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 |       | 
Various Arists 
111 Years of Deutsche Grammophon: The Collectors' Edition 2 
2010 
		 |   
  | 
CD 1: Bizet: Carmen: Acts 1 & 2 (beginning)  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Carmen: Prélude | 
	 | 
	3:31 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Carmen: Acte I. No. 1 Introduction "Sur la place chacun passe" (les Soldats, Moralès) | 
	 | 
	2:10 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Carmen: Acte I. "Regardez donc cette petite" (Moralès, les Soldats, Micaëla) | 
	 | 
	4:09 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Carmen: Acte I. No. 2 Marche et Chœur des gamins "Avec la garde montante" (les gamins) | 
	 | 
	2:34 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Carmen: Acte I. "Repos!" (Zuniga, Moralès, Don José) | 
	 | 
	0:45 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Carmen: Acte I. "Allons! allons!" (Zuniga, les gamins) | 
	 | 
	1:38 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Carmen: Acte I. "Dites-moi, brigadier?" (Zuniga, Don José) | 
	 | 
	1:07 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Carmen: Acte I. No. 3 Chœur et Scène "La cloche a sonné" (les Jeunes Gens, les Soldats, les Cigarières) | 
	 | 
	5:12 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Carmen: Acte I. "Mais nous ne voyons pas la Carmencita" (les Soldats, les Jeunes Gens) | 
	 | 
	0:45 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Carmen: Acte I. "Quand je vous aimerai?" (Carmen) – No. 4 Havanaise "L'amour est un oiseau rebelle" (Carmen, chœur) | 
	 | 
	4:50 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Carmen: Acte I. No. 5 Scène "Carmen, sur tes pas nous nous pressons tous" (les Jeunes Gens, le Cigarières, Don José) | 
	 | 
	2:24 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Carmen: Acte I. "Monsieur le brigadier?" (Micaëla, Don José) – No. 6 Duo "Parle-moi de ma mère" (Don José, Micaëla) | 
	 | 
	1:42 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Carmen: Acte I. "Votre mère avec moi sortait de la chapelle" (Micaëla, Don José) | 
	 | 
	2:19 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Carmen: Acte I. "Ma mère, je la vois..." (Don José, Micaëla) | 
	 | 
	2:25 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	Carmen: Acte I. "Que son fils l'aime et la vénère" (Don José, Micaëla) – "Eh bien, eh bien!" (Zuniga) | 
	 | 
	4:04 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	Carmen: Acte I. No. 7 Chœur "Au secours!" (les Cigarières, Zuniga, les Soldats) | 
	 | 
	3:19 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	Carmen: Acte I. "Voyons, brigadier..." (Zuniga, Don José) – No. 8 Chanson et Mélodrame "Tra la la la..." (Carmen, Zuniga, les Cigarières, un Soldat, Don José) | 
	 | 
	4:14 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	Carmen: Acte I. No. 9 Chanson (Séguedille) et Duo "Près des remparts de Séville" (Carmen, Don José) | 
	 | 
	4:30 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	Carmen: Acte I. No. 10 Finale "Le lieutenant!... Prenez garde!" (Don José, Zuniga, Carmen) | 
	 | 
	2:17 | 
	 | 
	 | 
	
	| 20 | 
	 | 
	Carmen: Entr'acte | 
	 | 
	1:48 | 
	 | 
	 | 
	
	| 21 | 
	 | 
	Carmen: Acte II. No. 11 Chanson "Les tringles des sistres tintaient" (Carmen, Mercédès, Frasquita) | 
	 | 
	5:06 | 
	 | 
	 | 
	
	| 22 | 
	 | 
	Carmen: Acte II. "Vous avez quelque chose à nous dire" (Zuniga, Pastia, Frasquita, Mercédès, Andrès, Carmen) | 
	 | 
	1:16 | 
	 | 
	 | 
	
	| 23 | 
	 | 
	Carmen: Acte II. "Tout est bien alors" (Carmen, Zuniga) – No. 12 Chœur et Ensemble "Vivat! vivat le toréro!" (chœur, Zuniga, Mercédes, Andrès, Frasquita, Pastia) | 
	 | 
	1:31 | 
	 | 
	 | 
	
	| 24 | 
	 | 
	Carmen: Acte II. No. 13 Couplet (Air du Toréador) "Votre toast... je peux vous le rendre" (Escamillo, chœur, Frasquita, Mercédès, Carmen, Pastia, Zuniga) – No. 13 bis Chœur "Toréador, en garde" (chœur, Frasquita, Pastia, Dancaïre, Remendado) | 
	 | 
	8:01 | 
	 | 
	 | 
	
	| 25 | 
	 | 
	Carmen: Acte II. No. 14 Quintette "Nous avons en tête une affaire" (Dancaïre, Frasquita, Mercédès, Remendado, Carmen) | 
	 | 
	4:49 | 
	 | 
	 | 
	
	| 26 | 
	 | 
	Carmen: Acte II. "Amoureuse... ce n'est pas une raison, cela" (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) – No. 15 Chanson "Halte-là! Qui va là?" (Don José, Mercédès, Frasquita, Dancaïre, Carmen) | 
	 | 
	2:33 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
78:59 | 
 | 
 | 
CD 2: Bizet: Carmen: Acts 2 (continued) & 3  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Carmen: Acte II. No. 16 Duo "Je vais danser en votre honneur" (Carmen, Don José) | 
	 | 
	5:42 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Carmen: Acte II. Air de la fleur "La fleur que tu m'avais jetée" (Don José) | 
	 | 
	4:16 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Carmen: Acte II. "Non! Tu ne m'aimes pas!" (Carmen, Don José) | 
	 | 
	4:01 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Carmen: Acte II. No. 17 Finale "Holà! Carmen! holà!" (Zuniga, Don José, Carmen, Dancaïre, Remendado, les Bohémiens) | 
	 | 
	3:32 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Carmen: Acte II. "Suis-nous à travers la campagne" (Frasquita, Mercédès, Dancaïre, Remendado, les Bohémiens, les Bohémiennes) | 
	 | 
	2:00 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Carmen: Entr'acte | 
	 | 
	3:01 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Carmen: Acte III, Tableau I. No. 18 Introduction "Écoute, compagnon, écoute" (les Contrabandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado) | 
	 | 
	4:41 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Carmen: Acte III, Tableau I. "Halte! nous allons nous arrêter ici..." (Dancaïre, Remendado, Don José, Carmen) | 
	 | 
	1:29 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Carmen: Acte III, Tableau I. No. 19 Trio "Mêlons!" / "Mêlons!" / "Coupons!" (Frasquita, Mercédès) | 
	 | 
	3:21 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Carmen: Acte III, Tableau I. Air des cartes "Carreau, pique... la mort!" (Carmen) | 
	 | 
	3:20 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Carmen: Acte III, Tableau I. "Parlez encore, parlez, mes belles" (Frasquita, Mercédès, Carmen) | 
	 | 
	0:50 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Carmen: Acte III, Tableau I. "Eh bien, j'avais raison" (Dancaïre, Carmen, Remandado, Frasquita, Mercédès, Don José) | 
	 | 
	0:30 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Carmen: Acte III, Tableau I. No. 20 Morceau d'Ensemble "Quant au douanier, c'est notre affaire" (Carmen, Mercédès, Frasquita, les Bohémiennes, les Bohémiens, Dancaïre, Remandado) | 
	 | 
	3:08 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Carmen: Acte III, Tableau I. "Nous y sommes" (le Guide, Micaëla) | 
	 | 
	0:44 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	Carmen: Acte III, Tableau I. No. 21 Air "Je dis que rien ne m'épouvante" (Micaëla) | 
	 | 
	4:50 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	Carmen: Acte III, Tableau I. "Mais... je ne me trompe pas..." (Micaëla, Escamillo, Don José) – No. 22 Duo "Je suis Escamillo, toréro de Grenade" (Escamillo, Don José) | 
	 | 
	3:42 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	Carmen: Acte III, Tableau I. No. 23 Finale "Holà, José!" (Carmen, Escamillo, Dancaïre, Don José, les Contrebandiers, les Contrebandières) | 
	 | 
	3:00 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	Carmen: Acte III, Tableau I. "Halte!... Quelqu'un est là qui cherche à se cacher" (Remendado, Carmen, Dancaïre, Don José, Micaëla, chœur, Escamillo) | 
	 | 
	5:16 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	Carmen: Entr'acte | 
	 | 
	2:10 | 
	 | 
	 | 
	
	| 20 | 
	 | 
	Carmen: Acte III, Tableau II. No. 24 Chœur "A deux cuartos" (Marchandes, Marchands, un Soldat, Andrès, un Bohémien) | 
	 | 
	2:23 | 
	 | 
	 | 
	
	| 21 | 
	 | 
	Carmen: Acte III, Tableau II. No. 25 Chœur et Scène "Les voici! Voici le quadrille" (chœur) | 
	 | 
	3:52 | 
	 | 
	 | 
	
	| 22 | 
	 | 
	Carmen: Acte III, Tableau II. "Si tu m'aimes, Carmen" (Escamillo, Carmen, Frasquita, Mercédès) | 
	 | 
	3:20 | 
	 | 
	 | 
	
	| 23 | 
	 | 
	Carmen: Acte III, Tableau II. No. 26 Duo final "C'est toi?" / "C'est moi!" (Carmen, Don José, chœur) | 
	 | 
	9:24 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
78:32 | 
 | 
 | 
CD 3: Prokofiev: Piano Concerto No.3 / Ravel: Concerto in G; Gaspard de la nuit  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Concerto for Piano and Orchestra No. 3 in C major, Op. 26: I. Andante - Allegro | 
	 | 
	9:01 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Concerto for Piano and Orchestra No. 3 in C major, Op. 26: II. Thema: Andantino / Var. I: L'istesso tempo / Var. II: Allegro / Var. III: Allegro moderato / Var. IV: Andantino meditativo / Var. V: Allegro giusto / Thema: L'istesso tempo | 
	 | 
	9:03 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Concerto for Piano and Orchestra No. 3 in C major, Op. 26: III. Allegro ma non troppo | 
	 | 
	9:09 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Concerto for Piano and Orchestra in G major: I. Allegramente | 
	 | 
	8:10 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Concerto for Piano and Orchestra in G major: II. Adagio assai | 
	 | 
	9:03 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Concerto for Piano and Orchestra in G major: III. Presto | 
	 | 
	4:03 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Gaspard de la nuit: I. Ondine. Lent | 
	 | 
	6:19 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Gaspard de la nuit: II. Le Gibet. Très lent | 
	 | 
	6:41 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Gaspard de la nuit: III. Scarbo. Modéré | 
	 | 
	9:21 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
70:50 | 
 | 
 | 
CD 4: Beethoven: Piano Sonatas No. 14 "Moonlight", No. 13 "Pathétique" & No. 23 "Appassionata"  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | 
	 | 
	6:37 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | 
	 | 
	2:12 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | 
	 | 
	7:42 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | 
	 | 
	9:29 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | 
	 | 
	5:20 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | 
	 | 
	4:45 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | 
	 | 
	10:33 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | 
	 | 
	7:34 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | 
	 | 
	8:13 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
62:26 | 
 | 
 | 
CD 5: Bach, J.S.: Arias  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Kantate No. 197 "Gott ist unser Zuversicht", BWV 197, No. 8: Vergnügen und Lust, Gedeihen und Heil | 
	 | 
	3:16 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Kantate No. 58 "Ach Gott, wie manches Herzeleid", BWV 58, No. 3: Ich bin vergnügt in meinem Leiden | 
	 | 
	3:46 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Kantate No. 204 "Ich bin in mir vergnügt", BWV 204, No. 4: Die Schätzbarkeit der weiten Erden | 
	 | 
	4:06 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Kanatate No. 97 "In allen meinen Taten", BWV 97, No. 4: Ich traue seiner Gnaden | 
	 | 
	5:21 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Kantate No. 115 "Mache dich, mein Geist, bereit", BWV 115, No. 4: Bete aber auch dabei | 
	 | 
	7:07 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Kantate No. 171 "Gott, wie dein Name, so ist auch dein Ruhm", BWV 171, No. 4: Jesus soll mein erstes Wort | 
	 | 
	4:12 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Messe h-moll, BWV 232 No. 23: Benedictus, Qui Venit In Nomine Domini | 
	 | 
	4:15 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Messe h-moll, BWV 232, No. 5: Laudamus Te | 
	 | 
	4:42 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Kantate No. 202 "Weichet nur, betrübte Schatten", BWV 202, No. 5: Wenn die Fruhlingslüfte streichen | 
	 | 
	2:38 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Kantate No. 36 "Schwingt freudig euch empor", BWV 36, No. 7: Auch mit Gedämpften, schwachen Stimmen | 
	 | 
	6:46 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Kantate No. 187 "Es wartet alles auf dich, dass du ihnen Speise", BWV 187, No. 5: Gott versorget alles Leben | 
	 | 
	3:24 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Kantate No. 84 "Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert", BWV 84, No. 3: Ich esse mit Freuden mein weniges Brot | 
	 | 
	4:59 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Kantate No. 105 "Herr, gehe nicht ins Gericht mit deinem Knecht", BWV 105, No. 5: Kann ich nur Jesu mir zum Freunde machen | 
	 | 
	5:30 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
60:02 | 
 | 
 | 
CD 6: Mahler: Symphony No. 1  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Symphonie No. 1 D-dur: I. Langsam. Schleppend. Wie ein Naturlaut - Im anfang sehr gemächlich | 
	 | 
	16:28 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Symphonie No. 1 D-dur: II. Kräftig bewegt | 
	 | 
	9:03 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Symphonie No. 1 D-dur: III. Feierlich und gemessen, ohne zu schleppen | 
	 | 
	10:25 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Symphonie No. 1 D-dur: IV. Stürmisch bewegt | 
	 | 
	20:09 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
56:05 | 
 | 
 | 
CD 7: Chopin: Piano Concertos Nos. 1 & 2  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Concerto for piano and orchestra No. 1 in E minor, Op. 11: I. Allegro maestoso | 
	 | 
	20:50 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Concerto for piano and orchestra No. 1 in E minor, Op. 11: II. Romance. Larghetto | 
	 | 
	10:38 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Concerto for piano and orchestra No. 1 in E minor, Op. 11: III. Rondo. Vivace | 
	 | 
	9:40 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Concerto for piano and orchestra No. 2 in F minor, Op. 21: I. Maestoso | 
	 | 
	14:42 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Concerto for piano and orchestra No. 2 in F minor, Op. 21: II. Larghetto | 
	 | 
	9:57 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Concerto for piano and orchestra No. 2 in F minor, Op. 21: III. Allegro vivace | 
	 | 
	8:52 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
74:39 | 
 | 
 | 
CD 8: Mozart, W.A.: Clarinet Concerto, K. 622; Flute Concerto, K. 313; Bassoon Concerto, K. 191  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Concerto for Clarinet in A major, K. 622: I. Allegro | 
	 | 
	13:05 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Concerto for Clarinet in A major, K. 622: II. Adagio | 
	 | 
	8:09 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | 
	 | 
	9:38 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Concerto for Flute No. 1 in G major, K. 285c/313: I. Allegro maestoso | 
	 | 
	9:39 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Concerto for Flute No. 1 in G major, K. 285c/313: II. Adagio non troppo | 
	 | 
	9:43 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Concerto for Flute No. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto | 
	 | 
	7:55 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro | 
	 | 
	7:11 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio | 
	 | 
	7:39 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto | 
	 | 
	4:24 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
77:23 | 
 | 
 | 
CD 9: Debussy: La Mer; 3 Nocturnes; Jeux; Rhapsodie pour clarinette  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Nocturnes (orchestral version): I. Nuages | 
	 | 
	6:15 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Nocturnes (orchestral version): II. Fêtes | 
	 | 
	6:31 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Nocturnes (orchestral version): III. Sirènes | 
	 | 
	9:47 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Première Rhapsodie: Rêveusement lent | 
	 | 
	8:42 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Jeux: Poème danse: Très lent - scherzando - (tempo initial) | 
	 | 
	16:06 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	La Mer: I. De l'aube à midi sur la mer | 
	 | 
	8:47 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	La Mer: II. Jeux de vagues | 
	 | 
	7:09 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	La Mer: III. Dialogue du vent et de la mer | 
	 | 
	7:41 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
70:58 | 
 | 
 | 
CD 10: Brahms: Symphony No. 4 / Strauss, R.: Tod und Verklärung, Op. 24  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo | 
	 | 
	12:04 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Symphony No. 4 in E minor, Op. 98: II. Andante moderato | 
	 | 
	12:43 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - poco meno presto - tempo I | 
	 | 
	5:34 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - più allegro | 
	 | 
	9:12 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Tod und Verklärung, Op. 24 | 
	 | 
	23:25 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
62:58 | 
 | 
 | 
CD 11: Pasion Española  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Falsa moneda | 
	 | 
	3:58 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Cruz de Mayo | 
	 | 
	2:50 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	La bien pagá | 
	 | 
	4:06 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Porque te quiero | 
	 | 
	2:59 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	El día que naci yo | 
	 | 
	4:37 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	¡Ay, Maricruz! | 
	 | 
	3:17 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Me embrujaste | 
	 | 
	4:44 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Cariño verdá | 
	 | 
	4:22 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Te lo juro yo | 
	 | 
	2:39 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	No me quieras tanto | 
	 | 
	4:54 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Antonio Vargas Heredia | 
	 | 
	5:26 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Ojos verdes | 
	 | 
	5:52 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Suspiros de España | 
	 | 
	3:57 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
53:41 | 
 | 
 | 
CD 12: Fiesta  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Sensemayá | 
	 | 
	6:37 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Margaritena | 
	 | 
	13:28 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Mediodia en el Llano | 
	 | 
	8:01 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Danzon No. 2 | 
	 | 
	9:46 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Suite para cuerdas (version for orchestra): Fuga con Pajarillo | 
	 | 
	7:01 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Estancia: Danzas del Ballet: I. Las tradbajadores agrícolas | 
	 | 
	2:56 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Estancia: Danzas del Ballet: II. Danza del trigo | 
	 | 
	3:43 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Estancia: Danzas del Ballet: III. Los peones de hacienda | 
	 | 
	1:58 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Estancia: Danzas del Ballet: IV. Danza final (Malambo) | 
	 | 
	3:24 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Santa Cruz de Pacairigua (Suite Sinfónica) | 
	 | 
	16:15 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	"West Side Story" Symphonic Dances: IV. Mambo | 
	 | 
	2:28 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
75:37 | 
 | 
 | 
CD 13: Bach, J.S.: Cantatas "Ich will den Kreuzstab gerne tragen", BWV 56; "Ich habe genug", BWV 82  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: I. Aria: "Ich will den Kreuzstab gerne tragen" | 
	 | 
	8:38 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: II. Recitativo: "Mein Wandel auf der Welt" | 
	 | 
	2:12 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: III. Aria: "Endlich, endlich wird mein Joch" | 
	 | 
	6:41 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: IV. Recitativo: "Ich stehe fertig und bereit" | 
	 | 
	1:56 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: V. Choral: "Komm, o Tod, du Schlafes Bruder" | 
	 | 
	1:43 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Cantata "Ich habe genug" BWV 82: I. Aria: Ich habe genug, ich habe den Heiland | 
	 | 
	7:27 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Cantata "Ich habe genug" BWV 82: II. Recitativo: Ich habe genug! Mein Trost ist nur allein | 
	 | 
	1:26 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Cantata "Ich habe genug" BWV 82: III. Aria: Schlummert ein, ihr matten Augen | 
	 | 
	7:19 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Cantata "Ich habe genug" BWV 82: IV. Recitativo: Mein Gott! wann kommt das schöne Nun! | 
	 | 
	0:59 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Cantata "Ich habe genug" BWV 82: V. Aria: Ich freue mich auf meinen Tod | 
	 | 
	3:52 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
42:13 | 
 | 
 | 
CD 14: Strauss, J.: Overture "Die Fledermaus"; Annen-Polka, Op. 117; Kaiser-Walzer, Op. 437; Tritsch-Tratsch-Polka, Op. 214; Radetzky-March, Op. 228; An der schönen, blauen Donau, Op. 314; Eljen a Magyar!, Op. 332; G'schichten aus dem Wienerwald, Op. 325  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Die Fledermaus: Overture | 
	 | 
	9:10 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Annen-Polka, Op. 117 | 
	 | 
	4:22 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Kaiserwalzer, Op. 437 | 
	 | 
	11:33 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Tritsch-Tratsch-Polka, Op. 214 | 
	 | 
	2:25 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Radetzky-Marsch, Op. 228 | 
	 | 
	2:17 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	An der schönen blauen Donau, Op. 314 | 
	 | 
	9:39 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Eljen a Magyar, Op. 332 | 
	 | 
	2:17 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Geschichten aus dem Wienerwald, Op. 325 | 
	 | 
	13:14 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
54:57 | 
 | 
 | 
CD 15: Schubert: Symphony No. 9; Rosamunde (Overture to "Die Zauberharfe", D.644  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Rosamunde, D. 797 (Incidental music to play by Helmina von Chézy): Overture (Die Zauberharfe, D. 644) | 
	 | 
	10:45 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Symphony No. 9 in C major, D. 944 "The Great": I. Andante - allegro ma non troppo | 
	 | 
	14:35 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Symphony No. 9 in C major, D. 944 "The Great": II. Andante con moto | 
	 | 
	17:11 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Symphony No. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace | 
	 | 
	11:12 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Symphony No. 9 in C major, D. 944 "The Great": IV. Allegro vivace | 
	 | 
	11:32 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
65:15 | 
 | 
 | 
CD 16: Aria Cantilena  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Las Hijas del Zebedeo: Carceleras | 
	 | 
	4:56 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Werther: Act III: "Werther! Werther...qui m'aurait dit la place" | 
	 | 
	7:15 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Les Contes d'Hoffmann (edition: Michael Kaye and Jean-Christophe Keck): Act III: Romance "C'est l'amour vainqueur" | 
	 | 
	3:49 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	La Cenerentola: Act II: Nacqui all'affanno | 
	 | 
	7:35 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Bachianas brasileiras No. 5 for Soprano and Cellos: Aria. Cantilena | 
	 | 
	6:22 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	La Grande-Duchesse de Gérolstein (edition by Jean-Christophe Keck): Act I: Rondeau. "Ah, que j'aime les militaires" | 
	 | 
	5:13 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	L'italiana in Algeri: Act II: Cavatina: Concedi, amor pietoso | 
	 | 
	5:40 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Madrigal on a catalan popular theme | 
	 | 
	5:12 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Der Rosenkavalier, Op. 59: Act III: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | 
	 | 
	5:49 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Der Rosenkavalier, Op. 59: Act III: "Ist ein Traum, kann nicht wirklich sein" | 
	 | 
	6:25 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
58:16 | 
 | 
 | 
CD 17: Brahms: Piano Concerto No. 1  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Konzert für Klavier und Orchester Nr. 1 D-moll, Op. 15: I. Maestoso | 
	 | 
	24:10 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Konzert für Klavier und Orchester Nr. 1 D-moll, Op. 15: II. Adagio | 
	 | 
	14:46 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Konzert für Klavier und Orchester Nr. 1 D-moll, Op. 15: III. Allegro non troppo | 
	 | 
	12:33 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
51:30 | 
 | 
 | 
CD 18: Fauré: Requiem, Op.48 / Ravel: Pavane  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Requiem, Op. 48: I. Introït Et Kyrie | 
	 | 
	7:53 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Requiem, Op. 48: II. Offertoire | 
	 | 
	9:45 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Requiem, Op. 48: III. Sanctus | 
	 | 
	3:39 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Requiem, Op. 48: IV. Pie Jesu | 
	 | 
	4:06 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Requiem, Op. 48: V. Agnus Dei | 
	 | 
	7:08 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Requiem, Op. 48: VI. Libera Me | 
	 | 
	5:50 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Requiem, Op. 48: VII. In Paradisum | 
	 | 
	4:04 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Pavane Pour Une Infante Défunte | 
	 | 
	7:00 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
49:25 | 
 | 
 | 
CD 19: Golijov: Ayre for voice and chamber ensemble / Berio: Folksongs  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Ayre for voice and chamber ensemble, No. 1: Mananita de San Juan (Morning of St. John's Day) | 
	 | 
	3:53 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Ayre for voice and chamber ensemble, No. 2: Una Madre Comió Asado (A Mother Roasted her Child) | 
	 | 
	3:00 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Ayre for voice and chamber ensemble, No. 3: Tancas Serradas a Muru (Walls are Encircling the Land) | 
	 | 
	2:56 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Ayre for voice and chamber ensemble, No. 4: Luna | 
	 | 
	2:03 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Ayre for voice and chamber ensemble, No. 5: Nanni | 
	 | 
	3:14 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Ayre for voice and chamber ensemble, No. 6: Wa Habibi (My Love) | 
	 | 
	6:14 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Ayre for voice and chamber ensemble, No. 7: Aiini Taqttiru (My Eyes Weep) | 
	 | 
	2:46 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Ayre for voice and chamber ensemble, No. 8: Kun Li-Guitari Wataran Ayyuha Al-Maa' (Be a String, Water, to my Guitar) | 
	 | 
	1:13 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Ayre for voice and chamber ensemble, No. 9: Sueltate las Cintas (Untie your Ribbons) | 
	 | 
	1:39 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Ayre for voice and chamber ensemble, No. 10: Yah, Anna Emtzacha (Oh, Where Shall I find You?) | 
	 | 
	3:43 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Ayre for voice and chamber ensemble, No. 11: Ariadna en su Laberinto (Ariadne in Her Labyrinth) | 
	 | 
	9:15 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Folk songs for voice and 7 instruments, No. 1: Black is the colour (USA) | 
	 | 
	2:41 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Folk songs for voice and 7 instruments, No. 2: I wonder as I wander (USA) | 
	 | 
	2:05 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Folk songs for voice and 7 instruments, No. 3: Loosin yelav (Armenia) | 
	 | 
	2:35 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	Folk songs for voice and 7 instruments, No. 4: Rosssignolet du bois (France) | 
	 | 
	1:27 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	Folk songs for voice and 7 instruments, No. 5: A la femminisca (Sicily) | 
	 | 
	1:32 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	Folk songs for voice and 7 instruments, No. 6: La donna ideale (Italy) | 
	 | 
	1:17 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	Folk songs for voice and 7 instruments, No. 7: Ballo (Italy) | 
	 | 
	1:33 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	Folk songs for voice and 7 instruments, No. 8: Motettu de Tristura (Sardinia) | 
	 | 
	1:52 | 
	 | 
	 | 
	
	| 20 | 
	 | 
	Folk songs for voice and 7 instruments, No. 9: Malorous qu'o uno fenno (Auvergne - France) | 
	 | 
	1:00 | 
	 | 
	 | 
	
	| 21 | 
	 | 
	Folk songs for voice and 7 instruments, No. 10: Lo fiolaire (Auvergne - France) | 
	 | 
	2:56 | 
	 | 
	 | 
	
	| 22 | 
	 | 
	Folk songs for voice and 7 instruments, No. 11: Azerbaijan love song (Azerbaijan) | 
	 | 
	2:48 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
61:42 | 
 | 
 | 
CD 20: Reflection  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Piano Concerto in A minor, Op. 54: I. Allegro affettuoso | 
	 | 
	15:02 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Piano Concerto in A minor, Op. 54: II. Intermezzo: Andantino grazioso | 
	 | 
	5:41 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Piano Concerto in A minor, Op. 54: III. Allegro vivace | 
	 | 
	10:32 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	3 Lieder, Op. 12: I. Er is gekommen in Sturm und Regen | 
	 | 
	2:19 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	3 Lieder, Op. 12: III. Warum willst du and're fragen? | 
	 | 
	2:11 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Am Strande | 
	 | 
	2:21 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Sonata for Cello and Piano No. 1 in E minor, Op. 38: I. Allegro non troppo | 
	 | 
	13:40 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Sonata for Cello and Piano No. 1 in E minor, Op. 38: II. Allegretto quasi minuetto | 
	 | 
	5:26 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Sonata for Cello and Piano No. 1 in E minor, Op. 38: III. Allegro - più presto | 
	 | 
	6:21 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	2 Rhapsodies, Op. 79: No. 1 in B minor | 
	 | 
	8:59 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	2 Rhapsodies, Op. 79: No. 2 in G minor | 
	 | 
	7:05 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
79:37 | 
 | 
 | 
CD 21: Schubert: String Quartet, D. 810 "Death and the Maiden" / Beethoven: String Quartet, Op. 135  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	String Quartet in F major, Op. 135: I. Allegretto | 
	 | 
	7:13 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	String Quartet in F major, Op. 135: II. Vivace | 
	 | 
	3:15 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	String Quartet in F major, Op. 135: III. Lento assai, cantante e tranquillo | 
	 | 
	8:00 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	String Quartet in F major, Op. 135: IV. “Der schwer gefaßte Entschluß.” Grave, ma non troppo tratto (Muss es sein?) — Allegro (Es muss sein!) — Grave, ma non troppo tratto — Allegro | 
	 | 
	7:34 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	String Quartet No. 14 in D minor, D. 810 "Death and the Maiden": I. Allegro | 
	 | 
	15:26 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	String Quartet No. 14 in D minor, D. 810 "Death and the Maiden": II. Andante con moto | 
	 | 
	14:16 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	String Quartet No. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto | 
	 | 
	3:32 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	String Quartet No. 14 in D minor, D. 810 "Death and the Maiden": IV. Presto | 
	 | 
	8:32 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
67:48 | 
 | 
 | 
CD 22: Schoenberg: Violin Concerto, Op. 36 / Sibelius: Violin Concerto, Op. 47  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Concerto for violin and orchestra, Op. 36: I. Poco allegro | 
	 | 
	11:36 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Concerto for violin and orchestra, Op. 36: II. Andante grazioso | 
	 | 
	7:30 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Concerto for violin and orchestra, Op. 36: III. Finale. Allegro | 
	 | 
	10:49 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Concerto for violin and orchestra in D minor, Op. 47: I. Allegro moderato | 
	 | 
	17:20 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Concerto for violin and orchestra in D minor, Op. 47: II. Adagio di molto | 
	 | 
	8:36 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Concerto for violin and orchestra in D minor, Op. 47: III. Allegro, ma non tanto | 
	 | 
	7:16 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
63:06 | 
 | 
 | 
CD 23: Air. A Baroque Journey  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Chaconne in G major | 
	 | 
	3:15 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Suite No. 15 in D minor for harpsichord, HWV 447: III. Sarabanda | 
	 | 
	3:09 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Ricercata segunda | 
	 | 
	1:26 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	La suave melodia | 
	 | 
	3:11 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Passacalio in G minor | 
	 | 
	3:39 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Diverse bizzarrie sopra la Vecchia Sarabanda o pur Ciacconna | 
	 | 
	4:19 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Canon and Gigue in D major: I. Canon | 
	 | 
	3:41 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Canon and Gigue in D major: II. Gigue | 
	 | 
	1:28 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: I. Adagio | 
	 | 
	2:59 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: II. Allegro | 
	 | 
	2:22 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Concerto for violin concertato, strings and basso continuo in A minor, TWV 51:A1: III. Presto | 
	 | 
	1:43 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Sonata for Violin and Continuo III: Imitazione della campane | 
	 | 
	1:55 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Ayrs for the Violin, Book 4, Suite in F major: Ground after the Scotch Humour | 
	 | 
	1:52 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Concerto grosso No. 5 in G minor from Corelli: Sonata Op. 5 No. 5: I. Adagio | 
	 | 
	3:02 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	Concerto grosso No. 5 in G minor from Corelli: Sonata Op. 5 No. 5: II. Vivace | 
	 | 
	1:38 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	Concerto grosso No. 5 in G minor from Corelli: Sonata Op. 5 No. 5: III. Adagio | 
	 | 
	2:45 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	Concerto grosso No. 5 in G minor from Corelli: Sonata Op. 5 No. 5: IV. Allegro | 
	 | 
	1:46 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	Gagliarde napolitane | 
	 | 
	1:52 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	Passacaglia in G minor | 
	 | 
	2:57 | 
	 | 
	 | 
	
	| 20 | 
	 | 
	Tambourin | 
	 | 
	1:45 | 
	 | 
	 | 
	
	| 21 | 
	 | 
	Greensleeves to a Ground | 
	 | 
	4:42 | 
	 | 
	 | 
	
	| 22 | 
	 | 
	Sonata in A major, "La guerra": La guerra cosí nominata di sua maestà | 
	 | 
	0:47 | 
	 | 
	 | 
	
	| 23 | 
	 | 
	Sonata for Violin and Continuo II "Consacrate al Grand' Apolline di questi tempi": Imitazione del Liuto. Presto | 
	 | 
	2:27 | 
	 | 
	 | 
	
	| 24 | 
	 | 
	Suite No. 3 in D major, BWV 1068: II. Air | 
	 | 
	5:01 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
63:40 | 
 | 
 | 
CD 24: Horowitz at Home  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Piano Sonata in B-flat major, K. 281: I. Allegro | 
	 | 
	6:11 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Piano Sonata in B-flat major, K. 281: II. Andante amoroso | 
	 | 
	7:20 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Piano Sonata in B-flat major, K. 281: III. Rondeau: Allegro | 
	 | 
	4:13 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Adagio in B minor, K. 540 | 
	 | 
	8:01 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Rondo in D major, K. 485 | 
	 | 
	6:28 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	6 Moments musicaux in F minor, Op. 94 No. 3, D. 780: Allegro moderato | 
	 | 
	2:02 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Schwanengesang, transcriptions for piano after Schubert, S. 560 No. 7 "Ständchen": Serenade | 
	 | 
	5:43 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Soirées de Vienne, valses caprices d'après Schubert, in A major, S. 427 No. 7: Allegro con spirito | 
	 | 
	6:27 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Soirées de Vienne, valses caprices d'après Schubert, in A minor, S. 427 No. 6 | 
	 | 
	7:08 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
53:34 | 
 | 
 | 
CD 25: Bruckner: Symphony No. 4 "Romantic"  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell | 
	 | 
	17:44 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Symphony No. 4 in E-flat major "Romantic": II. Andante quasi allegretto | 
	 | 
	16:46 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Symphony No. 4 in E-flat major "Romantic": III. Scherzo, Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend | 
	 | 
	10:11 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | 
	 | 
	20:16 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
64:57 | 
 | 
 | 
CD 26: Brahms: Ein deutsches Requiem, Op. 45  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen | 
	 | 
	11:36 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras | 
	 | 
	14:45 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich | 
	 | 
	11:45 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen | 
	 | 
	5:43 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | 
	 | 
	8:16 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt | 
	 | 
	12:34 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten | 
	 | 
	12:09 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
76:48 | 
 | 
 | 
CD 27: Schumann: Fantasie, Op. 17 / Brahms: Variations and Fugue on a Theme by Handel, Op. 24  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Fantasie in C major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen; im Legenden-Ton. | 
	 | 
	11:32 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Fantasie in C major, Op. 17: II. Mäßig. Durchaus energisch. | 
	 | 
	8:15 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Fantasie in C major, Op. 17: III. Langsam getragen. Durchweg leise zu halten. | 
	 | 
	10:24 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Variations and Fugue on a Theme by Handel, Op. 24 | 
	 | 
	24:28 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
54:40 | 
 | 
 | 
CD 28: Verdi: La Traviata: Act 1 & 2, Scene 1  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	La Traviata: Preludio | 
	 | 
	3:38 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	La Traviata: Atto I. Introduzione: "Dell'invito trascorso è già l'ora" (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo) | 
	 | 
	4:34 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	La Traviata: Atto I. Brindisi: "Libiamo ne' lieti calici" (Alfredo, Tutti, Violetta) | 
	 | 
	2:55 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	La Traviata: Atto I. Valzer e Duetto: "Che è ciò?" (Tutti, Violetta, Alfredo) | 
	 | 
	2:18 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	La Traviata: Atto I. Valzer e Duetto: "Un dì felice, eterea" (Alfredo, Violetta) | 
	 | 
	3:06 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	La Traviata: Atto I. Valzer e Duetto: "Ebben? che diavol fate?" (Gastone, Violetta, Alfredo) | 
	 | 
	1:19 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	La Traviata: Atto I. Stretta dell'Introduzione: "Si ridesta in ciel l'aurora" (Tutti) | 
	 | 
	1:37 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	La Traviata: Atto I. Scena ed Aria - Finale: "È strano! ... Ah, fors'è lui" (Violetta) | 
	 | 
	3:36 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	La Traviata: Atto I. Scena ed Aria - Finale: "Follie! Delirio vano è questo! ... Sempre libera" (Violetta, Alfredo) | 
	 | 
	4:32 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena ed Aria: "Lunge da lei ... De' miei bollenti spiriti" (Alfredo) | 
	 | 
	3:33 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena ed Aria: "Annina, donde vieni?" - "Oh mio rimorso!" (Alfredo, Annina) | 
	 | 
	2:19 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena e Duetto: "Alfredo?" - "Per Parigi or or partiva" (Violetta, Annina, Giuseppe, Germont) | 
	 | 
	3:18 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena e Duetto: "Pura siccome un angelo" (Germont, Violetta) | 
	 | 
	1:39 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena e Duetto: "Non sapete quale affetto" (Violetta, Germont) | 
	 | 
	1:59 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena e Duetto: "Un dì, quando le veneri" (Germont, Violetta) | 
	 | 
	2:34 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena e Duetto: "Ah! Dite alla giovine" (Violetta, Germont) | 
	 | 
	4:05 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena e Duetto: "Imponete" - "Non amarlo ditegli" (Violetta, Germont) | 
	 | 
	4:18 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena: "Dammi tu forza, o cielo!" (Violetta, Annina) | 
	 | 
	1:43 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena: "Che fai?" - "Nulla" (Alfredo, Violetta) | 
	 | 
	2:07 | 
	 | 
	 | 
	
	| 20 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena ed Aria: "Ah, vive sol quel core" (Alfredo, Giuseppe, Commissionario, Germont) | 
	 | 
	2:12 | 
	 | 
	 | 
	
	| 21 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena ed Aria: "Di Provenza il mar, il suol" (Germont) | 
	 | 
	4:01 | 
	 | 
	 | 
	
	| 22 | 
	 | 
	La Traviata: Atto II, Quadro I. Scena ed Aria: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" (Germont, Alfredo) | 
	 | 
	2:45 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
64:08 | 
 | 
 | 
CD 29: Verdi: La Traviata: Act 2, Scene 2 & Act 3  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	La Traviata: Atto II, Quadro II. Finale II: "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore) | 
	 | 
	1:03 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	La Traviata: Atto II, Quadro II. Finale II: "Noi siamo zingarelle" (Coro, Flora, Marchese, Dottore) | 
	 | 
	2:46 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	La Traviata: Atto II, Quadro II. Finale II: "Di Madride noi siam mattadori" (Gastone, Coro, Flora, Dottore, Marchese) | 
	 | 
	2:32 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	La Traviata: Atto II, Quadro II. Finale II: "Alfredo! Voi!" (Tutti, Alfredo) | 
	 | 
	3:54 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	La Traviata: Atto II, Quadro II. Finale II: "Invitato a qui seguirmi" (Violetta, Alfredo, Tutti) | 
	 | 
	2:28 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	La Traviata: Atto II, Quadro II. Finale II: "Ogni suo aver tal femmina" (Alfredo, Tutti) | 
	 | 
	1:31 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	La Traviata: Atto II, Quadro II. Finale II: "Di sprezzo degno se stesso rende" (Germont, Alfredo, Flora, Gastone, Barone, Dottore, Marchese, Coro) | 
	 | 
	1:48 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	La Traviata: Atto II, Quadro II. Finale II: "Alfredo, Alfredo, di questo core" (Violetta, Tutti) | 
	 | 
	4:14 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	La Traviata: Atto III. Preludio | 
	 | 
	3:36 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	La Traviata: Atto III. Scena ed Aria: "Annina?" - "Comandate?" (Violetta, Annina, Dottore) | 
	 | 
	3:54 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	La Traviata: Atto III. Scena ed Aria: "Teneste la promessa ... Attendo, né a me giungon mai ... Addio del passato" (Violetta) | 
	 | 
	3:59 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	La Traviata: Atto III. Baccanale: "Largo al quadrupede" (Coro di Maschere) | 
	 | 
	0:48 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	La Traviata: Atto III. Scena e Duetto: "Signora ..." - "Che t'accadde?" (Annina, Violetta, Alfredo) - "Parigi, o cara, noi lasceremo" (Alfredo, Violetta) | 
	 | 
	4:44 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	La Traviata: Atto III. Scena e Duetto: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" (Violetta, Alfredo) | 
	 | 
	3:00 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	La Traviata: Atto III. Finale ultimo: "Ah, Violetta!" - "Voi? Signor?" (Germont, Violetta, Alfredo) | 
	 | 
	1:43 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	La Traviata: Atto III. Finale ultimo: "Prendi, quest'è l'immagine" (Violetta, Alfredo, Germont, Annina, Dottore) | 
	 | 
	3:53 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
45:52 | 
 | 
 | 
CD 30: Mozart: Arias  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Finale "Giunse alfin il momento" (Cherubino, La Contessa, Il Conte, Susanna, Figaro) | 
	 | 
	4:17 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino) | 
	 | 
	3:06 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" | 
	 | 
	10:36 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Così fan tutte, K. 588: Act I, Scene IX. No. 12 Aria "In uomini, in soldati sperare" (Despina) | 
	 | 
	2:55 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Così fan tutte, K. 588: Ei parte... Senti!... Ah, no! - Per pietà, ben mio, perdona | 
	 | 
	9:33 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Così fan tutte, K. 588: Act II, Scene X. No. 28 Aria "È amore un ladroncello" (Dorabella) | 
	 | 
	3:13 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" (Vitellia) | 
	 | 
	7:05 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) | 
	 | 
	8:00 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Aria for Soprano & Orchestra in E-flat major, K. 583: "Vado, ma dove?" | 
	 | 
	4:28 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | 
	 | 
	2:46 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Aria for Soprano & Orchestra in B-flat major, K. 578: "Alma grande e nobil core" | 
	 | 
	4:28 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Le nozze di Figaro, KV 492: Giunse alfin il momento - Al desio di chi t'adora | 
	 | 
	7:28 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
67:56 | 
 | 
 | 
CD 31: Glass: Violin Concerto / Schnittke: Concerto Grosso No. 5  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Concerto for violin and orchestra: I. = 104 - = 120 | 
	 | 
	6:38 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Concerto for violin and orchestra: II. = ca. 108 | 
	 | 
	8:46 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Concerto for violin and orchestra: III. = ca. 150 - Coda: Poco meno = 104 | 
	 | 
	9:40 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Concerto Grosso No. 5: I. Allegretto | 
	 | 
	7:46 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Concerto Grosso No. 5: II. | 
	 | 
	5:18 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Concerto Grosso No. 5: III. Allegro vivace | 
	 | 
	6:02 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Concerto Grosso No. 5: IV. Lento | 
	 | 
	8:28 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
52:38 | 
 | 
 | 
CD 32: Memory  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Piano Sonata No. 10 in C major, K. 330: I. Allegro moderato | 
	 | 
	6:35 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Piano Sonata No. 10 in C major, K. 330: II. Andante cantabile | 
	 | 
	7:30 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Piano Sonata No. 10 in C major, K. 330: III. Allegretto | 
	 | 
	5:48 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Piano Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso | 
	 | 
	15:10 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Piano Sonata No. 3 in B minor, Op. 58: II. Scherzo. Molto vivace | 
	 | 
	3:24 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Piano Sonata No. 3 in B minor, Op. 58: III. Largo | 
	 | 
	14:10 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Piano Sonata No. 3 in B minor, Op. 58: IV. Finale. Presto non tanto | 
	 | 
	5:40 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | 
	 | 
	1:51 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Kinderszenen, Op. 15: II. Kuriose Geschichte | 
	 | 
	1:11 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Kinderszenen, Op. 15: III. Hasche-Mann | 
	 | 
	0:28 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Kinderszenen, Op. 15: IV. Bittendes Kind | 
	 | 
	0:52 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Kinderszenen, Op. 15: V. Glückes genug | 
	 | 
	1:25 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Kinderszenen, Op. 15: VI. Wichtige Begebenheit | 
	 | 
	1:01 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Kinderszenen, Op. 15: VII. Träumerei | 
	 | 
	3:17 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	Kinderszenen, Op. 15: VIII. Am Kamin | 
	 | 
	1:21 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	Kinderszenen, Op. 15: IX. Ritter vom Steckenpferd | 
	 | 
	0:34 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	Kinderszenen, Op. 15: X. Fast zu ernst | 
	 | 
	1:51 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	Kinderszenen, Op. 15: XI. Fürchtenmachen | 
	 | 
	1:44 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	Kinderszenen, Op. 15: XII. Kind im Einschlummern | 
	 | 
	2:41 | 
	 | 
	 | 
	
	| 20 | 
	 | 
	Kinderszenen, Op. 15: XIII. Der Dichter spricht | 
	 | 
	3:11 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
79:43 | 
 | 
 | 
CD 33: Gershwin: Rhapsody in Blue; An American in Paris; "Porgy and Bess" Suite; Cuban Overture  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Rhapsody in Blue (jazz band version (1924)) | 
	 | 
	16:10 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Cuban Overture | 
	 | 
	9:52 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	"Porgy and Bess": Catfish Row | 
	 | 
	6:00 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	"Porgy and Bess": Porgy Sings: Oh, I Got Plenty O'Nuttin' | 
	 | 
	1:34 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	"Porgy and Bess": Porgy Sings: Bess, You Is My Woman Now | 
	 | 
	3:12 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	"Porgy and Bess": Fugue | 
	 | 
	1:40 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	"Porgy and Bess": Hurricane | 
	 | 
	3:33 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	"Porgy and Bess": Good Morning, Brother (Sistuh) | 
	 | 
	7:18 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	An American in Paris (revised by F. Campbell-Watson) | 
	 | 
	17:33 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
66:52 | 
 | 
 | 
CD 34: Mozart, W.A.: Great Mass, K. 427 / Haydn: Scena di Berenice, Hob XXIVa:10 / Beethoven: "Ah! perido", Op. 65  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" | 
	 | 
	6:57 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" | 
	 | 
	2:04 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" | 
	 | 
	4:41 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" | 
	 | 
	1:02 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" | 
	 | 
	2:46 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" | 
	 | 
	4:02 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" | 
	 | 
	3:50 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" | 
	 | 
	0:33 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" | 
	 | 
	3:40 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" | 
	 | 
	3:17 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb.Credo: "Et incarnatus est" | 
	 | 
	7:48 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" | 
	 | 
	3:21 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | 
	 | 
	5:10 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Scena di Berenice, dramatic scena, Hob XXIVa:10: "Berenice, che fai?" | 
	 | 
	12:27 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	"Ah! perfido", Op. 65 | 
	 | 
	12:29 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
74:08 | 
 | 
 | 
CD 35: Tchaikovsky: Symphony No. 6 "Pathétique"  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo | 
	 | 
	17:41 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia | 
	 | 
	8:06 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace | 
	 | 
	8:20 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Adagio lamentoso | 
	 | 
	9:49 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
43:57 | 
 | 
 | 
CD 36: Music of the Gothic Era  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Viderunt omnes fines terre | 
	 | 
	9:06 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Viderunt omnes | 
	 | 
	11:48 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Alle psallite cum luya | 
	 | 
	1:07 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Amor potest | 
	 | 
	1:01 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	S'on me regarde | 
	 | 
	2:24 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	In mari miserie | 
	 | 
	1:50 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	O Mitissima | 
	 | 
	1:27 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Aucun ont trouve | 
	 | 
	3:11 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	De me dame vient | 
	 | 
	2:25 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	J'os bien a m'amie parler | 
	 | 
	1:53 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Le mesnie fauveline | 
	 | 
	1:16 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Impudentur circumivi | 
	 | 
	3:09 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Cum statua nabucodonasor | 
	 | 
	2:27 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Clap, clap, par un matin | 
	 | 
	1:29 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	Febus mundo oriens | 
	 | 
	3:28 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	Qui es promesses de fortune | 
	 | 
	1:53 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	Lasse! comment oublieray | 
	 | 
	4:04 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	Inter densas deserti meditans | 
	 | 
	3:17 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	Hoquetus David | 
	 | 
	3:16 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
60:31 | 
 | 
 | 
CD 37: Carmen Fantasy, Op.25  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Zigeunerweisen, for violin & piano (or orchestra), "Gypsy Airs", Op. 20 | 
	 | 
	8:41 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Légende in G minor for violin & orchestra, Op. 17 | 
	 | 
	7:41 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Sonata for violin & continuo in G minor, Op. 1/6 B. g5 "Il trillo del diavolo" | 
	 | 
	16:32 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Tzigane, rhapsodie de concert for violin & piano (or orchestra) | 
	 | 
	10:01 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Thäis, opera Méditation | 
	 | 
	6:42 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op. 25: Introduction. Allegro moderato | 
	 | 
	3:22 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op. 25: I. Moderato | 
	 | 
	2:27 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op. 25: II. Lento assai | 
	 | 
	2:11 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op. 25: III.. Allegro moderato | 
	 | 
	2:07 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op. 25: IV. Moderato | 
	 | 
	2:31 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Berceuse, for violin & piano (or orchestra) in D Major, Op. 16 | 
	 | 
	4:28 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
66:43 | 
 | 
 | 
CD 38: Duets  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	La Bohème: Act I: Duet "O soave fanciulla" (Mimi, Rodolfo) | 
	 | 
	4:10 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Lucia di Lammermoor, Part I: No. 4. Scene and Duet "Lucia perdona...Sulla tomba" (Lucia, Edgardo) | 
	 | 
	12:40 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Rigoletto: Act I: No. 5. Scene and Duet "Giovanna, ho dei rimorsi...E il sol dell'anima" (Gilda, Duca) | 
	 | 
	8:19 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Roméo et Juliette: Act IV, Scene 1: No. 14. Duet "Va! je t'ai pardonné ... Nuit d'hyménée" | 
	 | 
	13:23 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Les Pêcheurs de perles: Act II: No. 8. Chanson "De mon amie, fleur endormie" - No. 9 Duett "Léila! Léila! Dieu puissant" (Leïla, Nadir) | 
	 | 
	9:00 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Manon: Act III, Scene 2: Duet "Toi! Vous!... Ah! Viens, Manon, je t'aime!" (Manon, des Grieux) | 
	 | 
	8:05 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Iolanta: No. 7 Duet "Tvajo malchan'je nepan'atna" (Iolanta, Vodemon) | 
	 | 
	10:03 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Luisa Fernanda: Act III: No. 13 Duet "iCállate, corazón! iDuèrmete y calla!" (Luisa Fernanda, Javier) | 
	 | 
	5:28 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
71:08 | 
 | 
 | 
CD 39: Liszt: 12 Études d'exécution transcendante  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	12 études d'exécution transcendante: I. Preludio | 
	 | 
	0:53 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	12 études d'exécution transcendante: II. Molto vivace | 
	 | 
	2:18 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	12 études d'exécution transcendante: III. Paysag | 
	 | 
	5:15 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	12 études d'exécution transcendante: IV. Mazeppa | 
	 | 
	7:45 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	12 études d'exécution transcendante: V. Feux follets | 
	 | 
	3:56 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	12 études d'exécution transcendante: VI. Vision | 
	 | 
	6:28 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	12 études d'exécution transcendante: VII. Eroica | 
	 | 
	5:06 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	12 études d'exécution transcendante: VIII. Wilde Jagd | 
	 | 
	5:26 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	12 études d'exécution transcendante: IX. Ricordanza | 
	 | 
	10:13 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	12 études d'exécution transcendante: X. Allegro agitato molto | 
	 | 
	4:29 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	12 études d'exécution transcendante: XI. Harmonies du soir | 
	 | 
	8:42 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	12 études d'exécution transcendante: XII. Chasse-neige | 
	 | 
	5:38 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
66:09 | 
 | 
 | 
CD 40: Weill: Speak Low & The Seven Deadly Sins, Songs  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Die sieben Todsünden: Prolog: "Meine Schwester und ich stammen aus Louisiana" | 
	 | 
	3:24 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Die sieben Todsünden: I. Faulheit: "Hoffentlich nimmt sich unsre Anna auch zusammen" | 
	 | 
	3:47 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Die sieben Todsünden: II. Stolz: "Als wir aber ausgestattet waren" | 
	 | 
	4:19 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Die sieben Todsünden: III. Zorn: "Das geht nicht vorwärts" | 
	 | 
	4:00 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Die sieben Todsünden: IV: Völlerei "Da ist ein Brief aus Philadelphia" | 
	 | 
	2:58 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Die sieben Todsünden: V. Unzucht: "Und wir fanden einen Mann in Boston" | 
	 | 
	5:38 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Die sieben Todsünden: VI. Habsucht: "Wie hier in der Zeitung steht, ist Anna" | 
	 | 
	2:57 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Die sieben Todsünden: VII. Neid: "Und die letzte Stadt der Reise war San Francisco" | 
	 | 
	5:06 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Die sieben Todsünden: Epilog: "Darauf kehrten wir zurück nach Louisiana" | 
	 | 
	1:56 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Lady in the Dark: My Ship | 
	 | 
	2:42 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Lady in the Dark: One Life to Live | 
	 | 
	3:04 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Buddy on the Nightshift | 
	 | 
	2:09 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Nannas Lied | 
	 | 
	4:06 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Happy End: Bilbao-Song | 
	 | 
	4:27 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	Happy End: Surabaya-Johnny | 
	 | 
	6:01 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	Happy End: Das Lied von der harten Nuss | 
	 | 
	1:08 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	Je ne t'aime pas | 
	 | 
	4:29 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	Schickelgruber | 
	 | 
	2:51 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	Der Abschiedsbrief | 
	 | 
	3:28 | 
	 | 
	 | 
	
	| 20 | 
	 | 
	One Touch of Venus: Foolish Heart | 
	 | 
	2:28 | 
	 | 
	 | 
	
	| 21 | 
	 | 
	One Touch of Venus: Speak Low | 
	 | 
	3:59 | 
	 | 
	 | 
	
	| 22 | 
	 | 
	One Touch of Venus: I'm a Stranger Here Myself | 
	 | 
	3:13 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
78:09 | 
 | 
 | 
CD 41: Bach, J.S.: Brandenburg Concertos Nos. 1 - 3  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Concerto No. 1 in F major, BWV 1046: I. | 
	 | 
	4:11 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Concerto No. 1 in F major, BWV 1046: II. Adagio | 
	 | 
	4:13 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Concerto No. 1 in F major, BWV 1046: III. Allegro | 
	 | 
	4:10 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Concerto No. 1 in F major, BWV 1046: IV. Menuetto - trio I - polacca - trio II | 
	 | 
	7:31 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Concerto No. 2 in F major, BWV 1047: I. | 
	 | 
	5:18 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Concerto No. 2 in F major, BWV 1047: II. Andante | 
	 | 
	3:53 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Concerto No. 2 in F major, BWV 1047: III. Allegro assai | 
	 | 
	3:07 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Concerto No. 3 in G major, BWV 1048: I. | 
	 | 
	5:45 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Concerto No. 3 in G major, BWV 1048: II. Adagio | 
	 | 
	0:34 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Concerto No. 3 in G major, BWV 1048: III. Allegro | 
	 | 
	4:45 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
43:27 | 
 | 
 | 
CD 42: Mozart, W.A.: Piano Concertos Nos. 14, K. 449 & 26, K. 537 "Coronation"  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace | 
	 | 
	8:34 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino | 
	 | 
	6:51 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo | 
	 | 
	6:13 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro | 
	 | 
	14:08 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto | 
	 | 
	5:38 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Concerto for Piano No. 26 in D major, K. 537 "Coronation": III. Allegretto | 
	 | 
	10:36 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
52:00 | 
 | 
 | 
CD 43: Stravinsky: 3 Dances from Petrouchka / Prokofiev: Sonata for piano No. 7 / Boulez: Sonata for piano No. 2 / Webern: Piano Variations, Op. 27  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Three Movements from "Pétrouchka": I. Danse russe. Allegro guisto | 
	 | 
	2:32 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Three Movements from "Pétrouchka": II. Chez Petrouchka | 
	 | 
	4:17 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Three Movements from "Pétrouchka": III. La semaine grasse. Con moto - allegretto - tempo giusto - agitato | 
	 | 
	8:35 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Sonata for piano No. 7 in B-flat major, Op. 83: I. Allegro inquieto - andantino - allegro inquieto - andantino - allegro inquieto | 
	 | 
	7:32 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Sonata for piano No. 7 in B-flat major, Op. 83: II. Andante caloroso - poco più animato - più largamente - un poco agitato - tempo I | 
	 | 
	6:12 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Sonata for piano No. 7 in B-flat major, Op. 83: III. Precipitato | 
	 | 
	3:23 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Variations for piano, Op. 27: I. Sehr mäßig | 
	 | 
	1:53 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Variations for piano, Op. 27: II. Sehr schnell | 
	 | 
	0:40 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Variations for piano, Op. 27: III. Ruhig fließend | 
	 | 
	3:35 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Second sonata for piano: I. Extrêmement rapide | 
	 | 
	6:04 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Sonata for piano No. 2: II. Lent | 
	 | 
	11:05 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Sonata for piano No. 2: III. Modéré, presque vif | 
	 | 
	2:14 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Sonata for piano No. 2: IV. Vif | 
	 | 
	10:12 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
68:14 | 
 | 
 | 
CD 44: Schubert: Die schöne Müllerin  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Die Schöne Müllerin, D. 795: I. Das Wandern | 
	 | 
	2:38 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Die Schöne Müllerin, D. 795: II. Wohin? | 
	 | 
	2:15 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Die Schöne Müllerin, D. 795: III. Halt! | 
	 | 
	1:34 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Die Schöne Müllerin, D. 795: IV. Danksagung an den Bach | 
	 | 
	2:22 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Die Schöne Müllerin, D. 795: V. Am Feierabend | 
	 | 
	2:44 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Die Schöne Müllerin, D. 795: VI. Der Neugierige | 
	 | 
	3:42 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Die Schöne Müllerin, D. 795: VII. Ungeduld | 
	 | 
	2:32 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Die Schöne Müllerin, D. 795: VIII. Morgengruß | 
	 | 
	3:20 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Die Schöne Müllerin, D. 795: IX. Der Müllers Blumen | 
	 | 
	3:06 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Die Schöne Müllerin, D. 795: X. Tränenregen | 
	 | 
	4:17 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Die Schöne Müllerin, D. 795: XI. Mein! | 
	 | 
	2:25 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Die Schöne Müllerin, D. 795: XII. Pause | 
	 | 
	4:45 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Die Schöne Müllerin, D. 795: XIII. Mit dem grünen Lautenbande | 
	 | 
	2:06 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Die Schöne Müllerin, D. 795: XIV. Der Jäger | 
	 | 
	1:21 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	Die Schöne Müllerin, D. 795: XV. Eifersucht und Stolz | 
	 | 
	1:45 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	Die Schöne Müllerin, D. 795: XVI. Die liebe Farbe | 
	 | 
	3:46 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	Die Schöne Müllerin, D. 795: XVII. Die böse Farbe | 
	 | 
	2:15 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	Die Schöne Müllerin, D. 795: XVIII. Trockne Blumen | 
	 | 
	3:57 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	Die Schöne Müllerin, D. 795: XIX. Der Müller und der Bach | 
	 | 
	3:50 | 
	 | 
	 | 
	
	| 20 | 
	 | 
	Die Schöne Müllerin, D. 795: XX. Des Baches Wiegenlied | 
	 | 
	6:46 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
61:26 | 
 | 
 | 
CD 45: Reich: Drumming, Parts 1 - 3  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Drumming, Part I | 
	 | 
	24:33 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Drumming, Part II | 
	 | 
	25:21 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Drumming, Part III | 
	 | 
	15:41 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
65:35 | 
 | 
 | 
CD 46: Reich: Drumming, Part 4; Six Pianos; Music for Mallet Instruments  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Drumming, Part IV | 
	 | 
	18:57 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Six Pianos | 
	 | 
	24:14 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Music for Mallet Instruments, Voices and Organ | 
	 | 
	18:31 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
61:42 | 
 | 
 | 
CD 47: Bach, C.P.E.: Symphonies Nos. 1 - 4  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Sinfonia in D major, Wq 183 No. 1: I. Allegro di molto | 
	 | 
	5:48 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Sinfonia in D major, Wq 183 No. 1: II. Largo | 
	 | 
	1:30 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Sinfonia in D major, Wq 183 No. 1: III. Presto | 
	 | 
	2:47 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Sinfonia in E-flat major, Wq 183 No. 2: I. Allegro di molto | 
	 | 
	3:26 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Sinfonia in E-flat major, Wq 183 No. 2: II. Larghetto | 
	 | 
	1:09 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Sinfonia in E-flat major, Wq 183 No. 2: III. Allegretto | 
	 | 
	4:44 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Sinfonia in F major, Wq 183 No. 3: I. Allegro di molto | 
	 | 
	4:20 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Sinfonia in F major, Wq 183 No. 3: II. Larghetto | 
	 | 
	2:22 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Sinfonia in F major, Wq 183 No. 3: III. Presto | 
	 | 
	3:06 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Sinfonia in G major, Wq 183 No. 4: I. Allegro assai | 
	 | 
	2:55 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Sinfonia in G major, Wq 183 No. 4: II. Poco andante | 
	 | 
	3:24 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Sinfonia in G major, Wq 183 No. 4: III. Presto | 
	 | 
	3:26 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
38:57 | 
 | 
 | 
CD 48: Schumann: Marsch No. 2, Op. 76; Waldszenen, Op. 82; Fantasiestücke, Op. 12  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Marsch No. 2 in G minor from 4 Marches, Op. 76 | 
	 | 
	3:32 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Waldszenen, Op. 82: I. Eintritt | 
	 | 
	2:00 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Waldszenen, Op. 82: II. Jäger auf der Lauer | 
	 | 
	1:08 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Waldszenen, Op. 82: III. Einsame Blumen | 
	 | 
	2:01 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Waldszenen, Op. 82: IV. Verrufene Stelle | 
	 | 
	3:18 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Waldszenen, Op. 82: V. Freundliche Landschaft | 
	 | 
	1:09 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Waldszenen, Op. 82: VI. Herberge | 
	 | 
	2:20 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Waldszenen, Op. 82: VII. Vogel als Prophet | 
	 | 
	2:43 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Waldszenen, Op. 82: VIII. Jagdlied | 
	 | 
	2:11 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Waldszenen, Op. 82: IX. Abschied | 
	 | 
	3:41 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	8 Fantasiestücke, Op. 12: I. Des Abends | 
	 | 
	4:08 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	8 Fantasiestücke, Op. 12: II. Aufschwung | 
	 | 
	2:50 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	8 Fantasiestücke, Op. 12: III. Warum? | 
	 | 
	3:19 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	8 Fantasiestücke, Op. 12: V. In der Nacht | 
	 | 
	3:45 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	8 Fantasiestücke, Op. 12: VII. Traumes-Wirren | 
	 | 
	2:06 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	8 Fantasiestücke, Op. 12: VIII. Ende vom Lied | 
	 | 
	5:20 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
45:31 | 
 | 
 | 
CD 49: Tchaikovsky: Ballet Suites - Swan Lake, Op.20, The Sleeping Beauty, Op.66a & The Nutcracker, Op.71a  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Swan Lake, Op.20 Suite - 1. Scene - Swan Theme | 
	 | 
	3:03 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Swan Lake, Op.20 Suite - 2. Valse in A | 
	 | 
	6:49 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Swan Lake, Op.20 Suite - 3. Danse des petits cygnes | 
	 | 
	1:27 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Swan Lake, Op.20 Suite - 4. Scene | 
	 | 
	6:22 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Swan Lake, Op.20 Suite - 5. Danse Hongroise (Czardas) | 
	 | 
	3:18 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Swan Lake, Op.20 Suite - 6. Scène finale. | 
	 | 
	4:26 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	The Sleeping Beauty, Suite, Op.66a - Introduction - The Lilac Fairy | 
	 | 
	4:33 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	The Sleeping Beauty, Suite, Op.66a - Pas d'action: Rose Adagio | 
	 | 
	5:43 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	The Sleeping Beauty, Suite, Op.66a - Pas de caractère: Puss in Boots | 
	 | 
	1:41 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	The Sleeping Beauty, Suite, Op.66a - Panorama (andantino) | 
	 | 
	3:39 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	The Sleeping Beauty, Suite, Op.66a - Valse | 
	 | 
	4:33 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Nutcracker Suite, Op.71a - 1. Miniature Overture | 
	 | 
	3:04 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Nutcracker Suite, Op.71a - March | 
	 | 
	2:26 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Nutcracker Suite, Op.71a - Dance of the Sugar-Plum Fairy | 
	 | 
	2:06 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	Nutcracker Suite, Op.71a - Russian Dance (Trepak) | 
	 | 
	1:10 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	Nutcracker Suite, Op.71a - Arabian Dance (Coffee) | 
	 | 
	3:46 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	Nutcracker Suite, Op.71a - Chinese Dance (Tea) | 
	 | 
	1:14 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	Nutcracker Suite, Op.71a - Dance of the Reed-Flutes | 
	 | 
	2:35 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	Nutcracker Suite, Op.71a - 3. Waltz of the Flowers | 
	 | 
	6:45 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
68:40 | 
 | 
 | 
CD 50: Paganini for Two  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Sonata concertata per chitarra e violino in A major, M.S. 2: I. Allegro spiritoso | 
	 | 
	7:51 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Sonata concertata per chitarra e violino in A major, M.S. 2: II. Adagio, assai espressivo | 
	 | 
	3:43 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Sonata concertata per chitarra e violino in A major, M.S. 2: III. Rondeau. Allegretto con brio, scherzando | 
	 | 
	2:46 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: I. Larghetto | 
	 | 
	2:00 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 1: II. Presto variato - variazione | 
	 | 
	1:21 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: I. Andante largo | 
	 | 
	3:02 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 4: II. Allegretto | 
	 | 
	1:30 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: I. Andante | 
	 | 
	2:33 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Sei sonate per violino e chitarra, M.S. 27 Op. 3, No. 6 in E minor: II. Allegro vivo e spiritoso - minore | 
	 | 
	1:58 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Grand sonata per chitarra e violino in A major, M.S. 109: Romance - Più tosto Largo, Amorosamente | 
	 | 
	4:33 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: I. Adagio cantabile | 
	 | 
	2:49 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 2 in D major: II. Rondoncino. Andantino, Tempo di polacca - minore | 
	 | 
	4:12 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: I. Adagio cantabile | 
	 | 
	2:39 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Centone di sonate per violino e chitarra , M.S. 112 Lettera A, Sonata No. 4 in A major: II. Rondo. Andantino. Allegretto - minore - maggiore | 
	 | 
	5:56 | 
	 | 
	 | 
	
	| 15 | 
	 | 
	Cantabile per violino e chitarra (pianoforte) in D major, M.S. 102 | 
	 | 
	3:48 | 
	 | 
	 | 
	
	| 16 | 
	 | 
	Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): I. Introduction. Allegro | 
	 | 
	2:47 | 
	 | 
	 | 
	
	| 17 | 
	 | 
	Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IIa. Thème. Tempo alla Marcia | 
	 | 
	1:09 | 
	 | 
	 | 
	
	| 18 | 
	 | 
	Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IIb. Variation I. | 
	 | 
	0:58 | 
	 | 
	 | 
	
	| 19 | 
	 | 
	Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IIc. Variation II. Vigoroso | 
	 | 
	1:13 | 
	 | 
	 | 
	
	| 20 | 
	 | 
	Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): IId. Variation III. | 
	 | 
	0:34 | 
	 | 
	 | 
	
	| 21 | 
	 | 
	Sonata a preghiera per violino IV corda e chitarra in F minor, M.S. 23 (Lars Hannibal guitar transcription version): III. Finale | 
	 | 
	0:36 | 
	 | 
	 | 
	
	| 22 | 
	 | 
	Allegro vivace a movimento perpetuo per violino e chitarra in C major, M.S. 72 Op. 11 (Lars Hannibal revised guitar part version) | 
	 | 
	3:17 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
61:15 | 
 | 
 | 
CD 51: Opera Choruses  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Die Zauberflöte: O Isis und Osiris, welche Wonne! | 
	 | 
	3:27 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Fidelio: O welche Lust, in freier Luft den Atem leicht zu heben! | 
	 | 
	9:07 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Der Freischütz: Was gleicht wohl auf Erden dem Jägervergnügen? | 
	 | 
	2:51 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Der Freischütz: Victoria! Der Meister soll leben | 
	 | 
	1:24 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Tannhäuser: Freudig begrüßen wir die edle Halle | 
	 | 
	8:57 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Nabucco: Coro: Introduzione - "Va pensiero, sull'ali dorate" | 
	 | 
	5:00 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	I Lombardi: Coro: "O signore, dal tetto natio" | 
	 | 
	5:07 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Macbeth: Coro di Profughi Scozzesi: "Patria oppressa" | 
	 | 
	7:26 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Il trovatore: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | 
	 | 
	2:47 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Aida: Gloria all'Egitto | 
	 | 
	5:11 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Aida: Vieni, o guerriero vindice | 
	 | 
	2:34 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
53:50 | 
 | 
 | 
CD 52: Rita Streich singt Opern-Arien  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Idomeneo, re di Creta, K. 366: Act III: "Zeffiretti lusinghieri" | 
	 | 
	4:54 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Die Zauberflöte, K. 620: Act II. "Der Hölle Rache kocht in meinem Herze" | 
	 | 
	3:06 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Semiramide: Act I. "Bel raggio lusinghier" | 
	 | 
	6:33 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Don Pasquale: Act I. Quel guardo di cavaliere ... So anch'io la virtù magica | 
	 | 
	6:49 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Der Freischütz: Act I. "Kommt ein schlanker Bursch gegangen" | 
	 | 
	3:45 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Rigoletto: Act I. Gualtier Maldè...Caro nome | 
	 | 
	6:11 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Un ballo in maschera: Act I. "Volta la terrea" | 
	 | 
	2:07 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Un ballo in maschera: Act III. "Saper vorreste" | 
	 | 
	1:57 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	I vespri siciliani: Act V. "Mercè, dilette amiche" | 
	 | 
	3:57 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Les Huguenots: Act I. "Nobles seigneurs, salut" | 
	 | 
	3:44 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Mignon: Act II. "Oui, pour ce soir je suis reine des fées" | 
	 | 
	5:47 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	La Bohème: Act II. "Quando m'en vo" | 
	 | 
	2:22 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
51:12 | 
 | 
 | 
CD 53: Bryn Terfel: Opera Arias  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Le nozze de Figaro: "Non piu andrai, farfallone amoroso" | 
	 | 
	3:49 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Don Giovanni: "Deh vieni alla finestra" | 
	 | 
	2:07 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Don Giovanni: "Madamina, il catalogo e questo" | 
	 | 
	5:35 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Così fan tutte: "Rivolgete a lui lo sguardo" | 
	 | 
	4:52 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Die Zauberflöte: "Der Vogelfänger bin ich ja" | 
	 | 
	2:53 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Tannhäuser: "Wie Todesahnung Dämmrung deckt die Lande...O du mein holder Abendstern" | 
	 | 
	5:53 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Der fliegende Holländer: "Die Frist ist um" | 
	 | 
	11:53 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Les Contes d"Hoffmann: "Allez!...Pour te livrer combat...Seintille, diamant" | 
	 | 
	3:43 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Faust: "Vous qui faites l"endormie" | 
	 | 
	3:00 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Prince Igor: "Ni sna ni otdyeha izmueenoj duse" | 
	 | 
	8:10 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Don Pasquale: "Bella siccome un angelo" | 
	 | 
	2:56 | 
	 | 
	 | 
	
	| 12 | 
	 | 
	La Cenerentola: "Miei rampolli femminini" | 
	 | 
	5:37 | 
	 | 
	 | 
	
	| 13 | 
	 | 
	Macbeth: "Perfidi! All"anglo contra me v"unite!" | 
	 | 
	5:23 | 
	 | 
	 | 
	
	| 14 | 
	 | 
	Falstaff: "Ehi! paggio!...L"Onore!" | 
	 | 
	4:32 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
70:23 | 
 | 
 | 
CD 54: Sonatas & Etudes  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Piano Sonata No. 2 in B-flat minor, Op. 35: I. Grave - doppio movimento | 
	 | 
	7:50 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Piano Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo - più lento - tempo I | 
	 | 
	6:48 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Piano Sonata No. 2 in B-flat minor, Op. 35: II. Marche funèbre. Lento | 
	 | 
	8:25 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Piano Sonata No. 2 in B-flat minor, Op. 35: IV. Finale. Presto | 
	 | 
	1:28 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	6 etudes pour piano, premier livre: Etude n. 4 "Fanfares" | 
	 | 
	3:40 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Piano Sonata No. 2, in G-sharp minor, Op. 19 "Sonata Fantasy": I. Andante | 
	 | 
	8:18 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Piano Sonata No. 2, in G-sharp minor, Op. 19 "Sonata Fantasy": II. Presto | 
	 | 
	4:01 | 
	 | 
	 | 
	
	| 8 | 
	 | 
	Etude No. 10 "Der Zauberlehring" | 
	 | 
	2:14 | 
	 | 
	 | 
	
	| 9 | 
	 | 
	Piano Sonata in B minor, S. 178: Lento assai - allegro energico - grandioso - recitativo | 
	 | 
	12:23 | 
	 | 
	 | 
	
	| 10 | 
	 | 
	Piano Sonata in B minor, S. 178: Andante sostenuto | 
	 | 
	7:44 | 
	 | 
	 | 
	
	| 11 | 
	 | 
	Piano Sonata in B minor, S. 178: Allegro energico - andante sostenuto - lento assai | 
	 | 
	11:04 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
73:55 | 
 | 
 | 
CD 55: Rodrigo: Concierto de Aranjuez  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito | 
	 | 
	6:07 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Concierto de Aranjuez for Guitar and Orchestra: II. Adagio | 
	 | 
	11:15 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile | 
	 | 
	5:16 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Fantasía para un gentilhombre for Guitar and Small Orchestra: I. Villano y Ricercare. Adagietto - andante moderato | 
	 | 
	4:56 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Fantasía para un gentilhombre for Guitar and Small Orchestra: II. Españoleta y Fanfare de la Caballería de Nápoles. Adagio - allegretto molto ritmico | 
	 | 
	9:40 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Fantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas. Allegro con brio | 
	 | 
	2:08 | 
	 | 
	 | 
	
	| 7 | 
	 | 
	Fantasía para un gentilhombre for Guitar and Small Orchestra: IV. Canario. Allegro ma non troppo | 
	 | 
	4:58 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
44:20 | 
 | 
 | 
CD 56: Chopin: Ballades; Barcarolle; Fantaisie  | 
		
		| # | 
		   | 
		Title | 
		   | 
		Time | 
		   | 
		Info   | 
		
		 | 
	| 1 | 
	 | 
	Ballade No. 1 in G minor, Op. 23 | 
	 | 
	9:33 | 
	 | 
	 | 
	
	| 2 | 
	 | 
	Ballade No. 2 in F, Op. 38 | 
	 | 
	7:43 | 
	 | 
	 | 
	
	| 3 | 
	 | 
	Ballade No. 3 in A flat, Op. 47 | 
	 | 
	7:25 | 
	 | 
	 | 
	
	| 4 | 
	 | 
	Ballade No. 4 in F minor, Op. 52 | 
	 | 
	11:54 | 
	 | 
	 | 
	
	| 5 | 
	 | 
	Barcarolle in F sharp, Op. 60 | 
	 | 
	8:54 | 
	 | 
	 | 
	
	| 6 | 
	 | 
	Fantaisie in F minor, Op. 49 | 
	 | 
	14:00 | 
	 | 
	 | 
	
 | 
 | 
 | 
Total time | 
 | 
59:29 | 
 | 
 | 
 
  | 
| 
  
  | 
| 
 |