|
1 |
# |
|
Title |
|
Time |
|
Info |
|
1 |
|
Tuning Notes |
|
0:16 |
|
|
2 |
|
Simple Intervals: Interval Names, Shapes & Sounds |
|
0:55 |
|
|
3 |
|
Simple Intervals: The A Major Scale |
|
0:12 |
|
|
4 |
|
Tip: Identify Intervals by Sound |
|
0:29 |
|
|
5 |
|
Simple Intervals: Identifying Intervals by Sound |
|
1:30 |
|
|
6 |
|
Simple Intervals: "Vocal-leading" Interval Exercises |
|
0:30 |
|
|
7 |
|
Relativity: Ear Training with Intervals |
|
1:13 |
|
|
8 |
|
Minor Intervals |
|
0:42 |
|
|
9 |
|
The Natural Minor Scale |
|
0:16 |
|
|
10 |
|
Ear Training for Minor Intervals |
|
0:56 |
|
|
11 |
|
Scale Formulas |
|
0:23 |
|
|
12 |
|
Ear Training with Scales |
|
0:36 |
|
|
13 |
|
The Tritone |
|
0:14 |
|
|
14 |
|
Arpeggiated Triads |
|
0:36 |
|
|
15 |
|
Ear Training with Triads |
|
1:22 |
|
|
16 |
|
Ear Training for Chord Tones |
|
1:29 |
|
|
17 |
|
Melodic Resolution |
|
1:19 |
|
|
18 |
|
Ear Training: Chord and Non-Chord Tones |
|
1:22 |
|
|
19 |
|
Short Melodic Fragments |
|
0:42 |
|
|
20 |
|
Ear Training with Melody |
|
1:36 |
|
|
21 |
|
Ear Training with Chromatics |
|
2:04 |
|
|
22 |
|
Scale Sequencing |
|
0:43 |
|
|
23 |
|
Improvised Scale/Voice Exercises |
|
1:07 |
|
|
24 |
|
Interval Shape Alterations |
|
0:29 |
|
|
25 |
|
Scale and Triad Shape Alteration |
|
0:38 |
|
|
26 |
|
Two-Octave Positional Scales |
|
0:46 |
|
|
27 |
|
Barre Chords and Arpeggios |
|
0:23 |
|
|
28 |
|
Ear Training in the Upper Octave Range |
|
1:22 |
|
|
29 |
|
7th Arpeggios |
|
0:41 |
|
|
30 |
|
Pentatonics: Shedding Diatonic Tones |
|
0:16 |
|
|
31 |
|
Ear Training with Pentatonics |
|
1:42 |
|
|
32 |
|
Ear Training with the Blues Scale |
|
0:47 |
|
|
33 |
|
Modes of G Major |
|
0:38 |
|
|
34 |
|
Ear Training with Modes |
|
1:54 |
|
|
35 |
|
Tip: Memorizing Scales |
|
0:51 |
|
|
36 |
|
Ear Training with Harmonic Minor |
|
0:35 |
|
|
37 |
|
Ear Training with Phrygian-Dominant |
|
0:31 |
|
|
38 |
|
Jazz Melodic Minor |
|
0:34 |
|
|
39 |
|
Parallel Scale Exercise 1 |
|
1:28 |
|
|
40 |
|
Parallel Scale Exercise 2 |
|
1:42 |
|
|
41 |
|
G Major and A Dorian Melodies |
|
1:26 |
|
|
42 |
|
Harmonized C Major |
|
0:24 |
|
|
43 |
|
Chords in C Major |
|
0:15 |
|
|
44 |
|
C Major Harmonized to 7ths |
|
0:30 |
|
|
45 |
|
Basic Chord Resolution |
|
0:34 |
|
|
46 |
|
Ear Training with Primary Chord Progression |
|
2:04 |
|
|
47 |
|
Ear Training with Secondary Chords |
|
1:51 |
|
|
48 |
|
Ear Training with Minor Key Progressions |
|
1:47 |
|
|
49 |
|
Ear Training Progressions with Inversions |
|
1:22 |
|
|
50 |
|
Riffs |
|
0:35 |
|
|
51 |
|
Pedal Tone and Palm-Muted Pedal Tone |
|
0:20 |
|
|
52 |
|
Progressions with Parallel Major/Minor Chords |
|
0:27 |
|
|
53 |
|
Ear Training with Blended Tonalities |
|
1:27 |
|
|
54 |
|
Advanced Resolution |
|
2:53 |
|
|
55 |
|
"Sunrise" Bridge (Authentic Cadence) |
|
0:15 |
|
|
56 |
|
ii7-V7-Imaj7 Jazz Progression |
|
0:24 |
|
|
57 |
|
II-V-I ("March in G," J. S. Bach) |
|
0:25 |
|
|
58 |
|
Cascading Resolutions ("5th Caprice," N. Paganini) |
|
0:33 |
|
|
59 |
|
Cadential Six-Four ("5th Caprice," N. Paganini) |
|
0:28 |
|
|
60 |
|
Multiple Resolution, Single Target ("Appassionata," L. van Bethoven) |
|
0:38 |
|
|
61 |
|
Melodies over Progressions |
|
1:27 |
|
|
62 |
|
Making Melodies, Major Progressions with Secondary Chords |
|
1:32 |
|
|
63 |
|
Melodies over i-bVI-bVII Minor Progression |
|
1:09 |
|
|
64 |
|
Melodies Over Progression with Parallel Tonality |
|
1:01 |
|
|
65 |
|
Melody over Droning Riff ("Tao of Metal," from Metal Rhythm Guitar Volume 2) |
|
1:03 |
|
|
66 |
|
Melody/Solo over Tonic Groove |
|
0:37 |
|
|
67 |
|
Melody with Two- and Three-Part Harmony |
|
0:20 |
|
|
68 |
|
Melody with Harmony in 6ths |
|
0:15 |
|
|
69 |
|
C Major Harmonized in 6ths |
|
0:26 |
|
|
70 |
|
A Minor Pentatonic Boxes |
|
1:35 |
|
|
71 |
|
Pentatonic Exercise #1 |
|
0:28 |
|
|
72 |
|
Pentatonic Exercies #2, Improv |
|
0:39 |
|
|
73 |
|
Moving Licks Between Boxes |
|
1:20 |
|
|
74 |
|
F#m Pentatonic to A Major Pentatonic |
|
0:17 |
|
|
75 |
|
"Bluegrass Country-Blues Major Pentatonic Rockout" |
|
1:48 |
|
|
76 |
|
Arpeggio Study ("Cannon in D," J. Pachelbel) |
|
0:41 |
|
|
77 |
|
Natural Minor Positional Licks |
|
0:46 |
|
|
78 |
|
Em, Three-Notes-Per-String Drills |
|
0:59 |
|
|
79 |
|
Am, Three-Notes-Per-String Drills |
|
0:37 |
|
|
80 |
|
Gm, Three-Notes-Per-String Sequences |
|
1:14 |
|
|
81 |
|
Fm, Three-Notes-Per-String Drills |
|
0:15 |
|
|
82 |
|
Fm, Three-Notes-Per-String Drills #2 |
|
0:27 |
|
|
83 |
|
Bm Hexatonic "Chunking" Lick |
|
0:14 |
|
|
84 |
|
Insane Arpeggios |
|
0:25 |
|
|
85 |
|
"My Funk" 1:30-1:45 |
|
0:28 |
|
|
86 |
|
"Exottica" 0:35-0:58 |
|
0:34 |
|
|
87 |
|
"Exottica" 2:00-2:24 |
|
0:30 |
|
|
88 |
|
Eb Slack Tuning - Low E String |
|
0:11 |
|
|
89 |
|
"Sunrise" |
|
4:00 |
|
|
|
|
|
Total time |
|
79:43 |
|
|
|
|
|