen: Entr'acte |
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3:01 |
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7 |
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Carmen: Acte III, Tableau I. No. 18 Introduction "Écoute, compagnon, écoute" (les Contrabandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado) |
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4:41 |
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8 |
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Carmen: Acte III, Tableau I. "Halte! nous allons nous arrêter ici..." (Dancaïre, Remendado, Don José, Carmen) |
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1:29 |
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9 |
|
Carmen: Acte III, Tableau I. No. 19 Trio "Mêlons!" / "Mêlons!" / "Coupons!" (Frasquita, Mercédès) |
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3:21 |
|
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10 |
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Carmen: Acte III, Tableau I. Air des cartes "Carreau, pique... la mort!" (Carmen) |
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3:20 |
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11 |
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Carmen: Acte III, Tableau I. "Parlez encore, parlez, mes belles" (Frasquita, Mercédès, Carmen) |
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0:50 |
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12 |
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Carmen: Acte III, Tableau I. "Eh bien, j'avais raison" (Dancaïre, Carmen, Remandado, Frasquita, Mercédès, Don José) |
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0:30 |
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13 |
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Carmen: Acte III, Tableau I. No. 20 Morceau d'Ensemble "Quant au douanier, c'est notre affaire" (Carmen, Mercédès, Frasquita, les Bohémiennes, les Bohémiens, Dancaïre, Remandado) |
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3:08 |
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14 |
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Carmen: Acte III, Tableau I. "Nous y sommes" (le Guide, Micaëla) |
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0:44 |
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15 |
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Carmen: Acte III, Tableau I. No. 21 Air "Je dis que rien ne m'épouvante" (Micaëla) |
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4:50 |
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16 |
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Carmen: Acte III, Tableau I. "Mais... je ne me trompe pas..." (Micaëla, Escamillo, Don José) – No. 22 Duo "Je suis Escamillo, toréro de Grenade" (Escamillo, Don José) |
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3:42 |
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17 |
|
Carmen: Acte III, Tableau I. No. 23 Finale "Holà, José!" (Carmen, Escamillo, Dancaïre, Don José, les Contrebandiers, les Contrebandières) |
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3:00 |
|
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18 |
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Carmen: Acte III, Tableau I. "Halte!... Quelqu'un est là qui cherche à se cacher" (Remendado, Carmen, Dancaïre, Don José, Micaëla, chœur, Escamillo) |
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5:16 |
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19 |
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Carmen: Entr'acte |
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2:10 |
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20 |
|
Carmen: Acte III, Tableau II. No. 24 Chœur "A deux cuartos" (Marchandes, Marchands, un Soldat, Andrès, un Bohémien) |
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2:23 |
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21 |
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Carmen: Acte III, Tableau II. No. 25 Chœur et Scène "Les voici! Voici le quadrille" (chœur) |
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3:52 |
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22 |
|
Carmen: Acte III, Tableau II. "Si tu m'aimes, Carmen" (Escamillo, Carmen, Frasquita, Mercédès) |
|
3:20 |
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23 |
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Carmen: Acte III, Tableau II. No. 26 Duo final "C'est toi?" / "C'est moi!" (Carmen, Don José, chœur) |
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9:24 |
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|
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Total time |
|
78:32 |
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CD 3: Prokofiev: Piano Concerto No.3 / Ravel: Concerto in G; Gaspard de la nuit |
# |
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Title |
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Time |
|
Info |
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1 |
|
Concerto for Piano and Orchestra No. 3 in C major, Op. 26: I. Andante - Allegro |
|
9:01 |
|
|
2 |
|
Concerto for Piano and Orchestra No. 3 in C major, Op. 26: II. Thema: Andantino / Var. I: L'istesso tempo / Var. II: Allegro / Var. III: Allegro moderato / Var. IV: Andantino meditativo / Var. V: Allegro giusto / Thema: L'istesso tempo |
|
9:03 |
|
|
3 |
|
Concerto for Piano and Orchestra No. 3 in C major, Op. 26: III. Allegro ma non troppo |
|
9:09 |
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4 |
|
Concerto for Piano and Orchestra in G major: I. Allegramente |
|
8:10 |
|
|
5 |
|
Concerto for Piano and Orchestra in G major: II. Adagio assai |
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9:03 |
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6 |
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Concerto for Piano and Orchestra in G major: III. Presto |
|
4:03 |
|
|
7 |
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Gaspard de la nuit: I. Ondine. Lent |
|
6:19 |
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|
8 |
|
Gaspard de la nuit: II. Le Gibet. Très lent |
|
6:41 |
|
|
9 |
|
Gaspard de la nuit: III. Scarbo. Modéré |
|
9:21 |
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|
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Total time |
|
70:50 |
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|
CD 4: Beethoven: Piano Sonatas No. 14 "Moonlight", No. 13 "Pathétique" & No. 23 "Appassionata" |
# |
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Title |
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Time |
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Info |
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1 |
|
Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto |
|
6:37 |
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2 |
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Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto |
|
2:12 |
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|
3 |
|
Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato |
|
7:42 |
|
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4 |
|
Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio |
|
9:29 |
|
|
5 |
|
Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile |
|
5:20 |
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6 |
|
Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro |
|
4:45 |
|
|
7 |
|
Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai |
|
10:33 |
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|
8 |
|
Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto |
|
7:34 |
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9 |
|
Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo |
|
8:13 |
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|
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Total time |
|
62:26 |
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|
CD 5: Bach, J.S.: Arias |
# |
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Title |
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Time |
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Info |
|
1 |
|
Kantate No. 197 "Gott ist unser Zuversicht", BWV 197, No. 8: Vergnügen und Lust, Gedeihen und Heil |
|
3:16 |
|
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2 |
|
Kantate No. 58 "Ach Gott, wie manches Herzeleid", BWV 58, No. 3: Ich bin vergnügt in meinem Leiden |
|
3:46 |
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3 |
|
Kantate No. 204 "Ich bin in mir vergnügt", BWV 204, No. 4: Die Schätzbarkeit der weiten Erden |
|
4:06 |
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4 |
|
Kanatate No. 97 "In allen meinen Taten", BWV 97, No. 4: Ich traue seiner Gnaden |
|
5:21 |
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5 |
|
Kantate No. 115 "Mache dich, mein Geist, bereit", BWV 115, No. 4: Bete aber auch dabei |
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7:07 |
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6 |
|
Kantate No. 171 "Gott, wie dein Name, so ist auch dein Ruhm", BWV 171, No. 4: Jesus soll mein erstes Wort |
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4:12 |
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7 |
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Messe h-moll, BWV 232 No. 23: Benedictus, Qui Venit In Nomine Domini |
|
4:15 |
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8 |
|
Messe h-moll, BWV 232, No. 5: Laudamus Te |
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4:42 |
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9 |
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Kantate No. 202 "Weichet nur, betrübte Schatten", BWV 202, No. 5: Wenn die Fruhlingslüfte streichen |
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2:38 |
|
|
10 |
|
Kantate No. 36 "Schwingt freudig euch empor", BWV 36, No. 7: Auch mit Gedämpften, schwachen Stimmen |
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6:46 |
|
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11 |
|
Kantate No. 187 "Es wartet alles auf dich, dass du ihnen Speise", BWV 187, No. 5: Gott versorget alles Leben |
|
3:24 |
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12 |
|
Kantate No. 84 "Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert", BWV 84, No. 3: Ich esse mit Freuden mein weniges Brot |
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4:59 |
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13 |
|
Kantate No. 105 "Herr, gehe nicht ins Gericht mit deinem Knecht", BWV 105, No. 5: Kann ich nur Jesu mir zum Freunde machen |
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5:30 |
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Total time |
|
60:02 |
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CD 6: Mahler: Symphony No. 1 |
# |
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Title |
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Time |
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Info |
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1 |
|
Symphonie No. 1 D-dur: I. Langsam. Schleppend. Wie ein Naturlaut - Im anfang sehr gemächlich |
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16:28 |
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2 |
|
Symphonie No. 1 D-dur: II. Kräftig bewegt |
|
9:03 |
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3 |
|
Symphonie No. 1 D-dur: III. Feierlich und gemessen, ohne zu schleppen |
|
10:25 |
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|
4 |
|
Symphonie No. 1 D-dur: IV. Stürmisch bewegt |
|
20:09 |
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Total time |
|
56:05 |
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|
CD 7: Chopin: Piano Concertos Nos. 1 & 2 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Concerto for piano and orchestra No. 1 in E minor, Op. 11: I. Allegro maestoso |
|
20:50 |
|
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2 |
|
Concerto for piano and orchestra No. 1 in E minor, Op. 11: II. Romance. Larghetto |
|
10:38 |
|
|
3 |
|
Concerto for piano and orchestra No. 1 in E minor, Op. 11: III. Rondo. Vivace |
|
9:40 |
|
|
4 |
|
Concerto for piano and orchestra No. 2 in F minor, Op. 21: I. Maestoso |
|
14:42 |
|
|
5 |
|
Concerto for piano and orchestra No. 2 in F minor, Op. 21: II. Larghetto |
|
9:57 |
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6 |
|
Concerto for piano and orchestra No. 2 in F minor, Op. 21: III. Allegro vivace |
|
8:52 |
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Total time |
|
74:39 |
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|
CD 8: Mozart, W.A.: Clarinet Concerto, K. 622; Flute Concerto, K. 313; Bassoon Concerto, K. 191 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Concerto for Clarinet in A major, K. 622: I. Allegro |
|
13:05 |
|
|
2 |
|
Concerto for Clarinet in A major, K. 622: II. Adagio |
|
8:09 |
|
|
3 |
|
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro |
|
9:38 |
|
|
4 |
|
Concerto for Flute No. 1 in G major, K. 285c/313: I. Allegro maestoso |
|
9:39 |
|
|
5 |
|
Concerto for Flute No. 1 in G major, K. 285c/313: II. Adagio non troppo |
|
9:43 |
|
|
6 |
|
Concerto for Flute No. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto |
|
7:55 |
|
|
7 |
|
Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro |
|
7:11 |
|
|
8 |
|
Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio |
|
7:39 |
|
|
9 |
|
Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto |
|
4:24 |
|
|
|
|
|
Total time |
|
77:23 |
|
|
CD 9: Debussy: La Mer; 3 Nocturnes; Jeux; Rhapsodie pour clarinette |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Nocturnes (orchestral version): I. Nuages |
|
6:15 |
|
|
2 |
|
Nocturnes (orchestral version): II. Fêtes |
|
6:31 |
|
|
3 |
|
Nocturnes (orchestral version): III. Sirènes |
|
9:47 |
|
|
4 |
|
Première Rhapsodie: Rêveusement lent |
|
8:42 |
|
|
5 |
|
Jeux: Poème danse: Très lent - scherzando - (tempo initial) |
|
16:06 |
|
|
6 |
|
La Mer: I. De l'aube à midi sur la mer |
|
8:47 |
|
|
7 |
|
La Mer: II. Jeux de vagues |
|
7:09 |
|
|
8 |
|
La Mer: III. Dialogue du vent et de la mer |
|
7:41 |
|
|
|
|
|
Total time |
|
70:58 |
|
|
CD 10: Brahms: Symphony No. 4 / Strauss, R.: Tod und Verklärung, Op. 24 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo |
|
12:04 |
|
|
2 |
|
Symphony No. 4 in E minor, Op. 98: II. Andante moderato |
|
12:43 |
|
|
3 |
|
Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - poco meno presto - tempo I |
|
5:34 |
|
|
4 |
|
Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - più allegro |
|
9:12 |
|
|
5 |
|
Tod und Verklärung, Op. 24 |
|
23:25 |
|
|
|
|
|
Total time |
|
62:58 |
|
|
CD 11: Pasion Española |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Falsa moneda |
|
3:58 |
|
|
2 |
|
Cruz de Mayo |
|
2:50 |
|
|
3 |
|
La bien pagá |
|
4:06 |
|
|
4 |
|
Porque te quiero |
|
2:59 |
|
|
5 |
|
El día que naci yo |
|
4:37 |
|
|
6 |
|
¡Ay, Maricruz! |
|
3:17 |
|
|
7 |
|
Me embrujaste |
|
4:44 |
|
|
8 |
|
Cariño verdá |
|
4:22 |
|
|
9 |
|
Te lo juro yo |
|
2:39 |
|
|
10 |
|
No me quieras tanto |
|
4:54 |
|
|
11 |
|
Antonio Vargas Heredia |
|
5:26 |
|
|
12 |
|
Ojos verdes |
|
5:52 |
|
|
13 |
|
Suspiros de España |
|
3:57 |
|
|
|
|
|
Total time |
|
53:41 |
|
|
CD 12: Fiesta |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Sensemayá |
|
6:37 |
|
|
2 |
|
Margaritena |
|
13:28 |
|
|
3 |
|
Mediodia en el Llano |
|
8:01 |
|
|
4 |
|
Danzon No. 2 |
|
9:46 |
|
|
5 |
|
Suite para cuerdas (version for orchestra): Fuga con Pajarillo |
|
7:01 |
|
|
6 |
|
Estancia: Danzas del Ballet: I. Las tradbajadores agrícolas |
|
2:56 |
|
|
7 |
|
Estancia: Danzas del Ballet: II. Danza del trigo |
|
3:43 |
|
|
8 |
|
Estancia: Danzas del Ballet: III. Los peones de hacienda |
|
1:58 |
|
|
9 |
|
Estancia: Danzas del Ballet: IV. Danza final (Malambo) |
|
3:24 |
|
|
10 |
|
Santa Cruz de Pacairigua (Suite Sinfónica) |
|
16:15 |
|
|
11 |
|
"West Side Story" Symphonic Dances: IV. Mambo |
|
2:28 |
|
|
|
|
|
Total time |
|
75:37 |
|
|
CD 13: Bach, J.S.: Cantatas "Ich will den Kreuzstab gerne tragen", BWV 56; "Ich habe genug", BWV 82 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: I. Aria: "Ich will den Kreuzstab gerne tragen" |
|
8:38 |
|
|
2 |
|
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: II. Recitativo: "Mein Wandel auf der Welt" |
|
2:12 |
|
|
3 |
|
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: III. Aria: "Endlich, endlich wird mein Joch" |
|
6:41 |
|
|
4 |
|
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: IV. Recitativo: "Ich stehe fertig und bereit" |
|
1:56 |
|
|
5 |
|
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: V. Choral: "Komm, o Tod, du Schlafes Bruder" |
|
1:43 |
|
|
6 |
|
Cantata "Ich habe genug" BWV 82: I. Aria: Ich habe genug, ich habe den Heiland |
|
7:27 |
|
|
7 |
|
Cantata "Ich habe genug" BWV 82: II. Recitativo: Ich habe genug! Mein Trost ist nur allein |
|
1:26 |
|
|
8 |
|
Cantata "Ich habe genug" BWV 82: III. Aria: Schlummert ein, ihr matten Augen |
|
7:19 |
|
|
9 |
|
Cantata "Ich habe genug" BWV 82: IV. Recitativo: Mein Gott! wann kommt das schöne Nun! |
|
0:59 |
|
|
10 |
|
Cantata "Ich habe genug" BWV 82: V. Aria: Ich freue mich auf meinen Tod |
|
3:52 |
|
|
|
|
|
Total time |
|
42:13 |
|
|
CD 14: Strauss, J.: Overture "Die Fledermaus"; Annen-Polka, Op. 117; Kaiser-Walzer, Op. 437; Tritsch-Tratsch-Polka, Op. 214; Radetzky-March, Op. 228; An der schönen, blauen Donau, Op. 314; Eljen a Magyar!, Op. 332; G'schichten aus dem Wienerwald, Op. 325 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Die Fledermaus: Overture |
|
9:10 |
|
|
2 |
|
Annen-Polka, Op. 117 |
|
4:22 |
|
|
3 |
|
Kaiserwalzer, Op. 437 |
|
11:33 |
|
|
4 |
|
Tritsch-Tratsch-Polka, Op. 214 |
|
2:25 |
|
|
5 |
|
Radetzky-Marsch, Op. 228 |
|
2:17 |
|
|
6 |
|
An der schönen blauen Donau, Op. 314 |
|
9:39 |
|
|
7 |
|
Eljen a Magyar, Op. 332 |
|
2:17 |
|
|
8 |
|
Geschichten aus dem Wienerwald, Op. 325 |
|
13:14 |
|
|
|
|
|
Total time |
|
54:57 |
|
|
CD 15: Schubert: Symphony No. 9; Rosamunde (Overture to "Die Zauberharfe", D.644 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Rosamunde, D. 797 (Incidental music to play by Helmina von Chézy): Overture (Die Zauberharfe, D. 644) |
|
10:45 |
|
|
2 |
|
Symphony No. 9 in C major, D. 944 "The Great": I. Andante - allegro ma non troppo |
|
14:35 |
|
|
3 |
|
Symphony No. 9 in C major, D. 944 "The Great": II. Andante con moto |
|
17:11 |
|
|
4 |
|
Symphony No. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace |
|
11:12 |
|
|
5 |
|
Symphony No. 9 in C major, D. 944 "The Great": IV. Allegro vivace |
|
11:32 |
|
|
|
|
|
Total time |
|
65:15 |
|
|
CD 16: Aria Cantilena |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Las Hijas del Zebedeo: Carceleras |
|
4:56 |
|
|
2 |
|
Werther: Act III: "Werther! Werther...qui m'aurait dit la place" |
|
7:15 |
|
|
3 |
|
Les Contes d'Hoffmann (edition: Michael Kaye and Jean-Christophe Keck): Act III: Romance "C'est l'amour vainqueur" |
|
3:49 |
|
|
4 |
|
La Cenerentola: Act II: Nacqui all'affanno |
|
7:35 |
|
|
5 |
|
Bachianas brasileiras No. 5 for Soprano and Cellos: Aria. Cantilena |
|
6:22 |
|
|
6 |
|
La Grande-Duchesse de Gérolstein (edition by Jean-Christophe Keck): Act I: Rondeau. "Ah, que j'aime les militaires" |
|
5:13 |
|
|
7 |
|
L'italiana in Algeri: Act II: Cavatina: Concedi, amor pietoso |
|
5:40 |
|
|
8 |
|
Madrigal on a catalan popular theme |
|
5:12 |
|
|
9 |
|
Der Rosenkavalier, Op. 59: Act III: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" |
|
5:49 |
|
|
10 |
|
Der Rosenkavalier, Op. 59: Act III: "Ist ein Traum, kann nicht wirklich sein" |
|
6:25 |
|
|
|
|
|
Total time |
|
58:16 |
|
|
CD 17: Brahms: Piano Concerto No. 1 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Konzert für Klavier und Orchester Nr. 1 D-moll, Op. 15: I. Maestoso |
|
24:10 |
|
|
2 |
|
Konzert für Klavier und Orchester Nr. 1 D-moll, Op. 15: II. Adagio |
|
14:46 |
|
|
3 |
|
Konzert für Klavier und Orchester Nr. 1 D-moll, Op. 15: III. Allegro non troppo |
|
12:33 |
|
|
|
|
|
Total time |
|
51:30 |
|
|
CD 18: Fauré: Requiem, Op.48 / Ravel: Pavane |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Requiem, Op. 48: I. Introït Et Kyrie |
|
7:53 |
|
|
2 |
|
Requiem, Op. 48: II. Offertoire |
|
9:45 |
|
|
3 |
|
Requiem, Op. 48: III. Sanctus |
|
3:39 |
|
|
4 |
|
Requiem, Op. 48: IV. Pie Jesu |
|
4:06 |
|
|
5 |
|
Requiem, Op. 48: V. Agnus Dei |
|
7:08 |
|
|
6 |
|
Requiem, Op. 48: VI. Libera Me |
|
5:50 |
|
|
7 |
|
Requiem, Op. 48: VII. In Paradisum |
|
4:04 |
|
|
8 |
|
Pavane Pour Une Infante Défunte |
|
7:00 |
|
|
|
|
|
Total time |
|
49:25 |
|
|
CD 19: Golijov: Ayre for voice and chamber ensemble / Berio: Folksongs |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Ayre for voice and chamber ensemble, No. 1: Mananita de San Juan (Morning of St. John's Day) |
|
3:53 |
|
|
2 |
|
Ayre for voice and chamber ensemble, No. 2: Una Madre Comió Asado (A Mother Roasted her Child) |
|
3:00 |
|
|
3 |
|
Ayre for voice and chamber ensemble, No. 3: Tancas Serradas a Muru (Walls are Encircling the Land) |
|
2:56 |
|
|
4 |
|
Ayre for voice and chamber ensemble, No. 4: Luna |
|
2:03 |
|
|
5 |
|
Ayre for voice and chamber ensemble, No. 5: Nanni |
|
3:14 |
|
|
6 |
|
Ayre for voice and chamber ensemble, No. 6: Wa Habibi (My Love) |
|
6:14 |
|
|
7 |
|
Ayre for voice and chamber ensemble, No. 7: Aiini Taqttiru (My Eyes Weep) |
|
2:46 |
|
|
8 |
|
Ayre for voice and chamber ensemble, No. 8: Kun Li-Guitari Wataran Ayyuha Al-Maa' (Be a String, Water, to my Guitar) |
|
1:13 |
|
|
9 |
|
Ayre for voice and chamber ensemble, No. 9: Sueltate las Cintas (Untie your Ribbons) |
|
1:39 |
|
|
10 |
|
Ayre for voice and chamber ensemble, No. 10: Yah, Anna Emtzacha (Oh, Where Shall I find You?) |
|
3:43 |
|
|
11 |
|
Ayre for voice and chamber ensemble, No. 11: Ariadna en su Laberinto (Ariadne in Her Labyrinth) |
|
9:15 |
|
|
12 |
|
Folk songs for voice and 7 instruments, No. 1: Black is the colour (USA) |
|
2:41 |
|
|
13 |
|
Folk songs for voice and 7 instruments, No. 2: I wonder as I wander (USA) |
|
2:05 |
|
|
14 |
|
Folk songs for voice and 7 instruments, No. 3: Loosin yelav (Armenia) |
|
2:35 |
|
|
15 |
|
Folk songs for voice and 7 instruments, No. 4: Rosssignolet du bois (France) |
|
1:27 |
|
|
16 |
|
Folk songs for voice and 7 instruments, No. 5: A la femminisca (Sicily) |
|
1:32 |
|
|
17 |
|
Folk songs for voice and 7 instruments, No. 6: La donna ideale (Italy) |
|
1:17 |
|
|
18 |
|
Folk songs for voice and 7 instruments, No. 7: Ballo (Italy) |
|
1:33 |
|
|
19 |
|
Folk songs for voice and 7 instruments, No. 8: Motettu de Tristura (Sardinia) |
|
1:52 |
|
|
20 |
|
Folk songs for voice and 7 instruments, No. 9: Malorous qu'o uno fenno (Auvergne - France) |
|
1:00 |
|
|
21 |
|
Folk songs for voice and 7 instruments, No. 10: Lo fiolaire (Auvergne - France) |
|
2:56 |
|
|
22 |
|
Folk songs for voice and 7 instruments, No. 11: Azerbaijan love song (Azerbaijan) |
|
2:48 |
|
|
|
|
|
Total time |
|
61:42 |
|
|
CD 20: Reflection |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Piano Concerto in A minor, Op. 54: I. Allegro affettuoso |
|
15:02 |
|
|
2 |
|
Piano Concerto in A minor, Op. 54: II. Intermezzo: Andantino grazioso |
|
5:41 |
|
|
3 |
|
Piano Concerto in A minor, Op. 54: III. Allegro vivace |
|
10:32 |
|
|
4 |
|
3 Lieder, Op. 12: I. Er is gekommen in Sturm und Regen |
|
2:19 |
|
|
5 |
|
3 Lieder, Op. 12: III. Warum willst du and're fragen? |
|
2:11 |
|
|
6 |
|
Am Strande |
|
2:21 |
|
|
7 |
|
Sonata for Cello and Piano No. 1 in E minor, Op. 38: I. Allegro non troppo |
|
13:40 |
|
|
8 |
|
Sonata for Cello and Piano No. 1 in E minor, Op. 38: II. Allegretto quasi minuetto |
|
5:26 |
|
|
9 |
|
Sonata for Cello and Piano No. 1 in E minor, Op. 38: III. Allegro - più presto |
|
6:21 |
|
|
10 |
|
2 Rhapsodies, Op. 79: No. 1 in B minor |
|
8:59 |
|
|
11 |
|
2 Rhapsodies, Op. 79: No. 2 in G minor |
|
7:05 |
|
|
|
|
|
Total time |
|
79:37 |
|
|
CD 21: Schubert: String Quartet, D. 810 "Death and the Maiden" / Beethoven: String Quartet, Op. 135 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
String Quartet in F major, Op. 135: I. Allegretto |
|
7:13 |
|
|
2 |
|
String Quartet in F major, Op. 135: II. Vivace |
|
3:15 |
|
|
3 |
|
String Quartet in F major, Op. 135: III. Lento assai, cantante e tranquillo |
|
8:00 |
|
|
4 |
|
String Quartet in F major, Op. 135: IV. “Der schwer gefaßte Entschluß.” Grave, ma non troppo tratto (Muss es sein?) — Allegro (Es muss sein!) — Grave, ma non troppo tratto — Allegro |
|
7:34 |
|
|
5 |
|
String Quartet No. 14 in D minor, D. 810 "Death and the Maiden": I. Allegro |
|
15:26 |
|
|
6 |
|
String Quartet No. 14 in D minor, D. 810 "Death and the Maiden": II. Andante con moto |
|
14:16 |
|
|
7 |
|
String Quartet No. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto |
|
3:32 |
|
|
8 |
|
String Quartet No. 14 in D minor, D. 810 "Death and the Maiden": IV. Presto |
|
8:32 |
|
|
|
|
|
Total time |
|
67:48 |
|
|
CD 22: Schoenberg: Violin Concerto, Op. 36 / Sibelius: Violin Concerto, Op. 47 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Concerto for violin and orchestra, Op. 36: I. Poco allegro |
|
11:36 |
|
|
2 |
|
Concerto for violin and orchestra, Op. 36: II. Andante grazioso |
|
7:30 |
|
|
3 |
|
Concerto for violin and orchestra, Op. 36: III. Finale. Allegro |
|
10:49 |
|
|
4 |
|
Concerto for violin and orchestra in D minor, Op. 47: I. Allegro moderato |
|
17:20 |
|
|
5 |
|
Concerto for violin and orchestra in D minor, Op. 47: II. Adagio di molto |
|
8:36 |
|
|
6 |
|
Concerto for violin and orchestra in D minor, Op. 47: III. Allegro, ma non tanto |
|
7:16 |
|
|
|
|
|
Total time |
|
63:06 |
|
|
CD 23: Air. A Baroque Journey |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Chaconne in G major |
|
3:15 |
|
|
2 |
|
Suite No. 15 in D minor for harpsichord, HWV 447: III. Sarabanda |
|
3:09 |
|
|
3 |
|
Ricercata segunda |
|
1:26 |
|
|
4 |
|
La suave melodia |
|
3:11 |
|
|
5 |
|
Passacalio in G minor |
|
3:39 |
|
|
6 |
|
Diverse bizzarrie sopra la Vecchia Sarabanda o pur Ciacconna |
|
4:19 |
|
|
7 |
|
Canon and Gigue in D major: I. Canon |
|
3:41 |
|
|
8 |
|
Canon and Gigue in D major: II. Gigue |
|
1:28 |
|
|
9 |
|
Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: I. Adagio |
|
2:59 |
|
|
10 |
|
Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: II. Allegro |
|
2:22 |
|
|
11 |
|
Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: III. Presto |
|
1:43 |
|
|
12 |
|
Sonata for Violin and Continuo III: Imitazione della campane |
|
1:55 |
|
|
13 |
|
Ayrs for the Violin, Book 4, Suite in F major: Ground after the Scotch Humour |
|
1:52 |
|
|
14 |
|
Concerto grosso No. 5 in G minor from Corelli: Sonata Op. 5 No. 5: I. Adagio |
|
3:02 |
|
|
15 |
|
Concerto grosso No. 5 in G minor from Corelli: Sonata Op. 5 No. 5: II. Vivace |
|
1:38 |
|
|
16 |
|
Concerto grosso No. 5 in G minor from Corelli: Sonata Op. 5 No. 5: III. Adagio |
|
2:45 |
|
|
17 |
|
Concerto grosso No. 5 in G minor from Corelli: Sonata Op. 5 No. 5: IV. Allegro |
|
1:46 |
|
|
18 |
|
Gagliarde napolitane |
|
1:52 |
|
|
19 |
|
Passacaglia in G minor |
|
2:57 |
|
|
20 |
|
Tambourin |
|
1:45 |
|
|
21 |
|
Greensleeves to a Ground |
|
4:42 |
|
|
22 |
|
Sonata in A major, "La guerra": La guerra cosí nominata di sua maestà |
|
0:47 |
|
|
23 |
|
Sonata for Violin and Continuo II "Consacrate al Grand' Apolline di questi tempi": Imitazione del Liuto. Presto |
|
2:27 |
|
|
24 |
|
Suite No. 3 in D major, BWV 1068: II. Air |
|
5:01 |
|
|
|
|
|
Total time |
|
63:40 |
|
|
CD 24: Horowitz at Home |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Piano Sonata in B-flat major, K. 281: I. Allegro |
|
6:11 |
|
|
2 |
|
Piano Sonata in B-flat major, K. 281: II. Andante amoroso |
|
7:20 |
|
|
3 |
|
Piano Sonata in B-flat major, K. 281: III. Rondeau: Allegro |
|
4:13 |
|
|
4 |
|
Adagio in B minor, K. 540 |
|
8:01 |
|
|
5 |
|
Rondo in D major, K. 485 |
|
6:28 |
|
|
6 |
|
6 Moments musicaux in F minor, Op. 94 No. 3, D. 780: Allegro moderato |
|
2:02 |
|
|
7 |
|
Schwanengesang, transcriptions for piano after Schubert, S. 560 No. 7 "Ständchen": Serenade |
|
5:43 |
|
|
8 |
|
Soirées de Vienne, valses caprices d'après Schubert, in A major, S. 427 No. 7: Allegro con spirito |
|
6:27 |
|
|
9 |
|
Soirées de Vienne, valses caprices d'après Schubert, in A minor, S. 427 No. 6 |
|
7:08 |
|
|
|
|
|
Total time |
|
53:34 |
|
|
CD 25: Bruckner: Symphony No. 4 "Romantic" |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell |
|
17:44 |
|
|
2 |
|
Symphony No. 4 in E-flat major "Romantic": II. Andante quasi allegretto |
|
16:46 |
|
|
3 |
|
Symphony No. 4 in E-flat major "Romantic": III. Scherzo, Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend |
|
10:11 |
|
|
4 |
|
Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell |
|
20:16 |
|
|
|
|
|
Total time |
|
64:57 |
|
|
CD 26: Brahms: Ein deutsches Requiem, Op. 45 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen |
|
11:36 |
|
|
2 |
|
Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras |
|
14:45 |
|
|
3 |
|
Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich |
|
11:45 |
|
|
4 |
|
Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen |
|
5:43 |
|
|
5 |
|
Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit |
|
8:16 |
|
|
6 |
|
Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt |
|
12:34 |
|
|
7 |
|
Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten |
|
12:09 |
|
|
|
|
|
Total time |
|
76:48 |
|
|
CD 27: Schumann: Fantasie, Op. 17 / Brahms: Variations and Fugue on a Theme by Handel, Op. 24 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Fantasie in C major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen; im Legenden-Ton. |
|
11:32 |
|
|
2 |
|
Fantasie in C major, Op. 17: II. Mäßig. Durchaus energisch. |
|
8:15 |
|
|
3 |
|
Fantasie in C major, Op. 17: III. Langsam getragen. Durchweg leise zu halten. |
|
10:24 |
|
|
4 |
|
Variations and Fugue on a Theme by Handel, Op. 24 |
|
24:28 |
|
|
|
|
|
Total time |
|
54:40 |
|
|
CD 28: Verdi: La Traviata: Act 1 & 2, Scene 1 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
La Traviata: Preludio |
|
3:38 |
|
|
2 |
|
La Traviata: Atto I. Introduzione: "Dell'invito trascorso è già l'ora" (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo) |
|
4:34 |
|
|
3 |
|
La Traviata: Atto I. Brindisi: "Libiamo ne' lieti calici" (Alfredo, Tutti, Violetta) |
|
2:55 |
|
|
4 |
|
La Traviata: Atto I. Valzer e Duetto: "Che è ciò?" (Tutti, Violetta, Alfredo) |
|
2:18 |
|
|
5 |
|
La Traviata: Atto I. Valzer e Duetto: "Un dì felice, eterea" (Alfredo, Violetta) |
|
3:06 |
|
|
6 |
|
La Traviata: Atto I. Valzer e Duetto: "Ebben? che diavol fate?" (Gastone, Violetta, Alfredo) |
|
1:19 |
|
|
7 |
|
La Traviata: Atto I. Stretta dell'Introduzione: "Si ridesta in ciel l'aurora" (Tutti) |
|
1:37 |
|
|
8 |
|
La Traviata: Atto I. Scena ed Aria - Finale: "È strano! ... Ah, fors'è lui" (Violetta) |
|
3:36 |
|
|
9 |
|
La Traviata: Atto I. Scena ed Aria - Finale: "Follie! Delirio vano è questo! ... Sempre libera" (Violetta, Alfredo) |
|
4:32 |
|
|
10 |
|
La Traviata: Atto II, Quadro I. Scena ed Aria: "Lunge da lei ... De' miei bollenti spiriti" (Alfredo) |
|
3:33 |
|
|
11 |
|
La Traviata: Atto II, Quadro I. Scena ed Aria: "Annina, donde vieni?" - "Oh mio rimorso!" (Alfredo, Annina) |
|
2:19 |
|
|
12 |
|
La Traviata: Atto II, Quadro I. Scena e Duetto: "Alfredo?" - "Per Parigi or or partiva" (Violetta, Annina, Giuseppe, Germont) |
|
3:18 |
|
|
13 |
|
La Traviata: Atto II, Quadro I. Scena e Duetto: "Pura siccome un angelo" (Germont, Violetta) |
|
1:39 |
|
|
14 |
|
La Traviata: Atto II, Quadro I. Scena e Duetto: "Non sapete quale affetto" (Violetta, Germont) |
|
1:59 |
|
|
15 |
|
La Traviata: Atto II, Quadro I. Scena e Duetto: "Un dì, quando le veneri" (Germont, Violetta) |
|
2:34 |
|
|
16 |
|
La Traviata: Atto II, Quadro I. Scena e Duetto: "Ah! Dite alla giovine" (Violetta, Germont) |
|
4:05 |
|
|
17 |
|
La Traviata: Atto II, Quadro I. Scena e Duetto: "Imponete" - "Non amarlo ditegli" (Violetta, Germont) |
|
4:18 |
|
|
18 |
|
La Traviata: Atto II, Quadro I. Scena: "Dammi tu forza, o cielo!" (Violetta, Annina) |
|
1:43 |
|
|
19 |
|
La Traviata: Atto II, Quadro I. Scena: "Che fai?" - "Nulla" (Alfredo, Violetta) |
|
2:07 |
|
|
20 |
|
La Traviata: Atto II, Quadro I. Scena ed Aria: "Ah, vive sol quel core" (Alfredo, Giuseppe, Commissionario, Germont) |
|
2:12 |
|
|
21 |
|
La Traviata: Atto II, Quadro I. Scena ed Aria: "Di Provenza il mar, il suol" (Germont) |
|
4:01 |
|
|
22 |
|
La Traviata: Atto II, Quadro I. Scena ed Aria: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" (Germont, Alfredo) |
|
2:45 |
|
|
|
|
|
Total time |
|
64:08 |
|
|
CD 29: Verdi: La Traviata: Act 2, Scene 2 & Act 3 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
La Traviata: Atto II, Quadro II. Finale II: "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore) |
|
1:03 |
|
|
2 |
|
La Traviata: Atto II, Quadro II. Finale II: "Noi siamo zingarelle" (Coro, Flora, Marchese, Dottore) |
|
2:46 |
|
|
3 |
|
La Traviata: Atto II, Quadro II. Finale II: "Di Madride noi siam mattadori" (Gastone, Coro, Flora, Dottore, Marchese) |
|
2:32 |
|
|
4 |
|
La Traviata: Atto II, Quadro II. Finale II: "Alfredo! Voi!" (Tutti, Alfredo) |
|
3:54 |
|
|
5 |
|
La Traviata: Atto II, Quadro II. Finale II: "Invitato a qui seguirmi" (Violetta, Alfredo, Tutti) |
|
2:28 |
|
|
6 |
|
La Traviata: Atto II, Quadro II. Finale II: "Ogni suo aver tal femmina" (Alfredo, Tutti) |
|
1:31 |
|
|
7 |
|
La Traviata: Atto II, Quadro II. Finale II: "Di sprezzo degno se stesso rende" (Germont, Alfredo, Flora, Gastone, Barone, Dottore, Marchese, Coro) |
|
1:48 |
|
|
8 |
|
La Traviata: Atto II, Quadro II. Finale II: "Alfredo, Alfredo, di questo core" (Violetta, Tutti) |
|
4:14 |
|
|
9 |
|
La Traviata: Atto III. Preludio |
|
3:36 |
|
|
10 |
|
La Traviata: Atto III. Scena ed Aria: "Annina?" - "Comandate?" (Violetta, Annina, Dottore) |
|
3:54 |
|
|
11 |
|
La Traviata: Atto III. Scena ed Aria: "Teneste la promessa ... Attendo, né a me giungon mai ... Addio del passato" (Violetta) |
|
3:59 |
|
|
12 |
|
La Traviata: Atto III. Baccanale: "Largo al quadrupede" (Coro di Maschere) |
|
0:48 |
|
|
13 |
|
La Traviata: Atto III. Scena e Duetto: "Signora ..." - "Che t'accadde?" (Annina, Violetta, Alfredo) - "Parigi, o cara, noi lasceremo" (Alfredo, Violetta) |
|
4:44 |
|
|
14 |
|
La Traviata: Atto III. Scena e Duetto: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" (Violetta, Alfredo) |
|
3:00 |
|
|
15 |
|
La Traviata: Atto III. Finale ultimo: "Ah, Violetta!" - "Voi? Signor?" (Germont, Violetta, Alfredo) |
|
1:43 |
|
|
16 |
|
La Traviata: Atto III. Finale ultimo: "Prendi, quest'è l'immagine" (Violetta, Alfredo, Germont, Annina, Dottore) |
|
3:53 |
|
|
|
|
|
Total time |
|
45:52 |
|
|
CD 30: Mozart: Arias |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Finale "Giunse alfin il momento" (Cherubino, La Contessa, Il Conte, Susanna, Figaro) |
|
4:17 |
|
|
2 |
|
Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino) |
|
3:06 |
|
|
3 |
|
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" |
|
10:36 |
|
|
4 |
|
Così fan tutte, K. 588: Act I, Scene IX. No. 12 Aria "In uomini, in soldati sperare" (Despina) |
|
2:55 |
|
|
5 |
|
Così fan tutte, K. 588: Ei parte... Senti!... Ah, no! - Per pietà, ben mio, perdona |
|
9:33 |
|
|
6 |
|
Così fan tutte, K. 588: Act II, Scene X. No. 28 Aria "È amore un ladroncello" (Dorabella) |
|
3:13 |
|
|
7 |
|
La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" (Vitellia) |
|
7:05 |
|
|
8 |
|
Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) |
|
8:00 |
|
|
9 |
|
Aria for Soprano & Orchestra in E-flat major, K. 583: "Vado, ma dove?" |
|
4:28 |
|
|
10 |
|
Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) |
|
2:46 |
|
|
11 |
|
Aria for Soprano & Orchestra in B-flat major, K. 578: "Alma grande e nobil core" |
|
4:28 |
|
|
12 |
|
Le nozze di Figaro, KV 492: Giunse alfin il momento - Al desio di chi t'adora |
|
7:28 |
|
|
|
|
|
Total time |
|
67:56 |
|
|
CD 31: Glass: Violin Concerto / Schnittke: Concerto Grosso No. 5 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Concerto for violin and orchestra: I. = 104 - = 120 |
|
6:38 |
|
|
2 |
|
Concerto for violin and orchestra: II. = ca. 108 |
|
8:46 |
|
|
3 |
|
Concerto for violin and orchestra: III. = ca. 150 - Coda: Poco meno = 104 |
|
9:40 |
|
|
4 |
|
Concerto Grosso No. 5: I. Allegretto |
|
7:46 |
|
|
5 |
|
Concerto Grosso No. 5: II. |
|
5:18 |
|
|
6 |
|
Concerto Grosso No. 5: III. Allegro vivace |
|
6:02 |
|
|
7 |
|
Concerto Grosso No. 5: IV. Lento |
|
8:28 |
|
|
|
|
|
Total time |
|
52:38 |
|
|
CD 32: Memory |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Piano Sonata No. 10 in C major, K. 330: I. Allegro moderato |
|
6:35 |
|
|
2 |
|
Piano Sonata No. 10 in C major, K. 330: II. Andante cantabile |
|
7:30 |
|
|
3 |
|
Piano Sonata No. 10 in C major, K. 330: III. Allegretto |
|
5:48 |
|
|
4 |
|
Piano Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso |
|
15:10 |
|
|
5 |
|
Piano Sonata No. 3 in B minor, Op. 58: II. Scherzo. Molto vivace |
|
3:24 |
|
|
6 |
|
Piano Sonata No. 3 in B minor, Op. 58: III. Largo |
|
14:10 |
|
|
7 |
|
Piano Sonata No. 3 in B minor, Op. 58: IV. Finale. Presto non tanto |
|
5:40 |
|
|
8 |
|
Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen |
|
1:51 |
|
|
9 |
|
Kinderszenen, Op. 15: II. Kuriose Geschichte |
|
1:11 |
|
|
10 |
|
Kinderszenen, Op. 15: III. Hasche-Mann |
|
0:28 |
|
|
11 |
|
Kinderszenen, Op. 15: IV. Bittendes Kind |
|
0:52 |
|
|
12 |
|
Kinderszenen, Op. 15: V. Glückes genug |
|
1:25 |
|
|
13 |
|
Kinderszenen, Op. 15: VI. Wichtige Begebenheit |
|
1:01 |
|
|
14 |
|
Kinderszenen, Op. 15: VII. Träumerei |
|
3:17 |
|
|
15 |
|
Kinderszenen, Op. 15: VIII. Am Kamin |
|
1:21 |
|
|
16 |
|
Kinderszenen, Op. 15: IX. Ritter vom Steckenpferd |
|
0:34 |
|
|
17 |
|
Kinderszenen, Op. 15: X. Fast zu ernst |
|
1:51 |
|
|
18 |
|
Kinderszenen, Op. 15: XI. Fürchtenmachen |
|
1:44 |
|
|
19 |
|
Kinderszenen, Op. 15: XII. Kind im Einschlummern |
|
2:41 |
|
|
20 |
|
Kinderszenen, Op. 15: XIII. Der Dichter spricht |
|
3:11 |
|
|
|
|
|
Total time |
|
79:43 |
|
|
CD 33: Gershwin: Rhapsody in Blue; An American in Paris; "Porgy and Bess" Suite; Cuban Overture |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Rhapsody in Blue (jazz band version (1924)) |
|
16:10 |
|
|
2 |
|
Cuban Overture |
|
9:52 |
|
|
3 |
|
"Porgy and Bess": Catfish Row |
|
6:00 |
|
|
4 |
|
"Porgy and Bess": Porgy Sings: Oh, I Got Plenty O'Nuttin' |
|
1:34 |
|
|
5 |
|
"Porgy and Bess": Porgy Sings: Bess, You Is My Woman Now |
|
3:12 |
|
|
6 |
|
"Porgy and Bess": Fugue |
|
1:40 |
|
|
7 |
|
"Porgy and Bess": Hurricane |
|
3:33 |
|
|
8 |
|
"Porgy and Bess": Good Morning, Brother (Sistuh) |
|
7:18 |
|
|
9 |
|
An American in Paris (revised by F. Campbell-Watson) |
|
17:33 |
|
|
|
|
|
Total time |
|
66:52 |
|
|
CD 34: Mozart, W.A.: Great Mass, K. 427 / Haydn: Scena di Berenice, Hob XXIVa:10 / Beethoven: "Ah! perido", Op. 65 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" |
|
6:57 |
|
|
2 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" |
|
2:04 |
|
|
3 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" |
|
4:41 |
|
|
4 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" |
|
1:02 |
|
|
5 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" |
|
2:46 |
|
|
6 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" |
|
4:02 |
|
|
7 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" |
|
3:50 |
|
|
8 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" |
|
0:33 |
|
|
9 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" |
|
3:40 |
|
|
10 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" |
|
3:17 |
|
|
11 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb.Credo: "Et incarnatus est" |
|
7:48 |
|
|
12 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" |
|
3:21 |
|
|
13 |
|
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
|
5:10 |
|
|
14 |
|
Scena di Berenice, dramatic scena, Hob XXIVa:10: "Berenice, che fai?" |
|
12:27 |
|
|
15 |
|
"Ah! perfido", Op. 65 |
|
12:29 |
|
|
|
|
|
Total time |
|
74:08 |
|
|
CD 35: Tchaikovsky: Symphony No. 6 "Pathétique" |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo |
|
17:41 |
|
|
2 |
|
Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia |
|
8:06 |
|
|
3 |
|
Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace |
|
8:20 |
|
|
4 |
|
Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Adagio lamentoso |
|
9:49 |
|
|
|
|
|
Total time |
|
43:57 |
|
|
CD 36: Music of the Gothic Era |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Viderunt omnes fines terre |
|
9:06 |
|
|
2 |
|
Viderunt omnes |
|
11:48 |
|
|
3 |
|
Alle psallite cum luya |
|
1:07 |
|
|
4 |
|
Amor potest |
|
1:01 |
|
|
5 |
|
S'on me regarde |
|
2:24 |
|
|
6 |
|
In mari miserie |
|
1:50 |
|
|
7 |
|
O Mitissima |
|
1:27 |
|
|
8 |
|
Aucun ont trouve |
|
3:11 |
|
|
9 |
|
De me dame vient |
|
2:25 |
|
|
10 |
|
J'os bien a m'amie parler |
|
1:53 |
|
|
11 |
|
Le mesnie fauveline |
|
1:16 |
|
|
12 |
|
Impudentur circumivi |
|
3:09 |
|
|
13 |
|
Cum statua nabucodonasor |
|
2:27 |
|
|
14 |
|
Clap, clap, par un matin |
|
1:29 |
|
|
15 |
|
Febus mundo oriens |
|
3:28 |
|
|
16 |
|
Qui es promesses de fortune |
|
1:53 |
|
|
17 |
|
Lasse! comment oublieray |
|
4:04 |
|
|
18 |
|
Inter densas deserti meditans |
|
3:17 |
|
|
19 |
|
Hoquetus David |
|
3:16 |
|
|
|
|
|
Total time |
|
60:31 |
|
|
CD 37: Carmen Fantasy, Op.25 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Zigeunerweisen, for violin & piano (or orchestra), "Gypsy Airs", Op. 20 |
|
8:41 |
|
|
2 |
|
Légende in G minor for violin & orchestra, Op. 17 |
|
7:41 |
|
|
3 |
|
Sonata for violin & continuo in G minor, Op. 1/6 B. g5 "Il trillo del diavolo" |
|
16:32 |
|
|
4 |
|
Tzigane, rhapsodie de concert for violin & piano (or orchestra) |
|
10:01 |
|
|
5 |
|
Thäis, opera Méditation |
|
6:42 |
|
|
6 |
|
Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op. 25: Introduction. Allegro moderato |
|
3:22 |
|
|
7 |
|
Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op. 25: I. Moderato |
|
2:27 |
|
|
8 |
|
Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op. 25: II. Lento assai |
|
2:11 |
|
|
9 |
|
Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op. 25: III.. Allegro moderato |
|
2:07 |
|
|
10 |
|
Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op. 25: IV. Moderato |
|
2:31 |
|
|
11 |
|
Berceuse, for violin & piano (or orchestra) in D Major, Op. 16 |
|
4:28 |
|
|
|
|
|
Total time |
|
66:43 |
|
|
CD 38: Duets |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
La Bohème: Act I: Duet "O soave fanciulla" (Mimi, Rodolfo) |
|
4:10 |
|
|
2 |
|
Lucia di Lammermoor, Part I: No. 4. Scene and Duet "Lucia perdona...Sulla tomba" (Lucia, Edgardo) |
|
12:40 |
|
|
3 |
|
Rigoletto: Act I: No. 5. Scene and Duet "Giovanna, ho dei rimorsi...E il sol dell'anima" (Gilda, Duca) |
|
8:19 |
|
|
4 |
|
Roméo et Juliette: Act IV, Scene 1: No. 14. Duet "Va! je t'ai pardonné ... Nuit d'hyménée" |
|
13:23 |
|
|
5 |
|
Les Pêcheurs de perles: Act II: No. 8. Chanson "De mon amie, fleur endormie" - No. 9 Duett "Léila! Léila! Dieu puissant" (Leïla, Nadir) |
|
9:00 |
|
|
6 |
|
Manon: Act III, Scene 2: Duet "Toi! Vous!... Ah! Viens, Manon, je t'aime!" (Manon, des Grieux) |
|
8:05 |
|
|
7 |
|
Iolanta: No. 7 Duet "Tvajo malchan'je nepan'atna" (Iolanta, Vodemon) |
|
10:03 |
|
|
8 |
|
Luisa Fernanda: Act III: No. 13 Duet "iCállate, corazón! iDuèrmete y calla!" (Luisa Fernanda, Javier) |
|
5:28 |
|
|
|
|
|
Total time |
|
71:08 |
|
|
CD 39: Liszt: 12 Études d'exécution transcendante |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
12 études d'exécution transcendante: I. Preludio |
|
0:53 |
|
|
2 |
|
12 études d'exécution transcendante: II. Molto vivace |
|
2:18 |
|
|
3 |
|
12 études d'exécution transcendante: III. Paysag |
|
5:15 |
|
|
4 |
|
12 études d'exécution transcendante: IV. Mazeppa |
|
7:45 |
|
|
5 |
|
12 études d'exécution transcendante: V. Feux follets |
|
3:56 |
|
|
6 |
|
12 études d'exécution transcendante: VI. Vision |
|
6:28 |
|
|
7 |
|
12 études d'exécution transcendante: VII. Eroica |
|
5:06 |
|
|
8 |
|
12 études d'exécution transcendante: VIII. Wilde Jagd |
|
5:26 |
|
|
9 |
|
12 études d'exécution transcendante: IX. Ricordanza |
|
10:13 |
|
|
10 |
|
12 études d'exécution transcendante: X. Allegro agitato molto |
|
4:29 |
|
|
11 |
|
12 études d'exécution transcendante: XI. Harmonies du soir |
|
8:42 |
|
|
12 |
|
12 études d'exécution transcendante: XII. Chasse-neige |
|
5:38 |
|
|
|
|
|
Total time |
|
66:09 |
|
|
CD 40: Weill: Speak Low & The Seven Deadly Sins, Songs |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Die sieben Todsünden: Prolog: "Meine Schwester und ich stammen aus Louisiana" |
|
3:24 |
|
|
2 |
|
Die sieben Todsünden: I. Faulheit: "Hoffentlich nimmt sich unsre Anna auch zusammen" |
|
3:47 |
|
|
3 |
|
Die sieben Todsünden: II. Stolz: "Als wir aber ausgestattet waren" |
|
4:19 |
|
|
4 |
|
Die sieben Todsünden: III. Zorn: "Das geht nicht vorwärts" |
|
4:00 |
|
|
5 |
|
Die sieben Todsünden: IV: Völlerei "Da ist ein Brief aus Philadelphia" |
|
2:58 |
|
|
6 |
|
Die sieben Todsünden: V. Unzucht: "Und wir fanden einen Mann in Boston" |
|
5:38 |
|
|
7 |
|
Die sieben Todsünden: VI. Habsucht: "Wie hier in der Zeitung steht, ist Anna" |
|
2:57 |
|
|
8 |
|
Die sieben Todsünden: VII. Neid: "Und die letzte Stadt der Reise war San Francisco" |
|
5:06 |
|
|
9 |
|
Die sieben Todsünden: Epilog: "Darauf kehrten wir zurück nach Louisiana" |
|
1:56 |
|
|
10 |
|
Lady in the Dark: My Ship |
|
2:42 |
|
|
11 |
|
Lady in the Dark: One Life to Live |
|
3:04 |
|
|
12 |
|
Buddy on the Nightshift |
|
2:09 |
|
|
13 |
|
Nannas Lied |
|
4:06 |
|
|
14 |
|
Happy End: Bilbao-Song |
|
4:27 |
|
|
15 |
|
Happy End: Surabaya-Johnny |
|
6:01 |
|
|
16 |
|
Happy End: Das Lied von der harten Nuss |
|
1:08 |
|
|
17 |
|
Je ne t'aime pas |
|
4:29 |
|
|
18 |
|
Schickelgruber |
|
2:51 |
|
|
19 |
|
Der Abschiedsbrief |
|
3:28 |
|
|
20 |
|
One Touch of Venus: Foolish Heart |
|
2:28 |
|
|
21 |
|
One Touch of Venus: Speak Low |
|
3:59 |
|
|
22 |
|
One Touch of Venus: I'm a Stranger Here Myself |
|
3:13 |
|
|
|
|
|
Total time |
|
78:09 |
|
|
CD 41: Bach, J.S.: Brandenburg Concertos Nos. 1 - 3 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Concerto No. 1 in F major, BWV 1046: I. |
|
4:11 |
|
|
2 |
|
Concerto No. 1 in F major, BWV 1046: II. Adagio |
|
4:13 |
|
|
3 |
|
Concerto No. 1 in F major, BWV 1046: III. Allegro |
|
4:10 |
|
|
4 |
|
Concerto No. 1 in F major, BWV 1046: IV. Menuetto - trio I - polacca - trio II |
|
7:31 |
|
|
5 |
|
Concerto No. 2 in F major, BWV 1047: I. |
|
5:18 |
|
|
6 |
|
Concerto No. 2 in F major, BWV 1047: II. Andante |
|
3:53 |
|
|
7 |
|
Concerto No. 2 in F major, BWV 1047: III. Allegro assai |
|
3:07 |
|
|
8 |
|
Concerto No. 3 in G major, BWV 1048: I. |
|
5:45 |
|
|
9 |
|
Concerto No. 3 in G major, BWV 1048: II. Adagio |
|
0:34 |
|
|
10 |
|
Concerto No. 3 in G major, BWV 1048: III. Allegro |
|
4:45 |
|
|
|
|
|
Total time |
|
43:27 |
|
|
CD 42: Mozart, W.A.: Piano Concertos Nos. 14, K. 449 & 26, K. 537 "Coronation" |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace |
|
8:34 |
|
|
2 |
|
Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino |
|
6:51 |
|
|
3 |
|
Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo |
|
6:13 |
|
|
4 |
|
Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro |
|
14:08 |
|
|
5 |
|
Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto |
|
5:38 |
|
|
6 |
|
Concerto for Piano No. 26 in D major, K. 537 "Coronation": III. Allegretto |
|
10:36 |
|
|
|
|
|
Total time |
|
52:00 |
|
|
CD 43: Stravinsky: 3 Dances from Petrouchka / Prokofiev: Sonata for piano No. 7 / Boulez: Sonata for piano No. 2 / Webern: Piano Variations, Op. 27 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Three Movements from "Pétrouchka": I. Danse russe. Allegro guisto |
|
2:32 |
|
|
2 |
|
Three Movements from "Pétrouchka": II. Chez Petrouchka |
|
4:17 |
|
|
3 |
|
Three Movements from "Pétrouchka": III. La semaine grasse. Con moto - allegretto - tempo giusto - agitato |
|
8:35 |
|
|
4 |
|
Sonata for piano No. 7 in B-flat major, Op. 83: I. Allegro inquieto - andantino - allegro inquieto - andantino - allegro inquieto |
|
7:32 |
|
|
5 |
|
Sonata for piano No. 7 in B-flat major, Op. 83: II. Andante caloroso - poco più animato - più largamente - un poco agitato - tempo I |
|
6:12 |
|
|
6 |
|
Sonata for piano No. 7 in B-flat major, Op. 83: III. Precipitato |
|
3:23 |
|
|
7 |
|
Variations for piano, Op. 27: I. Sehr mäßig |
|
1:53 |
|
|
8 |
|
Variations for piano, Op. 27: II. Sehr schnell |
|
0:40 |
|
|
9 |
|
Variations for piano, Op. 27: III. Ruhig fließend |
|
3:35 |
|
|
10 |
|
Second sonata for piano: I. Extrêmement rapide |
|
6:04 |
|
|
11 |
|
Sonata for piano No. 2: II. Lent |
|
11:05 |
|
|
12 |
|
Sonata for piano No. 2: III. Modéré, presque vif |
|
2:14 |
|
|
13 |
|
Sonata for piano No. 2: IV. Vif |
|
10:12 |
|
|
|
|
|
Total time |
|
68:14 |
|
|
CD 44: Schubert: Die schöne Müllerin |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Die Schöne Müllerin, D. 795: I. Das Wandern |
|
2:38 |
|
|
2 |
|
Die Schöne Müllerin, D. 795: II. Wohin? |
|
2:15 |
|
|
3 |
|
Die Schöne Müllerin, D. 795: III. Halt! |
|
1:34 |
|
|
4 |
|
Die Schöne Müllerin, D. 795: IV. Danksagung an den Bach |
|
2:22 |
|
|
5 |
|
Die Schöne Müllerin, D. 795: V. Am Feierabend |
|
2:44 |
|
|
6 |
|
Die Schöne Müllerin, D. 795: VI. Der Neugierige |
|
3:42 |
|
|
7 |
|
Die Schöne Müllerin, D. 795: VII. Ungeduld |
|
2:32 |
|
|
8 |
|
Die Schöne Müllerin, D. 795: VIII. Morgengruß |
|
3:20 |
|
|
9 |
|
Die Schöne Müllerin, D. 795: IX. Der Müllers Blumen |
|
3:06 |
|
|
10 |
|
Die Schöne Müllerin, D. 795: X. Tränenregen |
|
4:17 |
|
|
11 |
|
Die Schöne Müllerin, D. 795: XI. Mein! |
|
2:25 |
|
|
12 |
|
Die Schöne Müllerin, D. 795: XII. Pause |
|
4:45 |
|
|
13 |
|
Die Schöne Müllerin, D. 795: XIII. Mit dem grünen Lautenbande |
|
2:06 |
|
|
14 |
|
Die Schöne Müllerin, D. 795: XIV. Der Jäger |
|
1:21 |
|
|
15 |
|
Die Schöne Müllerin, D. 795: XV. Eifersucht und Stolz |
|
1:45 |
|
|
16 |
|
Die Schöne Müllerin, D. 795: XVI. Die liebe Farbe |
|
3:46 |
|
|
17 |
|
Die Schöne Müllerin, D. 795: XVII. Die böse Farbe |
|
2:15 |
|
|
18 |
|
Die Schöne Müllerin, D. 795: XVIII. Trockne Blumen |
|
3:57 |
|
|
19 |
|
Die Schöne Müllerin, D. 795: XIX. Der Müller und der Bach |
|
3:50 |
|
|
20 |
|
Die Schöne Müllerin, D. 795: XX. Des Baches Wiegenlied |
|
6:46 |
|
|
|
|
|
Total time |
|
61:26 |
|
|
CD 45: Reich: Drumming, Parts 1 - 3 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Drumming, Part I |
|
24:33 |
|
|
2 |
|
Drumming, Part II |
|
25:21 |
|
|
3 |
|
Drumming, Part III |
|
15:41 |
|
|
|
|
|
Total time |
|
65:35 |
|
|
CD 46: Reich: Drumming, Part 4; Six Pianos; Music for Mallet Instruments |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Drumming, Part IV |
|
18:57 |
|
|
2 |
|
Six Pianos |
|
24:14 |
|
|
3 |
|
Music for Mallet Instruments, Voices and Organ |
|
18:31 |
|
|
|
|
|
Total time |
|
61:42 |
|
|
CD 47: Bach, C.P.E.: Symphonies Nos. 1 - 4 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Sinfonia in D major, Wq 183 No. 1: I. Allegro di molto |
|
5:48 |
|
|
2 |
|
Sinfonia in D major, Wq 183 No. 1: II. Largo |
|
1:30 |
|
|
3 |
|
Sinfonia in D major, Wq 183 No. 1: III. Presto |
|
2:47 |
|
|
4 |
|
Sinfonia in E-flat major, Wq 183 No. 2: I. Allegro di molto |
|
3:26 |
|
|
5 |
|
Sinfonia in E-flat major, Wq 183 No. 2: II. Larghetto |
|
1:09 |
|
|
6 |
|
Sinfonia in E-flat major, Wq 183 No. 2: III. Allegretto |
|
4:44 |
|
|
7 |
|
Sinfonia in F major, Wq 183 No. 3: I. Allegro di molto |
|
4:20 |
|
|
8 |
|
Sinfonia in F major, Wq 183 No. 3: II. Larghetto |
|
2:22 |
|
|
9 |
|
Sinfonia in F major, Wq 183 No. 3: III. Presto |
|
3:06 |
|
|
10 |
|
Sinfonia in G major, Wq 183 No. 4: I. Allegro assai |
|
2:55 |
|
|
11 |
|
Sinfonia in G major, Wq 183 No. 4: II. Poco andante |
|
3:24 |
|
|
12 |
|
Sinfonia in G major, Wq 183 No. 4: III. Presto |
|
3:26 |
|
|
|
|
|
Total time |
|
38:57 |
|
|
CD 48: Schumann: Marsch No. 2, Op. 76; Waldszenen, Op. 82; Fantasiestücke, Op. 12 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Marsch No. 2 in G minor from 4 Marches, Op. 76 |
|
3:32 |
|
|
2 |
|
Waldszenen, Op. 82: I. Eintritt |
|
2:00 |
|
|
3 |
|
Waldszenen, Op. 82: II. Jäger auf der Lauer |
|
1:08 |
|
|
4 |
|
Waldszenen, Op. 82: III. Einsame Blumen |
|
2:01 |
|
|
5 |
|
Waldszenen, Op. 82: IV. Verrufene Stelle |
|
3:18 |
|
|
6 |
|
Waldszenen, Op. 82: V. Freundliche Landschaft |
|
1:09 |
|
|
7 |
|
Waldszenen, Op. 82: VI. Herberge |
|
2:20 |
|
|
8 |
|
Waldszenen, Op. 82: VII. Vogel als Prophet |
|
2:43 |
|
|
9 |
|
Waldszenen, Op. 82: VIII. Jagdlied |
|
2:11 |
|
|
10 |
|
Waldszenen, Op. 82: IX. Abschied |
|
3:41 |
|
|
11 |
|
8 Fantasiestücke, Op. 12: I. Des Abends |
|
4:08 |
|
|
12 |
|
8 Fantasiestücke, Op. 12: II. Aufschwung |
|
2:50 |
|
|
13 |
|
8 Fantasiestücke, Op. 12: III. Warum? |
|
3:19 |
|
|
14 |
|
8 Fantasiestücke, Op. 12: V. In der Nacht |
|
3:45 |
|
|
15 |
|
8 Fantasiestücke, Op. 12: VII. Traumes-Wirren |
|
2:06 |
|
|
16 |
|
8 Fantasiestücke, Op. 12: VIII. Ende vom Lied |
|
5:20 |
|
|
|
|
|
Total time |
|
45:31 |
|
|
CD 49: Tchaikovsky: Ballet Suites - Swan Lake, Op.20, The Sleeping Beauty, Op.66a & The Nutcracker, Op.71a |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Swan Lake, Op.20 Suite - 1. Scene - Swan Theme |
|
3:03 |
|
|
2 |
|
Swan Lake, Op.20 Suite - 2. Valse in A |
|
6:49 |
|
|
3 |
|
Swan Lake, Op.20 Suite - 3. Danse des petits cygnes |
|
1:27 |
|
|
4 |
|
Swan Lake, Op.20 Suite - 4. Scene |
|
6:22 |
|
|
5 |
|
Swan Lake, Op.20 Suite - 5. Danse Hongroise (Czardas) |
|
3:18 |
|
|
6 |
|
Swan Lake, Op.20 Suite - 6. Scène finale. |
|
4:26 |
|
|
7 |
|
The Sleeping Beauty, Suite, Op.66a - Introduction - The Lilac Fairy |
|
4:33 |
|
|
8 |
|
The Sleeping Beauty, Suite, Op.66a - Pas d'action: Rose Adagio |
|
5:43 |
|
|
9 |
|
The Sleeping Beauty, Suite, Op.66a - Pas de caractère: Puss in Boots |
|
1:41 |
|
|
10 |
|
The Sleeping Beauty, Suite, Op.66a - Panorama (andantino) |
|
3:39 |
|
|
11 |
|
The Sleeping Beauty, Suite, Op.66a - Valse |
|
4:33 |
|
|
12 |
|
Nutcracker Suite, Op.71a - 1. Miniature Overture |
|
3:04 |
|
|
13 |
|
Nutcracker Suite, Op.71a - March |
|
2:26 |
|
|
14 |
|
Nutcracker Suite, Op.71a - Dance of the Sugar-Plum Fairy |
|
2:06 |
|
|
15 |
|
Nutcracker Suite, Op.71a - Russian Dance (Trepak) |
|
1:10 |
|
|
16 |
|
Nutcracker Suite, Op.71a - Arabian Dance (Coffee) |
|
3:46 |
|
|
17 |
|
Nutcracker Suite, Op.71a - Chinese Dance (Tea) |
|
1:14 |
|
|
18 |
|
Nutcracker Suite, Op.71a - Dance of the Reed-Flutes |
|
2:35 |
|
|
19 |
|
Nutcracker Suite, Op.71a - 3. Waltz of the Flowers |
|
6:45 |
|
|
|
|
|
Total time |
|
68:40 |
|
|
CD 50: Paganini for Two |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Sonata concertata per chitarra e violino in A major, M.S. 2: I. Allegro spiritoso |
|
7:51 |
|
|
2 |
|
Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo |
|
3:43 |
|
|
3 |
|
Sonata concertata per chitarra e violino in A major, M.S. 2: III. Rondeau. Allegretto con brio, scherzando |
|
2:46 |
|
|
4 |
|
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: I. Larghetto |
|
2:00 |
|
|
5 |
|
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: II. Presto variato - variazione |
|
1:21 |
|
|
6 |
|
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: I. Andante largo |
|
3:02 |
|
|
7 |
|
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: II. Allegretto |
|
1:30 |
|
|
8 |
|
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: I. Andante |
|
2:33 |
|
|
9 |
|
Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: II. Allegro vivo e spiritoso - minore |
|
1:58 |
|
|
10 |
|
Grand sonata per chitarra e violino in A major, M.S. 109: Romance - Più tosto Largo, Amorosamente |
|
4:33 |
|
|
11 |
|
Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: I. Adagio cantabile |
|
2:49 |
|
|
12 |
|
Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore |
|
4:12 |
|
|
13 |
|
Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: I. Adagio cantabile |
|
2:39 |
|
|
14 |
|
Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore |
|
5:56 |
|
|
15 |
|
Cantabile per violino e chitarra (pianoforte) in D major, M.S. 102 |
|
3:48 |
|
|
16 |
|
Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): I. Introduction. Allegro |
|
2:47 |
|
|
17 |
|
Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IIa. Thème. Tempo alla Marcia |
|
1:09 |
|
|
18 |
|
Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IIb. Variation I. |
|
0:58 |
|
|
19 |
|
Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IIc. Variation II. Vigoroso |
|
1:13 |
|
|
20 |
|
Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IId. Variation III. |
|
0:34 |
|
|
21 |
|
Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): III. Finale |
|
0:36 |
|
|
22 |
|
Allegro vivace a movimento perpetuo per violino e chitarra in C major, M.S. 72 Op. 11 (Lars Hannibal revised guitar part version) |
|
3:17 |
|
|
|
|
|
Total time |
|
61:15 |
|
|
CD 51: Opera Choruses |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Die Zauberflöte: O Isis und Osiris, welche Wonne! |
|
3:27 |
|
|
2 |
|
Fidelio: O welche Lust, in freier Luft den Atem leicht zu heben! |
|
9:07 |
|
|
3 |
|
Der Freischütz: Was gleicht wohl auf Erden dem Jägervergnügen? |
|
2:51 |
|
|
4 |
|
Der Freischütz: Victoria! Der Meister soll leben |
|
1:24 |
|
|
5 |
|
Tannhäuser: Freudig begrüßen wir die edle Halle |
|
8:57 |
|
|
6 |
|
Nabucco: Coro: Introduzione - "Va pensiero, sull'ali dorate" |
|
5:00 |
|
|
7 |
|
I Lombardi: Coro: "O signore, dal tetto natio" |
|
5:07 |
|
|
8 |
|
Macbeth: Coro di Profughi Scozzesi: "Patria oppressa" |
|
7:26 |
|
|
9 |
|
Il trovatore: "Vedi! le fosche notturne spoglie" (Anvil Chorus) |
|
2:47 |
|
|
10 |
|
Aida: Gloria all'Egitto |
|
5:11 |
|
|
11 |
|
Aida: Vieni, o guerriero vindice |
|
2:34 |
|
|
|
|
|
Total time |
|
53:50 |
|
|
CD 52: Rita Streich singt Opern-Arien |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Idomeneo, re di Creta, K. 366: Act III: "Zeffiretti lusinghieri" |
|
4:54 |
|
|
2 |
|
Die Zauberflöte, K. 620: Act II. "Der Hölle Rache kocht in meinem Herze" |
|
3:06 |
|
|
3 |
|
Semiramide: Act I. "Bel raggio lusinghier" |
|
6:33 |
|
|
4 |
|
Don Pasquale: Act I. Quel guardo di cavaliere ... So anch'io la virtù magica |
|
6:49 |
|
|
5 |
|
Der Freischütz: Act I. "Kommt ein schlanker Bursch gegangen" |
|
3:45 |
|
|
6 |
|
Rigoletto: Act I. Gualtier Maldè...Caro nome |
|
6:11 |
|
|
7 |
|
Un ballo in maschera: Act I. "Volta la terrea" |
|
2:07 |
|
|
8 |
|
Un ballo in maschera: Act III. "Saper vorreste" |
|
1:57 |
|
|
9 |
|
I vespri siciliani: Act V. "Mercè, dilette amiche" |
|
3:57 |
|
|
10 |
|
Les Huguenots: Act I. "Nobles seigneurs, salut" |
|
3:44 |
|
|
11 |
|
Mignon: Act II. "Oui, pour ce soir je suis reine des fées" |
|
5:47 |
|
|
12 |
|
La Bohème: Act II. "Quando m'en vo" |
|
2:22 |
|
|
|
|
|
Total time |
|
51:12 |
|
|
CD 53: Bryn Terfel: Opera Arias |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Le nozze de Figaro: "Non piu andrai, farfallone amoroso" |
|
3:49 |
|
|
2 |
|
Don Giovanni: "Deh vieni alla finestra" |
|
2:07 |
|
|
3 |
|
Don Giovanni: "Madamina, il catalogo e questo" |
|
5:35 |
|
|
4 |
|
Così fan tutte: "Rivolgete a lui lo sguardo" |
|
4:52 |
|
|
5 |
|
Die Zauberflöte: "Der Vogelfänger bin ich ja" |
|
2:53 |
|
|
6 |
|
Tannhäuser: "Wie Todesahnung Dämmrung deckt die Lande...O du mein holder Abendstern" |
|
5:53 |
|
|
7 |
|
Der fliegende Holländer: "Die Frist ist um" |
|
11:53 |
|
|
8 |
|
Les Contes d"Hoffmann: "Allez!...Pour te livrer combat...Seintille, diamant" |
|
3:43 |
|
|
9 |
|
Faust: "Vous qui faites l"endormie" |
|
3:00 |
|
|
10 |
|
Prince Igor: "Ni sna ni otdyeha izmueenoj duse" |
|
8:10 |
|
|
11 |
|
Don Pasquale: "Bella siccome un angelo" |
|
2:56 |
|
|
12 |
|
La Cenerentola: "Miei rampolli femminini" |
|
5:37 |
|
|
13 |
|
Macbeth: "Perfidi! All"anglo contra me v"unite!" |
|
5:23 |
|
|
14 |
|
Falstaff: "Ehi! paggio!...L"Onore!" |
|
4:32 |
|
|
|
|
|
Total time |
|
70:23 |
|
|
CD 54: Sonatas & Etudes |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Piano Sonata No. 2 in B-flat minor, Op. 35: I. Grave - doppio movimento |
|
7:50 |
|
|
2 |
|
Piano Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo - più lento - tempo I |
|
6:48 |
|
|
3 |
|
Piano Sonata No. 2 in B-flat minor, Op. 35: II. Marche funèbre. Lento |
|
8:25 |
|
|
4 |
|
Piano Sonata No. 2 in B-flat minor, Op. 35: IV. Finale. Presto |
|
1:28 |
|
|
5 |
|
6 etudes pour piano, premier livre: Etude n. 4 "Fanfares" |
|
3:40 |
|
|
6 |
|
Piano Sonata No. 2, in G-sharp minor, Op. 19 "Sonata Fantasy": I. Andante |
|
8:18 |
|
|
7 |
|
Piano Sonata No. 2, in G-sharp minor, Op. 19 "Sonata Fantasy": II. Presto |
|
4:01 |
|
|
8 |
|
Etude No. 10 "Der Zauberlehring" |
|
2:14 |
|
|
9 |
|
Piano Sonata in B minor, S. 178: Lento assai - allegro energico - grandioso - recitativo |
|
12:23 |
|
|
10 |
|
Piano Sonata in B minor, S. 178: Andante sostenuto |
|
7:44 |
|
|
11 |
|
Piano Sonata in B minor, S. 178: Allegro energico - andante sostenuto - lento assai |
|
11:04 |
|
|
|
|
|
Total time |
|
73:55 |
|
|
CD 55: Rodrigo: Concierto de Aranjuez |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito |
|
6:07 |
|
|
2 |
|
Concierto de Aranjuez for Guitar and Orchestra: II. Adagio |
|
11:15 |
|
|
3 |
|
Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile |
|
5:16 |
|
|
4 |
|
Fantasía para un gentilhombre for Guitar and Small Orchestra: I. Villano y Ricercare. Adagietto - andante moderato |
|
4:56 |
|
|
5 |
|
Fantasía para un gentilhombre for Guitar and Small Orchestra: II. Españoleta y Fanfare de la Caballería de Nápoles. Adagio - allegretto molto ritmico |
|
9:40 |
|
|
6 |
|
Fantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas. Allegro con brio |
|
2:08 |
|
|
7 |
|
Fantasía para un gentilhombre for Guitar and Small Orchestra: IV. Canario. Allegro ma non troppo |
|
4:58 |
|
|
|
|
|
Total time |
|
44:20 |
|
|
CD 56: Chopin: Ballades; Barcarolle; Fantaisie |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Ballade No. 1 in G minor, Op. 23 |
|
9:33 |
|
|
2 |
|
Ballade No. 2 in F, Op. 38 |
|
7:43 |
|
|
3 |
|
Ballade No. 3 in A flat, Op. 47 |
|
7:25 |
|
|
4 |
|
Ballade No. 4 in F minor, Op. 52 |
|
11:54 |
|
|
5 |
|
Barcarolle in F sharp, Op. 60 |
|
8:54 |
|
|
6 |
|
Fantaisie in F minor, Op. 49 |
|
14:00 |
|
|
|
|
|
Total time |
|
59:29 |
|
|
|
|
|