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Various
Fundamentals of Music, Third Edition- Earl Henry
1999
classical
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# |
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Title |
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Time |
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Info |
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1 |
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Introduction |
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0:13 |
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2 |
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RE 1: Octaves |
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0:17 |
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3 |
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RE 2: Ear Training, Fragments of 3 Pitches |
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1:53 |
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4 |
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RE 2: Ear Training, Fragments of 4 Pitches |
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1:28 |
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5 |
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RE 3: Ear Training, Half Steps |
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3:15 |
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6 |
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RE 3: Ear Training, Whole Steps |
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3:22 |
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7 |
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RE 3: Ear Training, Whole and Half Steps |
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3:05 |
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8 |
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RE 4: Melody in Triple Meter |
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0:20 |
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9 |
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RE 5: Melody in Duple Meter |
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0:25 |
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10 |
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RE 6: Duple and Quadruple Meter |
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0:38 |
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11 |
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RE 7: Simple Beat Division |
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0:34 |
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12 |
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RE 8: Simple Beat Subdivision |
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0:32 |
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13 |
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RE 9: Counting Rhythms in Simple Meters, Counting the Beat |
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1:15 |
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14 |
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RE 9: Counting Rhytms in Simple Meters, Counting Syllables for t... |
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0:26 |
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15 |
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RE 9: Counting Rhythms in Simple Meters, Counting Syllables for |
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0:39 |
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16 |
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RE 10: Syncopation |
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0:27 |
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17 |
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RE 11: Duple-compound Meter |
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0:29 |
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18 |
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RE 12: Counting Syllables in Compound Meters |
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0:33 |
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19 |
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RE 12: Counting Syllables in Compound Meters, Rests and Ties |
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0:43 |
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20 |
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RE12: Counting Syllables in Compound Meters, Compound Beat Subdi... |
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0:24 |
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21 |
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RE 13: Borrowed Division |
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0:17 |
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22 |
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RE 14: Counting Syllables for the Borrowed Division |
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0:48 |
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23 |
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RE 15: Major Scale and Melody |
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0:41 |
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24 |
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RE 16: Major and Minor Modes |
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0:33 |
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25 |
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RE 16: Major and Minor Modes, Major and Minor Melodies |
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0:36 |
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26 |
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RE 17: Major and Minor Patterns |
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3:23 |
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27 |
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RE 18: Perfect Intervals |
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0:48 |
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28 |
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RE 18: Perfect Intervals, Interval Qualities Compared |
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0:49 |
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29 |
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RE 18: Perfect Intervals, Augmented/Diminished Intervals |
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0:47 |
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30 |
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RE 19: Major and Altered Major Intervals, Seconds |
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0:55 |
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31 |
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RE 19: Major and Altered Major Intervals, Thirds |
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0:40 |
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32 |
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RE 19: Major and Altered Major Intervals, Sixths |
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0:57 |
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33 |
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RE 19: Major and Altered Major Intervals, Sevenths |
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0:55 |
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34 |
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RE 20: Identifying Interval Quality, Major/Minor Thirds |
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2:39 |
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35 |
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RE 20: Identifying Interval Quality, Perfect Fourths/Fifths |
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2:20 |
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36 |
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RE 20: Identifying Interval Quality, All Intervals Studied |
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2:37 |
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37 |
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RE 21: The Minor Scale |
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0:25 |
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38 |
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RE 22: Major and Minor Scales Compared |
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1:05 |
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39 |
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RE 23: Leading Tone and Subtonic Compared |
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0:39 |
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40 |
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RE 24: Natural and Harmonic Minor Scales |
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0:50 |
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41 |
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RE 25: Harmonic and Melodic Minor Scales |
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0:44 |
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42 |
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RE 26: Hearing Major and Minor Mode |
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3:31 |
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43 |
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RE 26: Hearing Major and Minor Mode, Leading Tone and Subtonic |
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2:19 |
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44 |
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RE 27: Major and Minor Triads, Melodic |
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0:50 |
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45 |
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RE 27: Major and Minor Triads, Harmonic Triads |
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0:37 |
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46 |
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RE 28: Diminished and Augmented Triads, Arpeggiated |
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0:47 |
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47 |
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RE 28: Diminished and Augmented Triads, Harmonic |
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0:39 |
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48 |
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RE 28: Diminished and Augmented Triads, All Qualities |
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1:10 |
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49 |
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RE 29: Recognizing Triad Quality |
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4:21 |
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50 |
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RE 30: Root-position and Inverted Triads |
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0:58 |
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51 |
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RE 31: Root-position and Inverted Major and Minor Triads |
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3:22 |
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52 |
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RE 31: Root-position and Inverted Major and Minor Triads, Root-p... |
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0:36 |
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53 |
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RE 32: Phrase Based on Three Different Chords |
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0:23 |
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54 |
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RE 32: Phrase Based on Three Different Chords, Harmonic Basis of... |
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0:32 |
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55 |
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RE 33: Sounds and Symbols in Major |
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0:33 |
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56 |
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RE 33: Sounds and Symbols in Major, Version in Minor |
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0:27 |
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57 |
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RE 34: Tendency Tones, First Phrase |
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0:23 |
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58 |
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RE 34: Tendency Tones, Second Phrase |
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0:13 |
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59 |
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RE 34: Tendency Tones, Third and Fourth Phrases |
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0:19 |
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60 |
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RE 34: Tendency Tones, Complete Melody |
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0:34 |
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61 |
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RE 35: The Tritone |
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1:00 |
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62 |
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RE 36: The Dominant Seventh Chord |
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0:43 |
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63 |
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RE 36: The Dominant Seventh Chord, Chords and Resolutions |
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0:42 |
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64 |
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RE 37: Half and Authentic Cadences |
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0:27 |
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65 |
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RE 37: Half and Authentic Cadences, Deceptive and Authentic Cade... |
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0:29 |
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66 |
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RE 37: Half and Authentic Cadences, Plagal Cadences |
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0:24 |
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67 |
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RE 38: Major Modes |
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0:47 |
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68 |
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RE 38, Major Modes, Minor Modes |
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1:00 |
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69 |
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RE 39: Pentatonic Scales and Melodies |
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1:50 |
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70 |
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RE 40: Whole-tone Scale and Melody |
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0:49 |
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Total time |
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73:46 |
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