|
1 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Introduction |
|
1:22 |
|
|
2 |
|
Standard rock chord progression |
|
0:15 |
|
|
3 |
|
Twelve-bar blues in G |
|
0:30 |
|
|
4 |
|
Shuffle pattern |
|
0:27 |
|
|
5 |
|
Blues shuffle in Db |
|
0:27 |
|
|
6 |
|
A-minor pentatonic scale played up and down |
|
0:12 |
|
|
7 |
|
C-Major pentatonic scale |
|
0:12 |
|
|
8 |
|
Two-fret slide |
|
0:08 |
|
|
9 |
|
"Mary Had a Little Lamb" with slides |
|
0:19 |
|
|
10 |
|
A-minor pentatonic scale with slides from below |
|
0:10 |
|
|
11 |
|
E-minor pentatonic scale with slides from above |
|
0:10 |
|
|
12 |
|
Major scale with half-step bends |
|
0:11 |
|
|
13 |
|
A-minor pentatonic scale with whole step bends |
|
0:11 |
|
|
14 |
|
Playing two Es, one bent, one fretted normally |
|
0:11 |
|
|
15 |
|
Pre-bend |
|
0:08 |
|
|
16 |
|
C-minor pentatonic scale with full bends and pre-bends |
|
0:13 |
|
|
17 |
|
Bend and release in a D-minor pentatonic scale |
|
0:11 |
|
|
18 |
|
Hammer-ons in the E-minor pentatonic scale |
|
0:11 |
|
|
19 |
|
Pull-offs in E-minor pentatonic scale |
|
0:08 |
|
|
20 |
|
Hammer-ons and pull-offs in the A-minor pentatonic scale |
|
0:12 |
|
|
21 |
|
A long note held with and without vibrato |
|
0:13 |
|
|
22 |
|
F-minor pentatonic scale using all positions |
|
0:20 |
|
|
23 |
|
A-minor blues scale |
|
0:13 |
|
|
24 |
|
A-minor hexatonic blues lick |
|
0:15 |
|
|
25 |
|
C-Major scale in open position |
|
0:13 |
|
|
26 |
|
E-Major scale example |
|
0:09 |
|
|
27 |
|
E-Major scale with notes juggled |
|
0:09 |
|
|
28 |
|
E-minor scale lick |
|
0:11 |
|
|
29 |
|
G-Major scale, three notes per string |
|
0:11 |
|
|
30 |
|
G-Major scalewith hammer-ons |
|
0:08 |
|
|
31 |
|
Familiar C-Major chords |
|
0:16 |
|
|
32 |
|
I-vi-IV-V progression in C-Major |
|
0:18 |
|
|
33 |
|
Idiomatic guitar voicing for seventh chords |
|
0:25 |
|
|
34 |
|
Chord chart solutions |
|
0:45 |
|
|
35 |
|
Blues with dominant chords |
|
0:27 |
|
|
36 |
|
Arpeggios over a I-vi-IV-V progression |
|
0:15 |
|
|
37 |
|
G-Major arpeggio, long fingering |
|
0:09 |
|
|
38 |
|
G-minor arpeggio, long fingering |
|
0:10 |
|
|
39 |
|
G-diminished seventh arpeggio |
|
0:08 |
|
|
40 |
|
G-diminished seventh arpeggio across all strings |
|
0:11 |
|
|
41 |
|
Arpeggio, example one |
|
0:16 |
|
|
42 |
|
Arpeggio, example two |
|
0:13 |
|
|
43 |
|
Added-ninth arpeggios combined |
|
0:14 |
|
|
44 |
|
Twelve-bar F blues using arpeggios |
|
0:22 |
|
|
45 |
|
A Dorian example |
|
0:08 |
|
|
46 |
|
C-Lydian example |
|
0:14 |
|
|
47 |
|
C-Mixolydian example |
|
0:13 |
|
|
48 |
|
Chromatic warm-up |
|
0:08 |
|
|
49 |
|
Tapping example |
|
0:08 |
|
|
50 |
|
Large-interval tapping |
|
0:08 |
|
|
51 |
|
Extended scale example using taps |
|
0:09 |
|
|
52 |
|
Arpeggio tapping |
|
0:08 |
|
|
53 |
|
B-Major arpeggio swept |
|
0:08 |
|
|
54 |
|
B-minor arpeggio swept |
|
0:08 |
|
|
55 |
|
C-minor arpeggio swept with tap |
|
0:08 |
|
|
56 |
|
A-pentatonic with added Major third |
|
0:10 |
|
|
57 |
|
A-pentatonic double stops |
|
0:13 |
|
|
58 |
|
A arpeggio with slides |
|
0:11 |
|
|
59 |
|
A-Dorian blues riff |
|
0:11 |
|
|
60 |
|
A-pentatonic with bend |
|
0:09 |
|
|
61 |
|
Open position, E-pentatonic |
|
0:09 |
|
|
62 |
|
E-pentatonic with bends |
|
0:11 |
|
|
63 |
|
E-seventh riff ascending, E-Dorian descending |
|
0:13 |
|
|
64 |
|
E-pentatonic scale with chromatic tones |
|
0:10 |
|
|
65 |
|
E-Mixolydian scale riff |
|
0:11 |
|
|
66 |
|
A blues with extended chords |
|
0:26 |
|
|
67 |
|
E blues with extended chords |
|
0:26 |
|
|
68 |
|
E blues with dissonant chord added |
|
0:25 |
|
|
69 |
|
A-minor blues progression |
|
0:48 |
|
|
70 |
|
A blues with turnaround chord |
|
0:22 |
|
|
71 |
|
Falling sixths in A |
|
0:10 |
|
|
72 |
|
Falling thirds in E |
|
0:11 |
|
|
73 |
|
Finger-style ending line in A |
|
0:10 |
|
|
74 |
|
Finger-style ending line in E |
|
0:10 |
|
|
75 |
|
A-minor pentatonic riff |
|
0:09 |
|
|
76 |
|
E-minor pentatonic scale, looping with bend |
|
0:12 |
|
|
77 |
|
D-minor pentatonic scale sequence |
|
0:10 |
|
|
78 |
|
G-minor pentatonic scale on first two strings |
|
0:12 |
|
|
79 |
|
G-Major scale sequence |
|
0:12 |
|
|
80 |
|
A-Major scale with interval skips |
|
0:12 |
|
|
81 |
|
D-minor scale in thirds |
|
0:12 |
|
|
82 |
|
E-minor pedal-point scale |
|
0:08 |
|
|
83 |
|
C-Dorian example |
|
0:08 |
|
|
84 |
|
G-Mixolydian example with string skipping |
|
0:12 |
|
|
85 |
|
E-Lydian, pedal-point descending |
|
0:10 |
|
|
86 |
|
A-Phrygian in octaves |
|
0:11 |
|
|
87 |
|
C-Major diatonic arpeggios |
|
0:15 |
|
|
88 |
|
E-minor arpeggio across neck |
|
0:09 |
|
|
89 |
|
D-minor pentatonic with taps |
|
0:08 |
|
|
90 |
|
D-minor pentatonic with large-interval tap |
|
0:10 |
|
|
91 |
|
C-Major scale ascending, C-Major arpeggio descending |
|
0:12 |
|
|
92 |
|
G-Major scale and arpeggio combination |
|
0:14 |
|
|
93 |
|
A-minor bend-tap |
|
0:11 |
|
|
94 |
|
B-Major-seventh arpeggio with tap-slide |
|
0:15 |
|
|
95 |
|
E-minor mega example |
|
0:17 |
|
|
|
|
|
Total time |
|
22:34 |
|
|
|
|
|