|
CD 1: 1642-1771 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Ascanio in Alba: Overture |
|
3:30 |
|
|
| 2 |
|
Xerxes: Act 1. Recitative "Frondi tenere" - Larghetto "Ombra mai fù" |
|
3:14 |
|
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| 3 |
|
Cleofide: Duet "Se mai più sarò geloso" (Cleofide, Poro) |
|
5:35 |
|
|
| 4 |
|
Orpheus and Euridice: Dance of the Blessed Spirits |
|
7:27 |
|
|
| 5 |
|
Julius Caesar: Act 1. Aria "Va tacito e nascosto" (Caesar) |
|
5:55 |
|
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| 6 |
|
Paride ed Elena: Act 1. Chorus - Aria "Non sdegnare, o bella Venere" (Paris) |
|
6:16 |
|
|
| 7 |
|
Rinaldo: Act 3. Aria "Or la tromba in suon festante" (Rinaldo) |
|
4:03 |
|
|
| 8 |
|
L'Incoronazione di Poppea: "Solitudine amata" (Seneca, Mercurio) |
|
14:08 |
|
|
| 9 |
|
Mitridate, Ré di Ponto: Act 1. Aria "Venga pur, minacci e frema" (Farnace) |
|
8:03 |
|
|
| 10 |
|
Dardanus: Act 4. Aria "Voici les tristes lieux que le monstre ravage" (Anténor) |
|
4:53 |
|
|
|
|
|
Total time |
|
63:05 |
|
|
CD 2: 1772-1791 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto |
|
6:11 |
|
|
| 2 |
|
Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester) |
|
3:12 |
|
|
| 3 |
|
Così fan tutte, K. 588: Act I, Scene XII. No. 17 Aria "Un'aura amorosa" (Ferrando) |
|
4:50 |
|
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| 4 |
|
Der Schauspieldirektor, K. 486: Ouverture |
|
4:59 |
|
|
| 5 |
|
La Finta Giardiniera, Act 2: O geh nicht fort und höre mich |
|
6:57 |
|
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| 6 |
|
Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin) |
|
4:24 |
|
|
| 7 |
|
Lucio Silla, K. 135: Ouverture. Allegro molto |
|
8:01 |
|
|
| 8 |
|
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra) |
|
5:04 |
|
|
| 9 |
|
La clemenza di Tito, K. 621: Act II, Scene XII. No. 20 Aria "Se all’impero, amici Dei" (Tito) |
|
5:12 |
|
|
| 10 |
|
Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) |
|
11:14 |
|
|
|
|
|
Total time |
|
60:03 |
|
|
CD 3: 1797-1819 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
The Barber of Seville: Overture |
|
7:47 |
|
|
| 2 |
|
Fidelio: "O welche Lust" (Prisoners' Chorus) |
|
3:47 |
|
|
| 3 |
|
La Donna del Lago: Aria "Tanti affetti" (Elena) |
|
6:10 |
|
|
| 4 |
|
The Italian Girl in Algiers: Overture |
|
9:04 |
|
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| 5 |
|
Moses in Egypt: "Dal tuo stellato soglio" |
|
4:59 |
|
|
| 6 |
|
Abu Hassan: Overture |
|
3:36 |
|
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| 7 |
|
Medea: Act I, Finale. Recitative "Son vane" - Duet "Nemici senza cor" (Medea, Jason) |
|
5:58 |
|
|
| 8 |
|
The Silken Ladder: Overture |
|
6:32 |
|
|
| 9 |
|
Tancredi: Act II. "Dove son io? Ah! che scordar" |
|
5:52 |
|
|
| 10 |
|
The Thieving Magpie: Overture |
|
10:44 |
|
|
|
|
|
Total time |
|
64:29 |
|
|
CD 4: 1820-1831 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Fra Diavolo: Overture |
|
7:44 |
|
|
| 2 |
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Euryanthe: Unter Blüh'nden Mandelbäumen |
|
4:16 |
|
|
| 3 |
|
Guillaume Tell: Soldiers' Dance |
|
5:16 |
|
|
| 4 |
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Der Freischütz: Was gleicht wohl auf Erden "Huntsmen's Chorus" |
|
2:49 |
|
|
| 5 |
|
Semiramide: Overture |
|
13:08 |
|
|
| 6 |
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Norma: Non parti? Finora è al campo |
|
5:36 |
|
|
| 7 |
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Oberon: Overture |
|
8:52 |
|
|
| 8 |
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Preciosa: Im Wald, im Wald "Gypsy Chorus" |
|
3:15 |
|
|
| 9 |
|
Die Zauberharfe: Prelude |
|
10:05 |
|
|
| 10 |
|
I Capuleti e i Montecchi: Overture |
|
5:11 |
|
|
|
|
|
Total time |
|
66:13 |
|
|
CD 5: 1832-1843 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Ruslan and Ludmila: Overture |
|
5:29 |
|
|
| 2 |
|
Nabucco: "Va, pensiero, sull'ali dorate" (Prisoners' Chorus) |
|
5:17 |
|
|
| 3 |
|
Zar und Zimmerman: "Greifet an und rührt die Hände" - Clog Dance |
|
10:02 |
|
|
| 4 |
|
Das Nachtlager von Granada: "Schon die Abendglocken Glangen" |
|
3:10 |
|
|
| 5 |
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Lucia di Lammermoor: Act 2. Sextet "Chi mi frena" |
|
7:56 |
|
|
| 6 |
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L'elisir d'amore: Aria "Una furtiva lagrima" (Nemorino) |
|
4:53 |
|
|
| 7 |
|
Don Pasquale: Act 3. "Che interminabile andirivieni!" (Servants' Chorus) |
|
4:02 |
|
|
| 8 |
|
Linda di Chamounix: Act 1. Recitative and Cavatina "Ah! tardai troppo... O luce di quest' anima" (Linda) |
|
6:01 |
|
|
| 9 |
|
A Life for the Tsar: Polonaise |
|
4:20 |
|
|
| 10 |
|
Rienzi: Overture |
|
12:51 |
|
|
|
|
|
Total time |
|
64:02 |
|
|
CD 6: 1843-1850 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Tannhäuser: "Freudig begrüßen wir die edle Halle" |
|
6:16 |
|
|
| 2 |
|
The Merry Wives of Windsor: "O süßer Mond" |
|
3:39 |
|
|
| 3 |
|
Ernani: "E viva" |
|
3:52 |
|
|
| 4 |
|
I Masnadieri: Overture |
|
6:00 |
|
|
| 5 |
|
Macbeth: Act 4. Aria "Perfidi! All'anglo contra me v'unite!" (Macbeth) - Chorus "Patria oppressa" |
|
11:37 |
|
|
| 6 |
|
I Lombardi: "Jerusalem! Jerusalem!" (Crusaders' Chorus) |
|
5:14 |
|
|
| 7 |
|
The Damnation of Faust: Sylphs' Dance |
|
2:24 |
|
|
| 8 |
|
Martha: "Mädchen brav und treu" (Peasants' Chorus) |
|
2:49 |
|
|
| 9 |
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Lohengrin: Act 3. Prelude - Chorus "Treulich geführt ziehet dahin" |
|
9:26 |
|
|
| 10 |
|
The Flying Dutchman: Overture |
|
9:51 |
|
|
|
|
|
Total time |
|
61:08 |
|
|
CD 7: 1851-1865 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
The Force of Destiny: Overture |
|
8:05 |
|
|
| 2 |
|
La Traviata: Act 1. "Libiamo ne' lieti calici" (Brindisi) |
|
3:10 |
|
|
| 3 |
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Rigoletto: Aria "Caro nome" (Gilda) |
|
7:21 |
|
|
| 4 |
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Il Trovatore: "Vedi! le fosche notturne" (Gypsies' Chorus) |
|
3:13 |
|
|
| 5 |
|
The Sicilian Vespers: Overture |
|
8:44 |
|
|
| 6 |
|
Simon Boccanegra: Act 1, Finale. "Plebe! Patrizi! Populo" (Doge's Address) - Sextet "Piango su voi" |
|
5:44 |
|
|
| 7 |
|
Un Ballo in Maschera: Act 2. Prelude |
|
2:23 |
|
|
| 8 |
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The Pearl Fishers: Duet "Au fond du temple saint" (Nadir, Zurga) |
|
4:59 |
|
|
| 9 |
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Faust: "Le veau d'or" |
|
2:11 |
|
|
| 10 |
|
Tristan und Isolde: Prelude and Liebestod |
|
15:53 |
|
|
|
|
|
Total time |
|
61:43 |
|
|
CD 8: 1866-1876 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
The Bartered Bride: Overture |
|
6:38 |
|
|
| 2 |
|
Don Carlos, Act 4: Sire! soggetta è a voi |
|
5:22 |
|
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| 3 |
|
Aida, Act 2: Gloria all' Egitto |
|
12:54 |
|
|
| 4 |
|
Carmen: Intermezzo / Votre toest |
|
7:38 |
|
|
| 5 |
|
Boris Gudunov: Boris's Scene |
|
3:24 |
|
|
| 6 |
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Die Meistersinger, Act 3: Wach auf, es nahet gen den Tag |
|
5:46 |
|
|
| 7 |
|
The Rhinegold: Entrance of the Gods at Valhalla |
|
7:36 |
|
|
| 8 |
|
The Valkyrie: Ride of the Valkyries |
|
5:20 |
|
|
| 9 |
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Siegfried: Hoho! Hohei! Schmiede, mein Hammer |
|
6:22 |
|
|
| 10 |
|
Twilight of the Gods: Siegfried's Death and Funeral March |
|
6:55 |
|
|
|
|
|
Total time |
|
67:55 |
|
|
CD 9: 1876-1892 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Eugene Onegin, Op. 24: Polonaise |
|
4:49 |
|
|
| 2 |
|
Cavalleria Rusticana: Regina Coeli... Inneggiamo, il Signor non è morto |
|
8:06 |
|
|
| 3 |
|
Les contes d'Hoffmann: Belle nuit, o nuit d'amour |
|
3:33 |
|
|
| 4 |
|
Pagliacci: I zampognari! |
|
4:51 |
|
|
| 5 |
|
La Gioconda: Dance of the Hours |
|
9:38 |
|
|
| 6 |
|
Parsifal: Geleiten wir im bergenden Schrein |
|
3:29 |
|
|
| 7 |
|
Otello: Mia madre aveva una povera ancella... Ave maria |
|
13:22 |
|
|
| 8 |
|
Queen of Spades, Op. 68: Ball Scene |
|
2:28 |
|
|
| 9 |
|
Khovanshchina: Dance of the Persian Slaves |
|
7:11 |
|
|
| 10 |
|
Prince Igor: Polovtsian Dances |
|
10:55 |
|
|
|
|
|
Total time |
|
68:22 |
|
|
CD 10: 1892-1926 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Tosca, Act 1: Tre sbirri, una carozza / Te Deum |
|
6:05 |
|
|
| 2 |
|
Thaïs: Meditation |
|
5:10 |
|
|
| 3 |
|
Manon Lescaut: Donna non vidi mai |
|
2:29 |
|
|
| 4 |
|
Suor Angelica: Intermezzo |
|
3:56 |
|
|
| 5 |
|
Madama Butterfly, Act 1: Viene la sera |
|
14:00 |
|
|
| 6 |
|
Werther, Act 3: Qui m'aurait dit / Des crix joyeux |
|
7:52 |
|
|
| 7 |
|
Tsar Saltan: Flight of the Bumble Bee / Hail, Tsarevich |
|
7:11 |
|
|
| 8 |
|
La Wally, Act 1: Ebben, ne andro lontana |
|
3:39 |
|
|
| 9 |
|
La Bohème, Act 1: Che gelida manina / Si, mi chiamano Mimi |
|
9:31 |
|
|
| 10 |
|
Turandot: Nessun dorma |
|
2:60 |
|
|
|
|
|
Total time |
|
62:53 |
|
|
|
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|
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|
