|
|
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Castanets original |
|
0:10 |
|
|
| 2 |
|
Castanets Coded |
|
0:10 |
|
|
| 3 |
|
Quartet Original |
|
0:13 |
|
|
| 4 |
|
Quartet with aliasing introduced |
|
0:13 |
|
|
| 5 |
|
Flute uncoded |
|
0:21 |
|
|
| 6 |
|
Flute with a wavelet-filter of length 4 |
|
0:20 |
|
|
| 7 |
|
Flute with a wavelet-filter of length 40 |
|
0:20 |
|
|
| 8 |
|
Glocken original |
|
0:11 |
|
|
| 9 |
|
Glocken lowpass-filtered at 12 kHz |
|
0:10 |
|
|
| 10 |
|
Glocken lowpass-filtered at 8 kHz |
|
0:10 |
|
|
| 11 |
|
Glocken lowpass-filtered at 4 kHz |
|
0:11 |
|
|
| 12 |
|
Funky Original |
|
0:10 |
|
|
| 13 |
|
Funky lowpass-filtered at 12 kHz |
|
0:10 |
|
|
| 14 |
|
Funky lowpass-filtered at 8 kHz |
|
0:10 |
|
|
| 15 |
|
Funky lowpass-filtered at 4 kHz |
|
0:10 |
|
|
| 16 |
|
440 Hz + 4 Harmonics |
|
0:13 |
|
|
| 17 |
|
440 Hz Hz without 1320 Hz tone |
|
0:13 |
|
|
| 18 |
|
440 Hz wiht time-varying 1320 Hz tone |
|
0:13 |
|
|
| 19 |
|
Gilmour original |
|
0:07 |
|
|
| 20 |
|
Gilmour slightly distorted decoded signal |
|
0:07 |
|
|
| 21 |
|
Gilmour clearly distorted decoded signal |
|
0:07 |
|
|
| 22 |
|
Gilmour severely distorted decoded signal |
|
0:07 |
|
|
| 23 |
|
Gilmour original bandlimited to 8 kHz |
|
0:07 |
|
|
| 24 |
|
Gilmour almost birdies free |
|
0:07 |
|
|
| 25 |
|
Gilmour slightly worse decoded signal |
|
0:07 |
|
|
| 26 |
|
Gilmour severealy distorted signal |
|
0:07 |
|
|
| 27 |
|
Male speech Original |
|
0:19 |
|
|
| 28 |
|
2048 Filter Bank Bands, Processed (0 dB) |
|
0:20 |
|
|
| 29 |
|
2048 Filter Bank Bands, Processed (-3 dB) |
|
0:20 |
|
|
| 30 |
|
2048 Filter Bank Bands, Processed (-6 dB) |
|
0:20 |
|
|
| 31 |
|
2048 Filter Bank Bands, Processed (-9 dB) |
|
0:20 |
|
|
| 32 |
|
1024 Filter Bank Bands, Processed (0 dB) |
|
0:20 |
|
|
| 33 |
|
1024 Filter Bank Bands, Processed (-3 dB) |
|
0:20 |
|
|
| 34 |
|
1024 Filter Bank Bands, Processed (-6 dB) |
|
0:20 |
|
|
| 35 |
|
1024 Filter Bank Bands, Processed (-9 dB) |
|
0:20 |
|
|
| 36 |
|
512 Filter Bank Bands, Processed (0 dB) |
|
0:20 |
|
|
| 37 |
|
512 Filter Bank Bands, Processed (-3 dB) |
|
0:20 |
|
|
| 38 |
|
512 Filter Bank Bands, Processed (-6 dB) |
|
0:20 |
|
|
| 39 |
|
512 Filter Bank Bands, Processed (-9 dB) |
|
0:20 |
|
|
| 40 |
|
256 Filter Bank Bands, Processed (0 dB) |
|
0:20 |
|
|
| 41 |
|
256 Filter Bank Bands, Processed (-3 dB) |
|
0:20 |
|
|
| 42 |
|
256 Filter Bank Bands, Processed (-6 dB) |
|
0:20 |
|
|
| 43 |
|
256 Filter Bank Bands, Processed (-9 dB) |
|
0:20 |
|
|
| 44 |
|
Male Speech Original |
|
0:19 |
|
|
| 45 |
|
Coded with 1024 subbands |
|
0:19 |
|
|
| 46 |
|
Probe in-phase, probe level 9 dB below masker |
|
0:14 |
|
|
| 47 |
|
Probe in-phase, probe level 6 dB below masker |
|
0:14 |
|
|
| 48 |
|
Probe out-phase, probe level 9 dB below masker |
|
0:14 |
|
|
| 49 |
|
Probe in-phase, probe level 6 dB below masker |
|
0:14 |
|
|
| 50 |
|
Original stereo applause sound exerpt |
|
0:15 |
|
|
| 51 |
|
Intensity stereo coded starting from 6 kHz |
|
0:15 |
|
|
| 52 |
|
Intensity stereo coded starting from 4 kHz |
|
0:15 |
|
|
| 53 |
|
Intensity stereo coded starting from 2 kHz |
|
0:15 |
|
|
| 54 |
|
Intensity stereo coded starting from 1 kHz |
|
0:15 |
|
|
| 55 |
|
Original stereo funkky sound excerpt |
|
0:18 |
|
|
| 56 |
|
Encoded/decoded, generation #1 |
|
0:18 |
|
|
| 57 |
|
Encoded/decoded, generation #2 |
|
0:18 |
|
|
| 58 |
|
Encoded/decoded, generation #3 |
|
0:18 |
|
|
| 59 |
|
Encoded/decoded, generation #4 |
|
0:18 |
|
|
| 60 |
|
Encoded/decoded, generation #5 |
|
0:18 |
|
|
| 61 |
|
Encoded/decoded, generation #6 |
|
0:18 |
|
|
| 62 |
|
Encoded/decoded, generation #7 |
|
0:18 |
|
|
| 63 |
|
Encoded/decoded, generation #8 |
|
0:18 |
|
|
| 64 |
|
Encoded/decoded, generation #9 |
|
0:18 |
|
|
| 65 |
|
Encoded/decoded, generation #10 |
|
0:18 |
|
|
| 66 |
|
Male speech original |
|
0:11 |
|
|
| 67 |
|
Male speech Coded with 8-kHz sample rate |
|
0:11 |
|
|
| 68 |
|
Female speech original |
|
0:10 |
|
|
| 69 |
|
Female speech Coded with 8-kHz sample rate |
|
0:10 |
|
|
| 70 |
|
Vocal Quartet Original |
|
0:13 |
|
|
| 71 |
|
Vocal Quartet coded with 8-kHz sample rate |
|
0:13 |
|
|
| 72 |
|
MusicA Original |
|
0:12 |
|
|
| 73 |
|
MusicA Coded with 8-kHz sample rate |
|
0:12 |
|
|
| 74 |
|
Music+speech mixed, Original |
|
0:13 |
|
|
| 75 |
|
Music+speech mixed, coded with with 8-kHz sample rate |
|
0:13 |
|
|
| 76 |
|
Male speech original |
|
0:11 |
|
|
| 77 |
|
Male speech Coded with 16-kHz sample rate |
|
0:11 |
|
|
| 78 |
|
Female speech original |
|
0:09 |
|
|
| 79 |
|
Female speech Coded with 16-kHz sample rate |
|
0:09 |
|
|
| 80 |
|
Vocal Quartet Original |
|
0:13 |
|
|
| 81 |
|
Vocal Quartet Coded with 16-kHz sample rate |
|
0:13 |
|
|
| 82 |
|
MusicA Original |
|
0:12 |
|
|
| 83 |
|
MusicA Coded with 16-kHz sample rate |
|
0:12 |
|
|
| 84 |
|
Music+speech mixed, original |
|
0:13 |
|
|
| 85 |
|
Music+speech mixed, coded with 8-kHz sample rate |
|
0:13 |
|
|
| 86 |
|
Fremal speech Original |
|
0:22 |
|
|
| 87 |
|
Fremal speech bandpass filtered in the MPEG domain |
|
0:22 |
|
|
| 88 |
|
Fremal speech bandpass filtered in the time domain |
|
0:22 |
|
|
| 89 |
|
Fremal speech bandpass filtered using subband scaling |
|
0:22 |
|
|
| 90 |
|
Fremal speech sampling rate conversion in the time domain |
|
0:22 |
|
|
| 91 |
|
Fremal speech sampling rate conversion in the MPEG domain |
|
0:22 |
|
|
| 92 |
|
Gilmour Original |
|
1:24 |
|
|
| 93 |
|
Gilmour bandpass filtered in the MPEG domain |
|
1:24 |
|
|
| 94 |
|
Gilmour bandpass filtered in the time domain |
|
1:24 |
|
|
| 95 |
|
Gilmour bandpass filtered using subband scaling |
|
1:24 |
|
|
| 96 |
|
Gilmour sampling rate conversion in the time domain |
|
1:24 |
|
|
| 97 |
|
Gilmour sampling rate conversion in the MPEG domain |
|
27:10 |
|
|
| 98 |
|
data |
|
23:17 |
|
|
|
|
|
Total time |
|
55:53 |
|
|
|
|
|
|
|
