|
Digital Media 1 |
| # |
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Title |
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Time |
|
Info |
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| 1 |
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Keyboard sonata, No. 24 in, D minor (Andantino cantabile) |
|
8:50 |
|
|
| 2 |
|
Keyboard sonata, No. 84 in, D major (Allegro) |
|
3:19 |
|
|
| 3 |
|
Keyboard sonata, No. 85 in F-sharp minor |
|
5:12 |
|
|
| 4 |
|
Keyboard sonata, No. 89 in F major |
|
3:21 |
|
|
| 5 |
|
Keyboard sonata, No. 90 in F-sharp major |
|
5:20 |
|
|
| 6 |
|
Keyboard sonata, No. 21 in C-sharp minor (Allegro) |
|
5:35 |
|
|
| 7 |
|
Keyboard sonata, No. 87 in G minor |
|
5:37 |
|
|
| 8 |
|
Keyboard sonata, No. 88 in D-flat major |
|
4:24 |
|
|
| 9 |
|
6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: Preludio |
|
2:05 |
|
|
| 10 |
|
6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: I. Añoranza |
|
2:47 |
|
|
| 11 |
|
6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: II. Ecos de la parranda |
|
3:48 |
|
|
| 12 |
|
6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: III. Vascongada |
|
3:28 |
|
|
| 13 |
|
6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: IV. Marcha oriental |
|
3:35 |
|
|
| 14 |
|
6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: V. Zambra |
|
5:20 |
|
|
| 15 |
|
6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: VI. Zapateado |
|
4:27 |
|
|
|
|
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Total time |
|
67:08 |
|
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Digital Media 2 |
| # |
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Title |
|
Time |
|
Info |
|
| 1 |
|
Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Primera parte: I. Los requiebros |
|
8:22 |
|
|
| 2 |
|
Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Primera parte: II. Coloquio en la reja |
|
10:21 |
|
|
| 3 |
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Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Primera parte: III. El fandango de candil |
|
5:30 |
|
|
| 4 |
|
Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Primera parte: IV. Quejas, o la maja y el ruiseñor |
|
6:23 |
|
|
| 5 |
|
Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Segunda parte: V. El amor y la muerte (Balada) |
|
12:22 |
|
|
| 6 |
|
Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Segunda parte: VI. Epílogo (Serenata del espectro) |
|
7:36 |
|
|
| 7 |
|
El pelele, for piano, H. 106, DLR 2:5 |
|
4:20 |
|
|
| 8 |
|
Iberia suite, for piano, B. 47: Primer cuaderno: I. Evocación |
|
5:35 |
|
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| 9 |
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Iberia suite, for piano, B. 47: Primer cuaderno: II. El puerto |
|
4:08 |
|
|
| 10 |
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Iberia suite, for piano, B. 47: Primer cuaderno: III. Corpus Christi en Sevilla |
|
8:05 |
|
|
|
|
|
Total time |
|
72:42 |
|
|
Digital Media 3 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Iberia suite, for piano, B. 47: Segundo cuaderno: I. Rondeña |
|
7:09 |
|
|
| 2 |
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Iberia suite, for piano, B. 47: Segundo cuaderno: II. Almería |
|
9:01 |
|
|
| 3 |
|
Iberia suite, for piano, B. 47: Segundo cuaderno: III. Triana |
|
5:15 |
|
|
| 4 |
|
Iberia suite, for piano, B. 47: Tercer cuaderno: I. El Albaicín |
|
6:45 |
|
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| 5 |
|
Iberia suite, for piano, B. 47: Tercer cuaderno: II. El polo |
|
6:44 |
|
|
| 6 |
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Iberia suite, for piano, B. 47: Tercer cuaderno: III. Lavapiés |
|
6:18 |
|
|
| 7 |
|
Iberia suite, for piano, B. 47: Cuarto cuaderno: I. Málaga |
|
4:30 |
|
|
| 8 |
|
Iberia suite, for piano, B. 47: Cuarto cuaderno: II. Jérez |
|
8:41 |
|
|
| 9 |
|
Iberia suite, for piano, B. 47: Cuarto cuaderno: III. Eritaña |
|
5:26 |
|
|
| 10 |
|
Navarra, for piano in A-flat major, B. 49 |
|
5:32 |
|
|
| 11 |
|
Azulejos, for piano, B. 50 |
|
8:30 |
|
|
|
|
|
Total time |
|
73:51 |
|
|
Digital Media 4 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Suite española, No. 1, for piano, Op. 47, B. 7: I. Granada |
|
4:53 |
|
|
| 2 |
|
Suite española, No. 1, for piano, Op. 47, B. 7: II. Cataluña |
|
2:30 |
|
|
| 3 |
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Suite española, No. 1, for piano, Op. 47, B. 7: III. Sevilla |
|
4:37 |
|
|
| 4 |
|
Suite española, No. 1, for piano, Op. 47, B. 7: IV. Cádiz |
|
4:51 |
|
|
| 5 |
|
Suite española, No. 1, for piano, Op. 47, B. 7: V. Aragón |
|
4:05 |
|
|
| 6 |
|
Pavana capricho, for piano in E minor, Op. 12, B.1 |
|
3:32 |
|
|
| 7 |
|
España, 6 album leaves for piano, Op. 165, B. 37: Tango |
|
2:50 |
|
|
| 8 |
|
Recuerdos de viaje, 7 pieces for piano, Op. 71, B. 18: VIII. Rumores de la caleta |
|
3:48 |
|
|
| 9 |
|
Recuerdos de viaje, 7 pieces for piano, Op. 71, B. 18: VI. Puerta de tierra |
|
3:31 |
|
|
| 10 |
|
Cantos de España, 5 pieces for piano, Op. 232, B. 44: Preludio (Asturias) |
|
6:21 |
|
|
| 11 |
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Cantos de España, 5 pieces for piano, Op. 232, B. 44: Oriental |
|
3:28 |
|
|
| 12 |
|
Cantos de España, 5 pieces for piano, Op. 232, B. 44: Bajo la palmera (Cuba) |
|
4:09 |
|
|
| 13 |
|
Cantos de España, 5 pieces for piano, Op. 232, B. 44: Córdoba |
|
6:01 |
|
|
| 14 |
|
Cantos de España, 5 pieces for piano, Op. 232, B. 44: Seguidillas (Castilla) |
|
2:50 |
|
|
| 15 |
|
Suite española, No. 2, for piano, B. 32: Zaragoza |
|
3:46 |
|
|
| 16 |
|
España, 6 album leaves for piano, Op. 165, B. 37: Malagueña |
|
3:50 |
|
|
| 17 |
|
Mallorca, barcarola for piano in F-sharp minor, Op. 202, B. 41 |
|
6:25 |
|
|
| 18 |
|
Zambra granadina (Danse orientale), for piano in D minor, B. 42 |
|
3:19 |
|
|
|
|
|
Total time |
|
74:46 |
|
|
Digital Media 5 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 1 in G |
|
2:52 |
|
|
| 2 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 2 in C minor (Oriental) |
|
4:50 |
|
|
| 3 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 3 in D |
|
3:56 |
|
|
| 4 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 4 in C (Villanesca) |
|
5:30 |
|
|
| 5 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 5 in E minor (Andaluza) |
|
4:12 |
|
|
| 6 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 6 in D (Aragonesa) |
|
3:40 |
|
|
| 7 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 7 in G (Valenciana) |
|
4:41 |
|
|
| 8 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 8 in C |
|
3:18 |
|
|
| 9 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 9 in B flat |
|
4:46 |
|
|
| 10 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 10 in G |
|
4:07 |
|
|
| 11 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 11 in G minor |
|
5:25 |
|
|
| 12 |
|
12 Spanish dances, in 4 volumes for piano, Op. 37, H. 142, DLR 1: No. 12 in A minor |
|
5:25 |
|
|
| 13 |
|
Danza lenta, for piano, H. 44, DLR 1:6 |
|
3:47 |
|
|
| 14 |
|
Allegro de concierto, for piano in C major, Op. 46, H. 6, DLR 5:8 |
|
7:47 |
|
|
| 15 |
|
7 valses poéticos, for piano, H. 147, DLR 7: Introduction - No. 1, Melódico |
|
2:38 |
|
|
| 16 |
|
7 valses poéticos, for piano, H. 147, DLR 7: No. 2, Tempo di vals noble |
|
1:15 |
|
|
| 17 |
|
7 valses poéticos, for piano, H. 147, DLR 7: No. 3, Tempo di vals lento |
|
1:54 |
|
|
| 18 |
|
7 valses poéticos, for piano, H. 147, DLR 7: No. 4, Allegro humorístico - No. 5, Allegretto (Elegante) |
|
1:51 |
|
|
| 19 |
|
7 valses poéticos, for piano, H. 147, DLR 7: No. 6, Quasi ad libitum (Sentimental) |
|
1:23 |
|
|
| 20 |
|
7 valses poéticos, for piano, H. 147, DLR 7: No. 7, Vivo |
|
0:45 |
|
|
| 21 |
|
7 valses poéticos, for piano, H. 147, DLR 7: No. 8, Coda (Presto y tempo del premier vals) |
|
2:07 |
|
|
|
|
|
Total time |
|
76:09 |
|
|
Digital Media 6 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Escenas románticas, 6 pieces for piano, H. 57, DLR 5: I. Mazurca |
|
3:05 |
|
|
| 2 |
|
Escenas románticas, 6 pieces for piano, H. 57, DLR 5: II. Recitativo - Berceuse |
|
4:15 |
|
|
| 3 |
|
Escenas románticas, 6 pieces for piano, H. 57, DLR 5: III. *** (El poeta y el ruiseñor) |
|
4:34 |
|
|
| 4 |
|
Escenas románticas, 6 pieces for piano, H. 57, DLR 5: IV. Allegretto (Pequeña danza) |
|
0:58 |
|
|
| 5 |
|
Escenas románticas, 6 pieces for piano, H. 57, DLR 5: V. Epílogo (Allegro appassionato - Andantino spianato) |
|
8:52 |
|
|
| 6 |
|
4 Spanish pieces, for piano, G. 37: Aragonesa |
|
3:12 |
|
|
| 7 |
|
4 Spanish pieces, for piano, G. 37: Cubana |
|
3:54 |
|
|
| 8 |
|
4 Spanish pieces, for piano, G. 37: Montañesa |
|
4:12 |
|
|
| 9 |
|
4 Spanish pieces, for piano, G. 37: Andaluza |
|
4:17 |
|
|
| 10 |
|
Danza española, for orchestra (From "La vida breve") |
|
4:21 |
|
|
| 11 |
|
El sombrero de tres picos, suite from the ballet for piano: Danza de los vecinos |
|
3:17 |
|
|
| 12 |
|
El sombrero de tres picos, suite from the ballet for piano: Danza de la molinera |
|
3:56 |
|
|
| 13 |
|
Ritual fire dance, for orchestra (From "El amor brujo") |
|
2:18 |
|
|
| 14 |
|
Fantasía baetica, for piano, G. 55 |
|
11:37 |
|
|
| 15 |
|
La vega, fantaisie espagnole for piano, B. 46 (For the incomplete suite, "Alhambra") |
|
13:39 |
|
|
|
|
|
Total time |
|
76:27 |
|
|
Digital Media 7 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Sanlúcar de Barrameda, sonata pintoresca, for piano, Op. 24: I. En la torre del castillo |
|
6:28 |
|
|
| 2 |
|
Sanlúcar de Barrameda, sonata pintoresca, for piano, Op. 24: II. Siluetas de la calzada |
|
3:21 |
|
|
| 3 |
|
Sanlúcar de Barrameda, sonata pintoresca, for piano, Op. 24: III. La playa - IV. Los pescadores en Bajo de Guía |
|
11:34 |
|
|
| 4 |
|
Danzas fantásticas, for piano, Op. 22: I. Exaltación |
|
4:46 |
|
|
| 5 |
|
Danzas fantásticas, for piano, Op. 22: II. Ensueño |
|
6:12 |
|
|
| 6 |
|
Danzas fantásticas, for piano, Op. 22: III. Orgía |
|
4:46 |
|
|
| 7 |
|
Zapateado, for piano (Danzas andaluzas, No. 3), Op. 8/3 |
|
4:09 |
|
|
| 8 |
|
Sacromonte, for piano (Danzas gitanas, set 1, No. 5), Op. 55/5 |
|
2:02 |
|
|
| 9 |
|
Concierto breve para piano y orquesta: I. Allegro (Enérgico) |
|
10:03 |
|
|
| 10 |
|
Concierto breve para piano y orquesta: II. Andante (Dolce) - III. Allegro (Vivo) |
|
14:15 |
|
|
|
|
|
Total time |
|
67:36 |
|
|
Digital Media 8 |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Acis y Galatea, zarzuela: Confiado jilguerillo |
|
3:29 |
|
|
| 2 |
|
El trípili, for voice & piano |
|
1:47 |
|
|
| 3 |
|
Tonadillas al estilo antiguo, 10 songs for voice & piano, H. 136: La maja de Goya |
|
3:22 |
|
|
| 4 |
|
Tonadillas al estilo antiguo, 10 songs for voice & piano, H. 136: Amor y odio |
|
2:04 |
|
|
| 5 |
|
Tonadillas al estilo antiguo, 10 songs for voice & piano, H. 136: El majo tímido |
|
0:55 |
|
|
| 6 |
|
Tonadillas al estilo antiguo, 10 songs for voice & piano, H. 136: El mirar de la maja |
|
2:33 |
|
|
| 7 |
|
Tonadillas al estilo antiguo, 10 songs for voice & piano, H. 136: Callejeo |
|
1:20 |
|
|
| 8 |
|
Tonadillas al estilo antiguo, 10 songs for voice & piano, H. 136: El tra-la-la y el punteado |
|
1:05 |
|
|
| 9 |
|
Tonadillas al estilo antiguo, 10 songs for voice & piano, H. 136: Las currutacas modestas |
|
1:13 |
|
|
| 10 |
|
Tonadillas al estilo antiguo, 10 songs for voice & piano, H. 136: El majo olvidado |
|
2:52 |
|
|
| 11 |
|
Tonadillas al estilo antiguo, 10 songs for voice & piano, H. 136: El majo discreto |
|
1:31 |
|
|
| 12 |
|
Canciones amatorias, 7 songs for voice & piano, H. 24: Llorad, corazón |
|
2:00 |
|
|
| 13 |
|
Canciones amatorias, 7 songs for voice & piano, H. 24: Iban al pinar |
|
1:51 |
|
|
| 14 |
|
Canciones amatorias, 7 songs for voice & piano, H. 24: No lloréis, ojuelos |
|
1:06 |
|
|
| 15 |
|
Canciones amatorias, 7 songs for voice & piano, H. 24: Mañanica era |
|
2:25 |
|
|
| 16 |
|
Canciones amatorias, 7 songs for voice & piano, H. 24: Mira que soy niña |
|
2:34 |
|
|
| 17 |
|
Canciones amatorias, 7 songs for voice & piano, H. 24: Gracia mía |
|
2:36 |
|
|
| 18 |
|
7 popular Spanish songs, for voice & Piano, g. 40: El paño moruno |
|
1:08 |
|
|
| 19 |
|
7 popular Spanish songs, for voice & Piano, g. 40: Seguidilla murciana |
|
1:10 |
|
|
| 20 |
|
7 popular Spanish songs, for voice & piano, G. 40: Asturiana |
|
2:25 |
|
|
| 21 |
|
7 popular Spanish songs, for voice & piano, G. 40: Jota |
|
2:38 |
|
|
| 22 |
|
7 popular Spanish songs, for voice & piano, G. 40: Nana |
|
1:29 |
|
|
| 23 |
|
7 popular Spanish songs, for voice & piano, G. 40: Canción |
|
0:58 |
|
|
| 24 |
|
7 popular Spanish songs, for voice & piano, G. 40: Polo |
|
1:51 |
|
|
| 25 |
|
La tempranica, zarzuela: Zapateado (La tarántula é un bicho mú malo) |
|
1:40 |
|
|
|
|
|
Total time |
|
48:02 |
|
|
|
|
|
|
|
