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CD 1 |
| # |
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Title |
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Time |
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Info |
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| 1 |
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The Young Person's Guide to the Orchestra Op. 34 (II. A, S. 65) (London Symphony Orchestra, Benjamin Britten) |
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16:34 |
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| 2 |
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Chanterai Por Mon Corage (IV. A, S. 107) (The Early Music Consort of London, David Munrow) |
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4:17 |
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| 3 |
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Organum "Viderunt Omnes", Beginn (IV. B, S. L 10) (The Early Music Consort of London, David Munrow) |
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2:21 |
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| 4 |
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Messe de Nostre Dame, Kyrie I (IV. C, S. L 13) (feat. Friedrich Melzer, tenor: Ernst Haeflinger, Jakob Stämpfli, bass: Kurt Widmer) |
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3:04 |
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| 5 |
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Ecco la Primavera (IV. D, S. L 15) (The Early Music Consort of London, David Munrow) |
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1:17 |
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| 6 |
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O Rosa Bella (IV. E, S. L 18) (Purcell Consort of Voices, Grayston Burgess) |
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4:28 |
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| 7 |
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Ce Moys de May (V. A, S. 129) (The Medieval Ensemble of London, Peter Davies, Timothy Davies) |
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3:07 |
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| 8 |
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Nymphes Des Bois {V. B, S. 135) (Purcell Consort of Voices, Grayston Burgess) |
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4:08 |
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| 9 |
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Alma Redemptoris Mater (V. C, S. 138) (Choir of Christ Church Cathedral, Oxford, Simon Preston) |
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3:54 |
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| 10 |
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Missa Brevis, Kyrie (V. D, S. 140) (Choir of St. John´s College, Cambridge, George Guest) |
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3:24 |
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| 11 |
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Canzon XIII, Septimi E Octavi Toni (1597) (V.E, S. 145) (The London Cornett and Sackbut Ensemble, Andrew Parrott) |
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2:60 |
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| 12 |
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I Must Depart All Hapless (V. F, S. 147) (The Academy of Ancient Music, Christopher Hogwood) |
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2:22 |
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| 13 |
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Motette "Ave Verum Corpus" (V. G, S. 150) (Choir of King´s College, Cambridge, David Willcocks) |
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4:30 |
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| 14 |
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As Vesta Was From Latmos Hill Descending (V. H, S. 155) (The Wilbye Consort, Pete Pears) |
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3:13 |
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| 15 |
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Coranto "Alarm" (V.L.S. 158) (Hogwood, Christopher, Virginal) |
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1:22 |
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| 16 |
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I Must Complain (V.J.S. 160) (The Consort of Musicke, Martin Hill, tenor: Anthony Rooley) |
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3:24 |
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Total time |
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64:25 |
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CD 2 |
| # |
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Title |
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Time |
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Info |
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| 1 |
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Orfeo: II. Akt: Ausschnitt (VI. A, S. 169) (Nigel Rogers, Ian Partridge, cembalo: Colin Tilney, et al.) |
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7:07 |
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| 2 |
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Dido und Aeneas: III. Akt: When I am laid in earth (Vi. B, S.189) (Tatjana Troyanos, Kammerorchester des NDR, Charles Mackerras) |
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4:46 |
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| 3 |
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Hippolyte et Aricie: Schlusszene des IV. Aktes (VI. C, S. 196) (Janet Baker, cembalo: Thurston Dart, The St. Anthony Singers, et al.) |
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4:56 |
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| 4 |
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Violinkonzert a-moll, Op. 3: No. 6 (VI. D, S. 205) (violin: Catherine Mackintosh, cembalo: Christopher Hogwood, The academy of Ancient Music) |
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3:04 |
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| 5 |
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Brandenburgisches Konzert No.4 G-dur, BWV 1049 (VI. E, S. 216) (violin: Simon Standage, recorder: Philip Picket, recorder: Rachel Beckett, et al.) |
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15:33 |
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| 6 |
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Wohltemperiertes Klavier, Teil l; Praeludium und Fuge in c-moll (VI. F, S. 219) (cembalo: Kenneth Gilbert) |
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3:35 |
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| 7 |
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Acis and Galatea, Love in her eyes sits playing (VI. G, S. 239) (Anthony Rolfe Johnson, English Baroque Soloists, John Eliott Gardiner) |
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6:59 |
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| 8 |
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Messias, Halleluja Chor (VI. H, S. 244) (Oxford Choir of Christ Church Cathedral, The Academy of Ancient Music, Christopher Hogwood) |
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3:52 |
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| 9 |
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Symphonie No.104 D-Dur (VII. A, S.268) (Amsterdam Concertgebouw Orchestra, Sir Colin Davis) |
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8:33 |
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| 10 |
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Streichquartett C-Dur, Op. 76: No.3 (VII. B, S. 271) (Quartetto Italiano) |
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13:36 |
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Total time |
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72:01 |
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CD 3 |
| # |
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Title |
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Time |
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Info |
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| 1 |
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Le nozze di Figaro, I. Akt, Terzett (VII.C, S. 281) |
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4:21 |
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| 2 |
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Klavierkonzert in G-Dur, KV 453 (VII.E, S. 286) |
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12:16 |
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| 3 |
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Symphonie No. 3 in Es-Dur, Op. 55 "Eroica" (VII.E, S. 302) |
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15:23 |
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| 4 |
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Streichquintett in C-Dur, D956 (VIII.A, S. 335) |
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15:01 |
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| 5 |
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Dichterliebe, "Im wunderschönen Monat Mai" (VIII.B, S. 352) |
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1:37 |
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| 6 |
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Mazurka in g-moll, op. 67, No. 2 (VIII.C, S. 358) |
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1:41 |
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| 7 |
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Ouvertüre "Carnaval romain" (VIII.D, S. 370) |
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9:00 |
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Total time |
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59:19 |
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CD 4 |
| # |
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Title |
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Time |
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Info |
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| 1 |
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Tristan und Isolde, Vorspiel (VIII, E, S. 399) (Berlin Philharmonic Orchestra feat. conductor: Rafael Kubelik) |
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12:36 |
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| 2 |
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Erste Symphonie c-moll, Op. 68: Erster Satz (VIII. F, S. 406) (Berlin Philharmonic Orchestra feat. conductor: Karl Böhm) |
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12:44 |
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| 3 |
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Vierte Symphonie f-moll, Op. 36: Erster Satz (IX. A, S. 420) (Amsterdam Concertgebouw Orchestra, Bernhard Haitink) |
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18:09 |
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| 4 |
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Das Lied von der Erde, "Der Trunkene im Frühling" (IX. B, S. 448) (tenor: Jon Vickers, London Symphony Orchestra, Sir Colin Davis) |
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4:36 |
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| 5 |
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Till Eulenspiegels lustige Streiche, Op. 28 (IX. C, S. 452) (Amsterdam Concertgebouw Orchestra, Eugen Jochum) |
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14:37 |
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Total time |
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62:42 |
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CD 5 |
| # |
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Title |
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Time |
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Info |
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| 1 |
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Prélude à L'après-midi d'un faune (IX. D, S. 456) (Amsterdam Concertgebouw Orchestra, Bernhard Haitink) |
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11:17 |
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| 2 |
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Pierrot Lunaire, Op. 21 Nr. 1, "Mondestrunken" |
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1:44 |
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| 3 |
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Sechs Bagatellen Op. 9: Nr. 4 |
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0:51 |
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| 4 |
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Symphonie C-Dur, 1. Satz (X. C, S. 502) (L'Orchestre de la Suisse Romande, Charles Dutoit) |
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9:25 |
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| 5 |
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Konzert für Orchester, 1. Satz (X. D, S. 510) (Chicago Symphony Orchestra, Sir Georg Solti) |
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9:08 |
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| 6 |
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Three Places in New England, Nr. 2 , "Putnam's Camp, Redding, Connecticut" (X. E, S. 520) (Boston Symphony Orchestra, Michael Tilson Thomas) |
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6:03 |
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| 7 |
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Serenade Op. 31, "Elegy" (X. F, S. 546) (tenor: Peter Pears, horn: Barry Tickwell, strings: London Symphony Orchestra, Benjamin Britten) |
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4:08 |
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| 8 |
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Vingt regards sur L'Enfant Jésus, No. 18, "Regard de l'onction terrible" (X. G, S. 550) (piano: John Ogdon) |
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8:35 |
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| 9 |
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Gesang der Jünglinge, Eröffnungsabschnitt (X. H, S. 555) (electronic realisation: WDR Köln) |
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13:03 |
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Total time |
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64:14 |
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