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1 |
| # |
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Title |
|
Time |
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Info |
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| 1 |
|
Tuning Notes |
|
0:16 |
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| 2 |
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Simple Intervals: Interval Names, Shapes & Sounds |
|
0:55 |
|
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| 3 |
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Simple Intervals: The A Major Scale |
|
0:12 |
|
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| 4 |
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Tip: Identify Intervals by Sound |
|
0:29 |
|
|
| 5 |
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Simple Intervals: Identifying Intervals by Sound |
|
1:30 |
|
|
| 6 |
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Simple Intervals: "Vocal-leading" Interval Exercises |
|
0:30 |
|
|
| 7 |
|
Relativity: Ear Training with Intervals |
|
1:13 |
|
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| 8 |
|
Minor Intervals |
|
0:42 |
|
|
| 9 |
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The Natural Minor Scale |
|
0:16 |
|
|
| 10 |
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Ear Training for Minor Intervals |
|
0:56 |
|
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| 11 |
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Scale Formulas |
|
0:23 |
|
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| 12 |
|
Ear Training with Scales |
|
0:36 |
|
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| 13 |
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The Tritone |
|
0:14 |
|
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| 14 |
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Arpeggiated Triads |
|
0:36 |
|
|
| 15 |
|
Ear Training with Triads |
|
1:22 |
|
|
| 16 |
|
Ear Training for Chord Tones |
|
1:29 |
|
|
| 17 |
|
Melodic Resolution |
|
1:19 |
|
|
| 18 |
|
Ear Training: Chord and Non-Chord Tones |
|
1:22 |
|
|
| 19 |
|
Short Melodic Fragments |
|
0:42 |
|
|
| 20 |
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Ear Training with Melody |
|
1:36 |
|
|
| 21 |
|
Ear Training with Chromatics |
|
2:04 |
|
|
| 22 |
|
Scale Sequencing |
|
0:43 |
|
|
| 23 |
|
Improvised Scale/Voice Exercises |
|
1:07 |
|
|
| 24 |
|
Interval Shape Alterations |
|
0:29 |
|
|
| 25 |
|
Scale and Triad Shape Alteration |
|
0:38 |
|
|
| 26 |
|
Two-Octave Positional Scales |
|
0:46 |
|
|
| 27 |
|
Barre Chords and Arpeggios |
|
0:23 |
|
|
| 28 |
|
Ear Training in the Upper Octave Range |
|
1:22 |
|
|
| 29 |
|
7th Arpeggios |
|
0:41 |
|
|
| 30 |
|
Pentatonics: Shedding Diatonic Tones |
|
0:16 |
|
|
| 31 |
|
Ear Training with Pentatonics |
|
1:42 |
|
|
| 32 |
|
Ear Training with the Blues Scale |
|
0:47 |
|
|
| 33 |
|
Modes of G Major |
|
0:38 |
|
|
| 34 |
|
Ear Training with Modes |
|
1:54 |
|
|
| 35 |
|
Tip: Memorizing Scales |
|
0:51 |
|
|
| 36 |
|
Ear Training with Harmonic Minor |
|
0:35 |
|
|
| 37 |
|
Ear Training with Phrygian-Dominant |
|
0:31 |
|
|
| 38 |
|
Jazz Melodic Minor |
|
0:34 |
|
|
| 39 |
|
Parallel Scale Exercise 1 |
|
1:28 |
|
|
| 40 |
|
Parallel Scale Exercise 2 |
|
1:42 |
|
|
| 41 |
|
G Major and A Dorian Melodies |
|
1:26 |
|
|
| 42 |
|
Harmonized C Major |
|
0:24 |
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|
| 43 |
|
Chords in C Major |
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0:15 |
|
|
| 44 |
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C Major Harmonized to 7ths |
|
0:30 |
|
|
| 45 |
|
Basic Chord Resolution |
|
0:34 |
|
|
| 46 |
|
Ear Training with Primary Chord Progression |
|
2:04 |
|
|
| 47 |
|
Ear Training with Secondary Chords |
|
1:51 |
|
|
| 48 |
|
Ear Training with Minor Key Progressions |
|
1:47 |
|
|
| 49 |
|
Ear Training Progressions with Inversions |
|
1:22 |
|
|
| 50 |
|
Riffs |
|
0:35 |
|
|
| 51 |
|
Pedal Tone and Palm-Muted Pedal Tone |
|
0:20 |
|
|
| 52 |
|
Progressions with Parallel Major/Minor Chords |
|
0:27 |
|
|
| 53 |
|
Ear Training with Blended Tonalities |
|
1:27 |
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|
| 54 |
|
Advanced Resolution |
|
2:53 |
|
|
| 55 |
|
"Sunrise" Bridge (Authentic Cadence) |
|
0:15 |
|
|
| 56 |
|
ii7-V7-Imaj7 Jazz Progression |
|
0:24 |
|
|
| 57 |
|
II-V-I ("March in G," J. S. Bach) |
|
0:25 |
|
|
| 58 |
|
Cascading Resolutions ("5th Caprice," N. Paganini) |
|
0:33 |
|
|
| 59 |
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Cadential Six-Four ("5th Caprice," N. Paganini) |
|
0:28 |
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| 60 |
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Multiple Resolution, Single Target ("Appassionata," L. van Bethoven) |
|
0:38 |
|
|
| 61 |
|
Melodies over Progressions |
|
1:27 |
|
|
| 62 |
|
Making Melodies, Major Progressions with Secondary Chords |
|
1:32 |
|
|
| 63 |
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Melodies over i-bVI-bVII Minor Progression |
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1:09 |
|
|
| 64 |
|
Melodies Over Progression with Parallel Tonality |
|
1:01 |
|
|
| 65 |
|
Melody over Droning Riff ("Tao of Metal," from Metal Rhythm Guitar Volume 2) |
|
1:03 |
|
|
| 66 |
|
Melody/Solo over Tonic Groove |
|
0:37 |
|
|
| 67 |
|
Melody with Two- and Three-Part Harmony |
|
0:20 |
|
|
| 68 |
|
Melody with Harmony in 6ths |
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0:15 |
|
|
| 69 |
|
C Major Harmonized in 6ths |
|
0:26 |
|
|
| 70 |
|
A Minor Pentatonic Boxes |
|
1:35 |
|
|
| 71 |
|
Pentatonic Exercise #1 |
|
0:28 |
|
|
| 72 |
|
Pentatonic Exercies #2, Improv |
|
0:39 |
|
|
| 73 |
|
Moving Licks Between Boxes |
|
1:20 |
|
|
| 74 |
|
F#m Pentatonic to A Major Pentatonic |
|
0:17 |
|
|
| 75 |
|
"Bluegrass Country-Blues Major Pentatonic Rockout" |
|
1:48 |
|
|
| 76 |
|
Arpeggio Study ("Cannon in D," J. Pachelbel) |
|
0:41 |
|
|
| 77 |
|
Natural Minor Positional Licks |
|
0:46 |
|
|
| 78 |
|
Em, Three-Notes-Per-String Drills |
|
0:59 |
|
|
| 79 |
|
Am, Three-Notes-Per-String Drills |
|
0:37 |
|
|
| 80 |
|
Gm, Three-Notes-Per-String Sequences |
|
1:14 |
|
|
| 81 |
|
Fm, Three-Notes-Per-String Drills |
|
0:15 |
|
|
| 82 |
|
Fm, Three-Notes-Per-String Drills #2 |
|
0:27 |
|
|
| 83 |
|
Bm Hexatonic "Chunking" Lick |
|
0:14 |
|
|
| 84 |
|
Insane Arpeggios |
|
0:25 |
|
|
| 85 |
|
"My Funk" 1:30-1:45 |
|
0:28 |
|
|
| 86 |
|
"Exottica" 0:35-0:58 |
|
0:34 |
|
|
| 87 |
|
"Exottica" 2:00-2:24 |
|
0:30 |
|
|
| 88 |
|
Eb Slack Tuning - Low E String |
|
0:11 |
|
|
| 89 |
|
"Sunrise" |
|
4:00 |
|
|
|
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Total time |
|
79:43 |
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