Dick Grove
Arranging Concepts Complete
1972
arranging book

#    Title    Time    Info  
1 Introduction 0:51
2 Ex. #302 Melodic Development 0:42
3 Ex. #316 - #318 Blues And Modal Counterpoint 0:49
4 Ex. #320 Blues And Modal Counterpoint 0:17
5 Ex. #321 Harmonic Implications 0:43
6 Ex. #331 Parallel Motion 0:21
7 Ex. #333 - #334 Contrary Motion 0:39
8 Ex. #339 - #341 7 -3 Voiceleading 1:11
9 Ex. #342 - #343 Addtition Of The Other Tones 0:49
10 Ex. #362 - #363 Harmonisation Of The New Bass Line 1:01
11 Ex. #364 - #365 Minor Key Areas 0:47
12 Ex. #366 Pedal Point 0:22
13 Ex. #370 Ostinato 0:18
14 Ex. #384 - #386 Types Of Modulation 1:20
15 Ex. #387 - #389 Types Of Modulation 0:56
16 Ex. #390 - #392 Types Of Modulation 1:05
17 Ex #393 Types Of Modulation 0:28
18 Ex #396 Types Of Modulation 0:22
19 Ex #398 Endings Or Tag Endings 0:37
20 Ex #399 - #400 Endings Or Tag Endings 1:04
21 Ex. #401 - #402 Endings Or Tag Endings 0:53
22 Ex. #403 - #404 Endings Or Tag Endings 0:56
23 Ex. #420 One Part Density 0:22
24 Ex. #421 Melodic Overlap - Lead Sheet 0:30
25 Ex. #422 Melodic Overlap 0:30
26 Ex. #425 - #429 Melodic Couplings 1:21
27 Ex. #430 - #431 Repeated Chord Tones Against The Melody 0:36
28 Ex. #432 Repeated Chord Tones Against The Melody 0:17
29 Ex. #439 Arranging Rock Music For Records 0:21
30 Ex. #440 Substitution Notes 0:22
31 Ex. #441 - #443 Substitution Notes 0:50
32 Ex. #457 Substitution Notes 0:23
33 Ex. #466 - #467 Chord Tones, Passing And Neighboring Tones 0:42
34 Ex. #470 Adjacent Alternating Diatonic Triads 0:19
35 Ex. #471 Adjacent Alternating Diatonic Triads 0:21
36 Ex. #478 Chromatic Triads 0:41
37 Ex. #480 Chomatic Triads 0:16
38 Ex.. #490 - #493 Fourths Applied To Melodic Couplings 1:00
39 Ex. #494 - #496 Diatonic Open 4th 1:02
40 Ex. #497 - #499 Chromatic Parallel Closed And Open Fourth 0:57
41 Ex. #521 Four Part Density In Open And Closed Position 0:22
42 Ex. #522 - #523 Four Part Density In Open And Closed Position 0:35
43 Ex. #525 - #426 Four Part Density In Open And Closed Position 0:31
44 Ex. #528 Four Part Density In Open And Closed Position 0:24
45 Ex. #535 Implying 4, 6 And 7 Part Harmony With Four Pitches 0:35
46 Ex. #538 4th Structures In Open Positions 0:23
47 Ex. #540 Diatonic Closed 5th Clusters 0:28
48 Ex. #543 Chromatic Closed 5th Clusters 0:24
49 Ex. #549 Mixing One, Twao, Three And Four Part Densitiy 0:36
50 Ex. #552 - #555 Inversions Of Five Part Chords 0:31
51 Table 24 Special Five Part Voicings 4:15
52 Ex. #592 Applying Plural Chord Relationships 0:19
53 Ex, #593 Six, Seven And Eight Part Diatonic Clusters 0:19
54 Ex, #594 Six, Seven And Eight Part Diatonic Clusters 0:33
55 Ex, #595 Six, Seven And Eight Part Diatonic Clusters 0:30
56 Ex. #597 Instrumental Families 0:21
57 Ex. #598 Instrumental Families 0:20
58 Ex. #599 Instrumental Families 0:17
59 Ex. #600 Instrumental Families 0:16
60 Ex. #601 Instrumental Families 0:22
61 Ex. #602 Instrumental Families 0:19
62 Ex. #603 Instrumental Families 0:23
63 Ex. #604 Instrumental Families 0:19
64 Ex. #605 Instrumental Families 0:22
65 Ex. #606 Instrumental Families 0:29
66 Ex. #607 Instrumental Families 0:21
67 Ex. #608 Instrumental Families 0:14
68 Ex. #609 Instrumental Families 0:17
69 Ex. #610 Instrumental Families 0:18
70 Ex. #611 Instrumental Families 0:16
71 Ex. #612 Instrumental Families 0:18
72 Ex. #613 Instrumental Families 0:15
73 Ex. #614 Instrumental Families 0:17
74 Ex. #615 Instrumental Families 0:17
75 Ex. #616 Instrumental Families 0:15
76 Ex. #617 Instrumental Families 0:14
77 Ex. #618 Instrumental Families 0:44
78 Ex. #619 Instrumental Families 0:18
79 Ex. #620 Instrumental Families 0:16
80 Ex. #621 Instrumental Families 0:17
81 Ex. #622 Instrumental Families 0:22
82 Ex. #623 Instrumental Families 0:15
83 Ex. #624 Instrumental Families 0:15
84 Ex. #625 Instrumental Families 0:16
85 Ex. #626 Instrumental Families 0:16
86 Ex. #627 Instrumental Families 0:20
87 Ex. #628 Instrumental Families 0:17
88 Ex. #629 Instrumental Families 0:23
89 Ex. #630 Instrumental Families 0:17
90 Ex. #631 Instrumental Families 0:19
91 Ex. #632 Instrumental Families 0:19
92 Ex. #644 New Composition Forms 0:31
93 Appendix - Scuffle 6:14
94 Epilog 1:07
Total time 55:32