|
CD 1: Search for a Theme |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Cue 1-1: Arrival: Rover (Timpani and Base) |
|
1:15 |
|
|
| 2 |
|
Cue 1-2: Arrival: Theme One (Timp and Piano Strings) |
|
1:36 |
|
|
| 3 |
|
Cue 1-3: Arrival: Big Brother (Singing Timpani) |
|
1:04 |
|
|
| 4 |
|
Cue 1-4: Arrival: Jaws Singing Harp (Jaws Harp - Normal Speed) |
|
0:27 |
|
|
| 5 |
|
Cue 1-5: Arrival: Screams (Siren Whistle) |
|
0:55 |
|
|
| 6 |
|
Cue 1-6: Arrival: Frantic Jaws Harp (Jaws Harp - Half Speed) |
|
0:32 |
|
|
| 7 |
|
Cue 1-7: Arrival: "Pop Goes the Weasel" ("Pop-Weasel" - Piano) |
|
1:16 |
|
|
| 8 |
|
Cue 1-8: Arrival: "Pop" Two ("Pop-Weasel" - Piano, Block, Etc) |
|
1:00 |
|
|
| 9 |
|
Cue 1-9: Arrival: "Pop" Three ("Pop-Weasel" - Piano, Cymbal Etc) |
|
1:25 |
|
|
| 10 |
|
Cue 1-10: Arrival: Secondary Theme - Jazz Slow Tempo |
|
1:08 |
|
|
| 11 |
|
Cue 1-11: Arrival: Secondary Theme - Jazz Fast Tempo |
|
0:52 |
|
|
| 12 |
|
Cue 1-12: Arrival: "Pop Goes the Weasel" (Most Orchestrated) |
|
1:06 |
|
|
| 13 |
|
Cue A1M1A-3: Arrival: Second Title Section (Boss's Office to Gas) |
|
1:18 |
|
|
| 14 |
|
Cue A1M1A-4: Arrival: First Titles Section - Over Westminster Bridge to Boss's Office |
|
0:42 |
|
|
| 15 |
|
Cue A1M1B-9: Arrival: Third Titles Section - P. Wakes to Extended Village |
|
0:41 |
|
|
| 16 |
|
Cue A1M1C-3: Arrival: Commercial Break in and Out |
|
0:09 |
|
|
| 17 |
|
Cue A3M2-2: Arrival: Birth of Rover |
|
0:28 |
|
|
| 18 |
|
Cue A6M6-5: Arrival: Open Act |
|
0:09 |
|
|
| 19 |
|
Cue A6M7-4: Arrival: End Act |
|
0:11 |
|
|
| 20 |
|
Cue A6M5-1: Arrival: End Credits |
|
1:04 |
|
|
| 21 |
|
Cue A2M2-2: Arrival: Sup/Imp Section |
|
0:11 |
|
|
| 22 |
|
Cue WT-1: Arrival: Drum FX - 1, Low Timp - Slow |
|
0:29 |
|
|
| 23 |
|
Cue WT-2: Arrival: Drum More Menace |
|
0:29 |
|
|
| 24 |
|
Cue WT-3: Arrival: Small Timp - Slow |
|
0:28 |
|
|
| 25 |
|
Cue WT-4: Arrival: Small Timp - More Menace |
|
0:30 |
|
|
| 26 |
|
Cue WT-5: Arrival: Large Timp - Single Beats |
|
0:50 |
|
|
| 27 |
|
Cue WT-2: Arrival: Piano and Triangle Constant |
|
0:17 |
|
|
| 28 |
|
Cue WT-3: Arrival: Cymbal Various |
|
0:45 |
|
|
| 29 |
|
Cue A4M2-1: Arrival: All Drums at End |
|
2:23 |
|
|
| 30 |
|
Cue A4M2-3: Arrival: P. Out of House Etc |
|
2:24 |
|
|
| 31 |
|
Cue A6M3A-6: Arrival: No. 2 Orders, Take Over of Helicopter |
|
1:15 |
|
|
| 32 |
|
Cue N/A: Arrival: Extra Drum |
|
0:12 |
|
|
| 33 |
|
Cue A4M3-2: Arrival: Beach Fight - Rover Overcomes P. |
|
1:46 |
|
|
| 34 |
|
Cue A6M1-2: Arrival: "What Shall We Do With the Drunken Sailor?" |
|
0:10 |
|
|
| 35 |
|
Cue A6M1-4: Arrival: P. About to Enter No.2's House for First Time |
|
0:37 |
|
|
| 36 |
|
Cue A2M4-3: Arrival: Helicopter Descends After No.2 Tour With P. |
|
0:45 |
|
|
| 37 |
|
Cue A4M4-3: Arrival: "Boys and Girls Come Out to Play" |
|
0:18 |
|
|
| 38 |
|
Cue A4M4-8: Arrival: "Boys and Girls Come Out to Play" |
|
0:36 |
|
|
| 39 |
|
Cue A1M1A-4: Arrival: Main Titles, Part 1: Westminster Bridge to Boss's Door |
|
0:44 |
|
|
| 40 |
|
Cue A1M1B-1: Arrival: Main Titles, Part 2: Boss's Door to Gassing |
|
1:19 |
|
|
| 41 |
|
Cue A6M5-4: Arrival: End Credits |
|
1:05 |
|
|
| 42 |
|
Cue A1M2-2: Arrival: From P. Wake From Gassing to Taxi Girl |
|
3:04 |
|
|
| 43 |
|
Cue A6M3-1: Arrival: Take Over of Helicopter |
|
1:11 |
|
|
| 44 |
|
Cue A6M4-2: Arrival: P. Out Helicopter, Rover, "Residents Only" |
|
0:39 |
|
|
| 45 |
|
Cue A1M7-1: Arrival: "Welcome Home" Card |
|
0:29 |
|
|
| 46 |
|
Cue A5M3-2: Arrival: Radezky March |
|
1:49 |
|
|
| 47 |
|
Cue A2M2-1: Arrival: P. Goes Into No.2's Office First Time |
|
0:35 |
|
|
| 48 |
|
Cue A3M4-1: Arrival: P. Smashes Toy After Tests in Labour Exchange |
|
0:19 |
|
|
| 49 |
|
Cue A3M2-2: Arrival: Birth of Rover |
|
0:26 |
|
|
| 50 |
|
Cue A4M2-4: Arrival: P. Out, Gardener, Rover, TV, Beach |
|
2:23 |
|
|
| 51 |
|
Cue A5M1-1: Arrival: Through Alarm Bell "Cobb Dead" |
|
0:10 |
|
|
| 52 |
|
Cue A5M2-2: Arrival: P. Out Hospital, Cards, Taxi, No.2's Office |
|
0:57 |
|
|
| 53 |
|
Cue A6M2-4: Arrival: P. Leaves Girl, Gets to Helicopter |
|
1:52 |
|
|
| 54 |
|
Cue A4M4-1: Arrival: W.J Version "Boys and Girls" |
|
0:37 |
|
|
| 55 |
|
Cue A6M1-2: Arrival: "What Shall We Do With the Drunken Sailor?" |
|
0:08 |
|
|
| 56 |
|
Cue WT-1: Arrival: High Whine Violin |
|
0:32 |
|
|
| 57 |
|
Cue WT-2: Arrival: Celeste Theme and Chords |
|
1:13 |
|
|
| 58 |
|
Cue WT-3: Arrival: Celeste Chords |
|
0:46 |
|
|
| 59 |
|
Cue WT-4: Arrival: Flexatone |
|
0:30 |
|
|
| 60 |
|
Cue N/A: Arrival: Flexatone |
|
0:32 |
|
|
| 61 |
|
Cue WT-5: Arrival: Bass Drums FX |
|
0:43 |
|
|
| 62 |
|
Cue N/A: Themes: The Age of Elegance |
|
1:51 |
|
|
| 63 |
|
Cue N/A: Themes: The Age of Elegance, Part 2 |
|
1:19 |
|
|
| 64 |
|
Cue A1M1-1: Themes: "Arrival" (take 1) |
|
0:50 |
|
|
| 65 |
|
Cue A1M1-2: Themes: "Arrival" (take 2) |
|
0:59 |
|
|
| 66 |
|
Cue A1M1-3: Themes: "Arrival" (take 3) |
|
0:13 |
|
|
| 67 |
|
Cue A1M1-4: Themes: "Arrival" (take 4) |
|
2:15 |
|
|
| 68 |
|
Cue A1M1-5: Themes: "Arrival" (take 5) |
|
0:28 |
|
|
| 69 |
|
Cue A1M1-6: Themes: "Arrival" (take 6) |
|
2:12 |
|
|
| 70 |
|
Cue A1M2-4: Themes: "Arrival" Opening |
|
1:49 |
|
|
| 71 |
|
Cue B1M1-5: Themes: Standard Titles (take 5) |
|
0:10 |
|
|
| 72 |
|
Cue B1M1-7: Themes: Standard Titles (take 7) |
|
1:49 |
|
|
| 73 |
|
Cue B1M2-2: Themes: Episode Opening |
|
1:17 |
|
|
| 74 |
|
Cue A6MX-3: Themes: End Titles |
|
1:06 |
|
|
| 75 |
|
Cue N/A: Themes: Ins and Outs |
|
0:16 |
|
|
| 76 |
|
Cue N/A: Themes: Twangs on Guitar |
|
0:08 |
|
|
|
|
|
Total time |
|
70:29 |
|
|
CD 2: Incidentally |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Cue M1-3: Degree Absolute: Sleep Music |
|
2:05 |
|
|
| 2 |
|
Cue M2-1: Degree Absolute: Go for Walkies |
|
1:54 |
|
|
| 3 |
|
Cue M3-2: Degree Absolute: Struggle |
|
0:28 |
|
|
| 4 |
|
Cue M4-1: Degree Absolute: Schooldays / Graduation Day |
|
0:38 |
|
|
| 5 |
|
Cue M5-2: Degree Absolute: Head's Study (Organ) / Prior to Breakfast |
|
1:18 |
|
|
| 6 |
|
Cue M6-1: Degree Absolute: Serious Organ |
|
0:53 |
|
|
| 7 |
|
Cue M7-1: Degree Absolute: Light Organ |
|
1:48 |
|
|
| 8 |
|
Cue M8-1: Degree Absolute: Clock - Only 2 Minutes |
|
2:29 |
|
|
| 9 |
|
Cue M9-1: Degree Absolute: Aftermath / Deserted Nursery |
|
0:32 |
|
|
| 10 |
|
Cue M10-1: Degree Absolute: Pat Enters Secret Service |
|
0:35 |
|
|
| 11 |
|
Cue M11-2: Degree Absolute: German P.O.W. March |
|
0:36 |
|
|
| 12 |
|
Cue M12-1: Degree Absolute: Court of Justice / Gavel |
|
0:13 |
|
|
| 13 |
|
Cue M13-2: Degree Absolute: 'Degree Absolute' |
|
0:06 |
|
|
| 14 |
|
Cue M14-1: Degree Absolute: Kill Me! |
|
0:40 |
|
|
| 15 |
|
Cue M15-1: Degree Absolute: Light Stings |
|
0:14 |
|
|
| 16 |
|
Cue M16-1: Degree Absolute: Light on and Off - Beginning to Like |
|
0:23 |
|
|
| 17 |
|
Cue M17-3: Play in 3 Acts: Fight 'A' |
|
0:48 |
|
|
| 18 |
|
Cue M18-2: Play in 3 Acts: Fight 'B' |
|
0:31 |
|
|
| 19 |
|
Cue M19-1: Play in 3 Acts: Walk Down French Street |
|
1:13 |
|
|
| 20 |
|
Cue M19-2: Play in 3 Acts: Walk Down French Street |
|
1:11 |
|
|
| 21 |
|
Cue M20-1: Play in 3 Acts: Off Mask / Defeat No. 2 |
|
0:38 |
|
|
| 22 |
|
Cue M21-1: Play in 3 Acts: Discovery in Laboratory |
|
0:48 |
|
|
| 23 |
|
Cue M22-1: Play in 3 Acts: Dance of P. / 'B' |
|
1:19 |
|
|
| 24 |
|
Cue M23-2: Play in 3 Acts: Following No. 14 |
|
1:24 |
|
|
| 25 |
|
Cue M24-1: Play in 3 Acts: Nightmare Noise |
|
0:19 |
|
|
| 26 |
|
Cue M24a-1: Play in 3 Acts: Can Can |
|
0:42 |
|
|
| 27 |
|
Cue M25-1: Play in 3 Acts: Conga |
|
1:60 |
|
|
| 28 |
|
Cue M26-1: Play in 3 Acts: P. Sees No. 14 on Screen |
|
0:22 |
|
|
| 29 |
|
Cue M27-1: Play in 3 Acts: P. Convulses on Stretcher |
|
0:16 |
|
|
| 30 |
|
Cue M28-1: Play in 3 Acts: P. Enters Dream |
|
0:22 |
|
|
| 31 |
|
Cue M29-1: Play in 3 Acts: 'Be Seeing You?' |
|
0:06 |
|
|
| 32 |
|
Cue M30-2: Play in 3 Acts: Mark on Wrist |
|
0:06 |
|
|
| 33 |
|
Cue M31-1: Play in 3 Acts: Warning to No. 14 |
|
0:06 |
|
|
| 34 |
|
Cue M31-2: Play in 3 Acts: Warning to No. 14 |
|
0:06 |
|
|
| 35 |
|
Cue M32-2: Play in 3 Acts: No. 1 Menace |
|
0:13 |
|
|
| 36 |
|
Cue M33-1: Play in 3 Acts: Short Nursery Phrase - Boys and Girls |
|
0:30 |
|
|
| 37 |
|
Cue Tannoy: Play in 3 Acts: Tannoy Preamble |
|
0:09 |
|
|
| 38 |
|
Cue M33-4: The General: Intro to Village |
|
0:22 |
|
|
| 39 |
|
Cue M34-1: The General: P. Suspicious of No. 12 |
|
0:17 |
|
|
| 40 |
|
Cue M35-2: The General: Chase Professor / Discover Radio |
|
1:03 |
|
|
| 41 |
|
Cue M36-1: The General: Professor Falls Down / Sting |
|
0:09 |
|
|
| 42 |
|
Cue M37-2: The General: P. In Buggy Taken Home |
|
0:18 |
|
|
| 43 |
|
Cue M38-1: The General: Speed Chimes 'A' |
|
0:21 |
|
|
| 44 |
|
Cue M38a-1: The General: Speed Chimes 'B' (Longer) |
|
0:27 |
|
|
| 45 |
|
Cue M39-1: The General: P.'s Historic Recital |
|
0:37 |
|
|
| 46 |
|
Cue M39a-3: The General: P.'s Historic Recital (alternative) |
|
0:37 |
|
|
| 47 |
|
Cue M41-1: The General: P. Discover's Radio Gone |
|
0:41 |
|
|
| 48 |
|
Cue M42-1: The General: Destroy General |
|
0:35 |
|
|
| 49 |
|
Cue M42a-1: The General: Destroy General (alternative without guitar) |
|
0:34 |
|
|
| 50 |
|
Cue M43a-1: The General: Band Plays Waltz |
|
1:43 |
|
|
| 51 |
|
Cue M43b-2: The General: Elms March |
|
2:14 |
|
|
| 52 |
|
Cue M43c-1: The General: Free March |
|
1:44 |
|
|
| 53 |
|
Cue M44-1: The General: P. Enters Interior of Professor's House |
|
1:53 |
|
|
| 54 |
|
Cue M45-1: The General: The Two Busts |
|
0:09 |
|
|
| 55 |
|
Cue M46-1: The General: P. Strikes Professor |
|
0:20 |
|
|
| 56 |
|
Cue Tannoy: The General: New |
|
0:08 |
|
|
| 57 |
|
Cue M47-2: The General: Track to P.'s Bust |
|
0:08 |
|
|
| 58 |
|
Cue M47a-1: The General: Carnival |
|
1:57 |
|
|
| 59 |
|
Cue M48-1: The General: 'Report' Dramatic Playout |
|
0:11 |
|
|
| 60 |
|
Cue M49-1: The General: Sweet Village Music |
|
0:59 |
|
|
| 61 |
|
Cue M50-1: The General: Officials Assemble |
|
0:21 |
|
|
| 62 |
|
Cue M51-2: The General: P. Joins Queue |
|
0:48 |
|
|
| 63 |
|
Cue M52-1: The General: Micro Lectures |
|
0:13 |
|
|
| 64 |
|
Cue M53-3: The General: Hand Call Clobber |
|
0:09 |
|
|
| 65 |
|
Cue M54-1: The General: Move in Closer |
|
0:25 |
|
|
| 66 |
|
Cue M55-1: The General: P. Clobbered (Sting) |
|
0:06 |
|
|
| 67 |
|
Cue M56-2: The General: Intro to General - Fanfare |
|
0:08 |
|
|
| 68 |
|
Cue M57-1: The General: Traitor in Village |
|
0:37 |
|
|
| 69 |
|
Cue M58-1: The General: End Explosions |
|
2:28 |
|
|
| 70 |
|
Cue M60-1: The General: Drums Various |
|
0:40 |
|
|
| 71 |
|
Cue M59-1: Free for All: Play Into No. 6's Residence |
|
0:11 |
|
|
| 72 |
|
Cue M60-1: Free for All: Pat Ignores Taxi - Sees Village Map |
|
1:19 |
|
|
| 73 |
|
Cue M61-1: Free for All: Sting as P. Sees Second Reporter / Rover Approaches, Call to Council |
|
1:08 |
|
|
| 74 |
|
Cue M62-2: Free for All: P.'s First Twizzle Round |
|
0:12 |
|
|
| 75 |
|
Cue M63-1: Free for All: Rostrum Revolves / Descends |
|
0:38 |
|
|
| 76 |
|
Cue M64-1: Free for All: P. In Red Chamber |
|
0:33 |
|
|
| 77 |
|
Cue M65-1: Free for All: P. Dash From Maid, Motorboat Fight |
|
1:13 |
|
|
| 78 |
|
Cue M65-3: Free for All: P. Dash From Maid, Motorboat Fight |
|
2:49 |
|
|
| 79 |
|
Cue M66-1: Free for All: Rover Takes Pat |
|
1:45 |
|
|
| 80 |
|
Cue M67-1: Free for All: Pat the Victor |
|
1:25 |
|
|
| 81 |
|
Cue M68-1: Free for All: P. Shouts to Village / Beat Up |
|
0:20 |
|
|
| 82 |
|
Cue M68-2: Free for All: P. Shouts to Village / Beat Up |
|
1:43 |
|
|
| 83 |
|
Cue M68-3: Free for All: P. Shouts to Village / Beat Up |
|
1:40 |
|
|
| 84 |
|
Cue M69-1: Free for All: P. Stretcher Back Home |
|
0:45 |
|
|
| 85 |
|
Cue M70-1: Free for All: Night Club Music |
|
1:32 |
|
|
| 86 |
|
Cue M70-1: Free for All: Night Club Music (opening) |
|
0:08 |
|
|
|
|
|
Total time |
|
68:44 |
|
|
CD 3: Harmony |
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Cue M71-1: Hammer Into Anvil: Opening in Hospital / Girl in Bed |
|
0:11 |
|
|
| 2 |
|
Cue M72-2: Hammer Into Anvil: P. Finds Girl Jump Out / Three Men Bring Pat In |
|
0:20 |
|
|
| 3 |
|
Cue M72-3: Hammer Into Anvil: P. Finds Girl Jump Out / Three Men Bring Pat In |
|
1:52 |
|
|
| 4 |
|
Cue M73-1: Hammer Into Anvil: Shopkeeper Reports to No.2 |
|
0:32 |
|
|
| 5 |
|
Cue M74-1: Hammer Into Anvil: Pat Follows No.2's Aide to Home |
|
0:44 |
|
|
| 6 |
|
Cue M75-1: Hammer Into Anvil: No.2 and Aide Follow P. to Boat |
|
2:22 |
|
|
| 7 |
|
Cue M76-2: Hammer Into Anvil: Band's Version of Bizet |
|
0:42 |
|
|
| 8 |
|
Cue Tannoy-1: Hammer Into Anvil: Chimes |
|
0:08 |
|
|
| 9 |
|
Cue M77-1: Hammer Into Anvil: P. Walks by Graves |
|
0:32 |
|
|
| 10 |
|
Cue M78-1: Hammer Into Anvil: Break Conspiracy - Playout |
|
0:06 |
|
|
| 11 |
|
Cue M78-2: Hammer Into Anvil: Break Conspiracy (Wild) |
|
0:08 |
|
|
| 12 |
|
Cue M79-1: Hammer Into Anvil: It's a Bomb |
|
1:39 |
|
|
| 13 |
|
Cue M80-1: Hammer Into Anvil: Cuckoo Phrase |
|
0:06 |
|
|
| 14 |
|
Cue M81-1: Hammer Into Anvil: P. Sets Off Pigeon, Tracked and Killed |
|
0:28 |
|
|
| 15 |
|
Cue M81-2: Hammer Into Anvil: P. Sets Off Pigeon, Tracked and Killed |
|
1:23 |
|
|
| 16 |
|
Cue M82-2: Hammer Into Anvil: Breakdown of No.2 - Playout |
|
0:27 |
|
|
| 17 |
|
Cue M83-1 wild: Hammer Into Anvil: Play In - Hammer |
|
0:16 |
|
|
| 18 |
|
Cue M84-1 wild: Hammer Into Anvil: Plan Hatching |
|
0:16 |
|
|
| 19 |
|
Cue M85-2 wild: Hammer Into Anvil: Happy Birthday |
|
0:21 |
|
|
| 20 |
|
Cue M86-1 wild: Hammer Into Anvil: Happy Birthday - Ironic Sting |
|
0:12 |
|
|
| 21 |
|
Cue M87-2 wild: Hammer Into Anvil: Happy Birthday - Soft Sting |
|
0:09 |
|
|
| 22 |
|
Cue M88-1 wild: Hammer Into Anvil: Happy Birthday - Sharp Sting |
|
0:09 |
|
|
| 23 |
|
Cue M89-2 wild: Hammer Into Anvil: Funeral Fanfare |
|
0:11 |
|
|
| 24 |
|
Cue M90-1 wild: Hammer Into Anvil: Arrival - Eerie |
|
0:38 |
|
|
| 25 |
|
Cue M91-1 wild: Hammer Into Anvil: Drums |
|
0:11 |
|
|
| 26 |
|
Cue M91-2 wild: Hammer Into Anvil: Drums |
|
0:27 |
|
|
| 27 |
|
Cue M92-1 wild: Hammer Into Anvil: Drums |
|
0:11 |
|
|
| 28 |
|
Cue M95-2: Face Unknown: Wake Up / Discovery |
|
1:34 |
|
|
| 29 |
|
Cue M96-2: Face Unknown: Janet Arrives / Mirror Smash |
|
3:18 |
|
|
| 30 |
|
Cue M97-1: Face Unknown: Janet Sees Her Father |
|
1:03 |
|
|
| 31 |
|
Cue M98-1: Face Unknown: Superior Official Inspects P. |
|
1:36 |
|
|
| 32 |
|
Cue M99-1: Face Unknown: No Use / P. Away From Office / Funeral Man |
|
1:38 |
|
|
| 33 |
|
Cue M100-1: Face Unknown: P. in Garden with Janet |
|
2:14 |
|
|
| 34 |
|
Cue M101-2: Face Unknown: P. Collects Photos |
|
2:22 |
|
|
| 35 |
|
Cue M102-2: Face Unknown: P. Fits Slides Into Projector |
|
1:28 |
|
|
| 36 |
|
Cue M103-2: Face Unknown: Kandersfelt! |
|
0:28 |
|
|
| 37 |
|
Cue M104-2: Face Unknown: P. and Professor in Barbershop |
|
2:00 |
|
|
| 38 |
|
Cue M105-1: Face Unknown: Potter Towards Shop |
|
0:25 |
|
|
| 39 |
|
Cue M106-3: Face Unknown: Prof Dies |
|
0:33 |
|
|
| 40 |
|
Cue M107-1: Face Unknown: Opening 'Bonnie' Phrase |
|
0:13 |
|
|
| 41 |
|
Cue M108-2: Face Unknown: 'It Won't Be Long Now' |
|
0:19 |
|
|
| 42 |
|
Cue M109-1: Face Unknown: 'Ah Colonel' |
|
3:02 |
|
|
| 43 |
|
Cue 1M1-3: Living in Harmony: P. Resigns, Is Punched Up |
|
1:37 |
|
|
| 44 |
|
Cue 1M1a-2: Living in Harmony: P. Brought Into 'Harmony' |
|
0:25 |
|
|
| 45 |
|
Cue 1M2-2: Living in Harmony: P. Socks the Kid |
|
0:39 |
|
|
| 46 |
|
Cue 1M3-4: Living in Harmony: P. Rejects Judge's Proposition |
|
0:56 |
|
|
| 47 |
|
Cue 2M1-1: Living in Harmony: Kid Looks After P. in Cell. Playout |
|
0:12 |
|
|
| 48 |
|
Cue 2M2-2: Living in Harmony: P. in Jail, Kid on Guard. Plays Cat-and-Mouse |
|
1:31 |
|
|
| 49 |
|
Cue 3M1-2: Living in Harmony: P. Leaves Town, is Lassoed and Brought Back |
|
0:57 |
|
|
| 50 |
|
Cue 3M2-1: Living in Harmony: Kathy is Tried and Judged |
|
1:23 |
|
|
| 51 |
|
Cue 3M3-2: Living in Harmony: Kid Shoots P.'s Cheeck and Hand |
|
0:37 |
|
|
| 52 |
|
Cue 3M4-1: Living in Harmony: Kid Watches Kathy's Face |
|
0:30 |
|
|
| 53 |
|
Cue 3M5-2: Living in Harmony: Kid Lets Kathy Out of Jail |
|
0:40 |
|
|
| 54 |
|
Cue 4M1-2: Living in Harmony: The Big Unarmed Fight |
|
2:44 |
|
|
| 55 |
|
Cue 4M2-1: Living in Harmony: After Kid Has Shot Willy, Pat Enters |
|
0:46 |
|
|
| 56 |
|
Cue 5M1-2: Living in Harmony: Dead Man at Pat's Desk |
|
0:38 |
|
|
| 57 |
|
Cue 5M2-1: Living in Harmony: P. Collects an Extra Horse |
|
1:51 |
|
|
| 58 |
|
Cue 5M3-1: Living in Harmony: Kid Strangles Kathy |
|
1:07 |
|
|
| 59 |
|
Cue 5M4-1: Living in Harmony: P. Discovers Kathy Dead |
|
1:35 |
|
|
| 60 |
|
Cue 6M1-4: Living in Harmony: P. Shoots Kid |
|
0:20 |
|
|
| 61 |
|
Cue 6M2-1: Living in Harmony: Kid Falls to Ground |
|
0:22 |
|
|
| 62 |
|
Cue 6M3-1: Living in Harmony: Five Seconds |
|
0:22 |
|
|
| 63 |
|
Cue 6M4-3: Living in Harmony: P. Discovers He's in Village |
|
1:40 |
|
|
| 64 |
|
Cue 6M5-3: Living in Harmony: Kid Strangles Kathy Then Dies |
|
1:32 |
|
|
| 65 |
|
Cue 1M1-1: Fall Out: W/T - Dry Bones |
|
2:00 |
|
|
| 66 |
|
Cue M2-1: Fall Out: W/T - Dry Bones |
|
0:56 |
|
|
| 67 |
|
Cue M3-1: Fall Out: W/T - Dry Bones |
|
1:10 |
|
|
| 68 |
|
Cue M4-3: Fall Out: W/T - Dry Bones |
|
2:33 |
|
|
| 69 |
|
Cue M5-1 W/T: Living in Harmony: Honky Tonk - Medium |
|
1:03 |
|
|
| 70 |
|
Cue M6-1 W/T: Living in Harmony: Honky Tonk - Slow |
|
0:59 |
|
|
| 71 |
|
Cue N/A: Living in Harmony: Honky Tonk Extra Roll - Fast (1) |
|
0:43 |
|
|
| 72 |
|
Cue N/A: Living in Harmony: Honky Tonk Extra Roll - Fast (2) |
|
0:48 |
|
|
| 73 |
|
Cue N/A: Living in Harmony: Honky Tonk Extra Roll - Slow |
|
1:09 |
|
|
|
|
|
Total time |
|
70:37 |
|
|
|
|
|
|
|
