| |
Vari
Popular Electronics: Early Dutch Electronic Music From Philips Research Laboratories: 1956-1963
2004
|
|
CD 1 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Kaïn en Abel: First Episode: Introduction / Dance / Dance of the Destructive Forces |
|
3:44 |
|
|
2 |
|
Kaïn en Abel: First Episode: Conflict, Conclusion, Transition |
|
2:35 |
|
|
3 |
|
Kaïn en Abel: Second Episode: Passacagila |
|
2:13 |
|
|
4 |
|
Kaïn en Abel: Second Episode: Arioso |
|
2:19 |
|
|
5 |
|
Kaïn en Abel: Second Episode: Conflict, Reprise (Arioso) |
|
3:35 |
|
|
6 |
|
Kaïn en Abel: Second Episode: Conflict, Finale |
|
2:57 |
|
|
7 |
|
Song of the Second Moon (version 2) |
|
2:50 |
|
|
8 |
|
Night Train Blues |
|
3:33 |
|
|
9 |
|
Colonel Bogey |
|
3:01 |
|
|
10 |
|
Evolutionen: Overture |
|
2:18 |
|
|
11 |
|
Evolutionen: Air |
|
2:25 |
|
|
12 |
|
Evolutionen: Ragtime |
|
3:30 |
|
|
13 |
|
Evolutionen: Intermezzo |
|
2:48 |
|
|
14 |
|
Evolutionen: Waltz |
|
0:58 |
|
|
15 |
|
Evolutionen: Finale |
|
1:39 |
|
|
16 |
|
Whirling |
|
2:37 |
|
|
17 |
|
Syncopation |
|
3:02 |
|
|
18 |
|
Drifting |
|
3:14 |
|
|
19 |
|
Vibration |
|
3:11 |
|
|
20 |
|
Mechanical Motions |
|
7:27 |
|
|
21 |
|
Intersection |
|
5:30 |
|
|
|
|
|
Total time |
|
65:28 |
|
|
CD 2 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Tweeklank |
|
4:57 |
|
|
2 |
|
Pianoforte |
|
5:05 |
|
|
3 |
|
Variations Électroniques: "A Light and Frolic Experiment in Sound and Movement" |
|
10:05 |
|
|
4 |
|
Achter de schermen |
|
17:38 |
|
|
5 |
|
Fuel for the Future |
|
12:21 |
|
|
6 |
|
Bekaert: het andere woord voor staaldraad |
|
15:53 |
|
|
7 |
|
Ein Reiterstück |
|
6:54 |
|
|
|
|
|
Total time |
|
72:52 |
|
|
CD 3 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Ignition |
|
3:23 |
|
|
2 |
|
Atlantic |
|
3:16 |
|
|
3 |
|
Spearhead |
|
2:50 |
|
|
4 |
|
Zanzi |
|
2:52 |
|
|
5 |
|
Anchor Chains |
|
2:47 |
|
|
6 |
|
Tropicolour |
|
3:57 |
|
|
7 |
|
Gamelan |
|
3:06 |
|
|
8 |
|
Woomerangs |
|
3:08 |
|
|
9 |
|
Waltzing Mathilda |
|
1:52 |
|
|
10 |
|
Pacific Dawn |
|
3:49 |
|
|
11 |
|
Gold and Lead |
|
2:40 |
|
|
12 |
|
Mexican Mirror |
|
2:16 |
|
|
13 |
|
Seconds to Eternity |
|
3:40 |
|
|
14 |
|
Re-Entry |
|
3:13 |
|
|
|
|
|
Total time |
|
42:49 |
|
|
CD 4 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Song of the Second Moon (original version) |
|
3:08 |
|
|
2 |
|
Syncopation (alternate version) |
|
3:12 |
|
|
3 |
|
12-Tone Composition for the Skymasters (As Used in Intersection) |
|
4:41 |
|
|
4 |
|
Intersection (Early version) |
|
6:47 |
|
|
5 |
|
Tropicolours (Early version) |
|
3:29 |
|
|
6 |
|
Waltzing Mathilda (Early version) |
|
2:24 |
|
|
7 |
|
Quiz Tune for VARA Television |
|
0:32 |
|
|
8 |
|
Limburg's National Anthem |
|
0:25 |
|
|
9 |
|
Bell Tune |
|
0:31 |
|
|
10 |
|
Coppélia Tune |
|
0:23 |
|
|
11 |
|
Sign Tune |
|
0:37 |
|
|
12 |
|
STER Tunes 1 |
|
0:11 |
|
|
13 |
|
STER Tunes 2 |
|
0:11 |
|
|
14 |
|
STER Tunes 3 |
|
0:12 |
|
|
15 |
|
STER Tunes 4 |
|
0:11 |
|
|
16 |
|
STER Tunes 5 |
|
0:11 |
|
|
17 |
|
STER Tunes 6 |
|
0:11 |
|
|
18 |
|
STER Tunes 7 |
|
0:11 |
|
|
19 |
|
STER Tunes 8 |
|
0:11 |
|
|
20 |
|
STER Tunes 9 |
|
0:14 |
|
|
21 |
|
Sound Examples: Group 1 |
|
1:42 |
|
|
22 |
|
Sound Examples: Group 2 |
|
2:30 |
|
|
23 |
|
Sound Examples: Group 3 |
|
2:28 |
|
|
24 |
|
Tape Loop With Basic Rhythm |
|
0:25 |
|
|
25 |
|
Tape Loop With Rhythm and Bass Pattern |
|
0:58 |
|
|
26 |
|
Arpeggio's With Echo |
|
0:17 |
|
|
27 |
|
Figure Moving Downwards, Leading Into Whistle Melody With Echo |
|
0:60 |
|
|
28 |
|
Electronic Boogie Woogie |
|
1:05 |
|
|
29 |
|
Opening Sequence |
|
0:12 |
|
|
30 |
|
First Melody |
|
0:23 |
|
|
31 |
|
First Melody Transposed |
|
0:17 |
|
|
32 |
|
Chord of Combined Sounds |
|
0:14 |
|
|
33 |
|
Bass Pattern |
|
0:17 |
|
|
34 |
|
Rhythm Loop With Bass Pattern |
|
0:21 |
|
|
35 |
|
Variant |
|
0:22 |
|
|
36 |
|
Chord Sequence With Sine Wave Tones |
|
0:16 |
|
|
37 |
|
Second Melody |
|
0:17 |
|
|
38 |
|
Arpeggio With Echo |
|
0:11 |
|
|
39 |
|
Transposed Piano Chord Sequence |
|
0:16 |
|
|
40 |
|
Same as Above With Overdub |
|
0:17 |
|
|
41 |
|
First Melody, Variant |
|
0:16 |
|
|
42 |
|
First Melody, Canonic Setting |
|
0:18 |
|
|
43 |
|
First Melody, Canonic Setting, Different Version |
|
0:21 |
|
|
44 |
|
Fast Broken Chord Sequence |
|
0:17 |
|
|
45 |
|
Closing Sequence With Echo |
|
0:18 |
|
|
46 |
|
Chord of Combined Sounds, Noise Effect |
|
0:14 |
|
|
47 |
|
Reversed Echoing Piano Chords, Continuation |
|
0:10 |
|
|
48 |
|
Background Texture for Quiz-Tune |
|
0:28 |
|
|
49 |
|
Multi-Layered Laughter |
|
0:55 |
|
|
50 |
|
Basic Melody |
|
0:38 |
|
|
51 |
|
Reversed Chords, Leading Into Melodic Continuation |
|
0:38 |
|
|
52 |
|
Fast Transposed Piano Sequence |
|
0:19 |
|
|
53 |
|
Second Melody |
|
0:20 |
|
|
54 |
|
Bass Pattern With Rhythm Loop |
|
0:21 |
|
|
55 |
|
Fast Transposed Piano Sequence With Echo |
|
0:21 |
|
|
56 |
|
Repeated Figure With Echo |
|
0:11 |
|
|
57 |
|
Short Oscillator Glissando |
|
0:10 |
|
|
58 |
|
Second Melody, Electronically Chopped, With Echo |
|
0:21 |
|
|
59 |
|
Short Oscillator With Echo, Leading Into Broken Chord Sequence |
|
0:38 |
|
|
60 |
|
Reversed Chord Sequence |
|
0:20 |
|
|
61 |
|
Closing Chord Sequence, Leading Into Glissando Upwards |
|
0:13 |
|
|
62 |
|
Broken Chord Sequence With Echo and Background |
|
0:12 |
|
|
63 |
|
Mixture of Upward Glissandi, Leading Into High Electronic Sound |
|
0:12 |
|
|
64 |
|
Sequence of Three Complex Electronic Glissandi Chords With Echo |
|
0:12 |
|
|
65 |
|
Space Effect No.1 |
|
0:15 |
|
|
66 |
|
Two Alternating Chords With Echo |
|
0:16 |
|
|
67 |
|
Melody With Electronic Bell Sounds |
|
0:27 |
|
|
68 |
|
Percussive Chord Sequence 1 |
|
0:31 |
|
|
69 |
|
Bass Pattern |
|
0:29 |
|
|
70 |
|
Chord Sequence No.2 |
|
0:21 |
|
|
71 |
|
Repeating Tympani-Like Tone |
|
0:24 |
|
|
72 |
|
Repeating Harp Figure |
|
0:34 |
|
|
73 |
|
Bass Pattern |
|
0:14 |
|
|
74 |
|
Retro-Chord Sequence |
|
0:16 |
|
|
75 |
|
Melody With Amplitude Modulation |
|
0:17 |
|
|
76 |
|
Bass Pattern No.3 |
|
0:23 |
|
|
77 |
|
Space Effect Cross Fading Into Alternating Chords |
|
0:27 |
|
|
78 |
|
Sustained Chord |
|
0:19 |
|
|
79 |
|
Repeating Pentatonic Figure 1 |
|
0:35 |
|
|
80 |
|
Space Effect No.2 (Sine Tone Glissandi) |
|
1:02 |
|
|
81 |
|
Sequence No.1 |
|
0:12 |
|
|
82 |
|
Sequence No.2 |
|
0:17 |
|
|
83 |
|
Space Effects With Echo |
|
0:23 |
|
|
84 |
|
Optical Siren (Sound Colour Melody) |
|
0:17 |
|
|
85 |
|
Noise Attacks |
|
0:08 |
|
|
86 |
|
Sequence No.3 |
|
0:09 |
|
|
87 |
|
Sequence of Chords With Retros |
|
0:17 |
|
|
88 |
|
Sequence No.4 |
|
0:18 |
|
|
89 |
|
Sequence No.5 |
|
0:09 |
|
|
90 |
|
Rhythmic Tape Loop |
|
0:22 |
|
|
91 |
|
Chord With Retro and Amplitude Modulation |
|
0:09 |
|
|
92 |
|
Metal Sound With Echo |
|
0:09 |
|
|
93 |
|
Bass Pattern No.1 |
|
0:17 |
|
|
94 |
|
Chord Sequence Cut-Out Sounds |
|
0:09 |
|
|
95 |
|
Bass Pattern No.2 |
|
0:10 |
|
|
96 |
|
Same Pattern, High Pitched |
|
0:10 |
|
|
97 |
|
Spoken Letter From Fred Judd to Tom Dissevelt |
|
9:23 |
|
|
|
|
|
Total time |
|
69:53 |
|
|
|
|
|