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Vari
Estonian Young Composers
2004
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CD 1 |
| # |
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Title |
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Time |
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Info |
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| 1 |
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On Leaving, for ensemble old instruments |
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2:51 |
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| 2 |
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The Consecration Song of Tsarina Yevdokia, for string orchestra |
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3:10 |
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| 3 |
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On Leaving, 2nd red for mixed choir |
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2:05 |
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| 4 |
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Vision and Journey, for symphony orchestra |
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1:53 |
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| 5 |
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Angelus, for 10-stringed guitar |
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2:28 |
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| 6 |
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Wisdom of Jesus Son of Sirak, for countertenor and two tenors |
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1:09 |
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| 7 |
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Throne of Wisdom, for flute, harp, cello and piano |
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1:18 |
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| 8 |
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Long Play, for bigband |
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3:30 |
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| 9 |
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And the Ear Does Not Rest, for violin and double bass |
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5:03 |
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| 10 |
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The Last Unicorn, ballet |
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1:49 |
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| 11 |
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Ioxir, for piano |
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1:37 |
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| 12 |
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Illumion, for cello and tape |
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1:34 |
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| 13 |
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Dancing Middle, for electronics |
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1:05 |
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| 14 |
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Made of Hot Glass, for chamber ensemble |
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3:10 |
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| 15 |
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Changeable, for flute and zither |
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1:32 |
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| 16 |
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Dandelions Snow, for 4 flutes |
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2:27 |
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| 17 |
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Contrapunctus, for chamber orchestra |
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3:11 |
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| 18 |
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Around Strings, for viola |
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4:13 |
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| 19 |
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If My Guardian Angel Falls..., for 2 tenors, 2 basses and chamber orchestra |
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2:03 |
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| 20 |
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Over-Tour, for organ |
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1:18 |
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| 21 |
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Ringing Options, for percussion and symphony orchestra |
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1:46 |
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| 22 |
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Musica lauteria, for chamber orchestra |
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1:16 |
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| 23 |
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Sanctus, for chamber choir, cello and electronics |
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1:13 |
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| 24 |
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Obscurus, for piano, percussion and electronics |
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0:50 |
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| 25 |
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"La Manche" from the performance "Musketeers 20 years later" |
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0:59 |
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| 26 |
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Cross-Stitch, for percussion ensemble |
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0:35 |
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| 27 |
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Music for Symphony Orchestra |
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1:04 |
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| 28 |
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Expansio I, for saxophone quartet |
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1:41 |
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| 29 |
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Pre, for chamber ensemble |
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2:24 |
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| 30 |
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Florete flores, for mezzo-soprano, flute, zither and cello |
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1:39 |
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| 31 |
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Invitation to Dance, for piano |
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3:28 |
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Total time |
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64:21 |
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CD 2 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
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The Sign of Love, for symphony orchestra |
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3:06 |
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| 2 |
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The Songs from Thule, for flute and piano |
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2:07 |
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| 3 |
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The Spring, for alto saxophone and vibraphone |
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1:06 |
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| 4 |
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Hymn, for piano |
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1:14 |
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| 5 |
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Kantele Play of Väinämöinen from Etnofuturistic Etudes I, electroacoustic music |
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2:23 |
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| 6 |
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The River of Heaven, for chamber orchestra |
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4:13 |
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| 7 |
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Written on the Sand, for symphony orchestra |
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4:33 |
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| 8 |
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Luft-Wasser-Erde-Feuer-Luft, for tape |
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2:17 |
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| 9 |
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Spinning Globe, for flute and organ |
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5:22 |
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| 10 |
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In memoriam, for chamber ensemble |
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1:33 |
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| 11 |
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Descendants of Cain, for bowed piano |
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1:43 |
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| 12 |
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Killer, for alto and chamber orchestra |
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1:35 |
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| 13 |
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Join Us, for mixed choir |
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2:12 |
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| 14 |
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Forget-Me-Not-Flowers, for alto, flute and zither |
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3:45 |
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| 15 |
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Glass Bead Game, for synthesizer |
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2:43 |
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| 16 |
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He Rejoices in This World, for cello and percussion |
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2:39 |
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| 17 |
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I Said to My Soul: Be Still..., 2nd part from Concerto for violin and orchestra |
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2:13 |
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| 18 |
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Be Lost in the Call, for chamber ensemble |
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2:13 |
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| 19 |
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Night, for saxophone quartet |
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2:41 |
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| 20 |
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Cendres, for chamber ensemble |
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1:03 |
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| 21 |
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Guard, for oboe |
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1:33 |
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| 22 |
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Lijnen, for soprano and chamber ensemble |
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1:13 |
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| 23 |
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Floreo, for symphony orchestra |
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3:26 |
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| 24 |
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Geboren werden, 3rd part from the cycle "Angels Come Back" for soprano and chamber ensemble |
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3:49 |
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Total time |
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60:42 |
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