|
|
| # |
|
Title |
|
Time |
|
Info |
|
| 1 |
|
Tuning Note G |
|
0:25 |
|
|
| 2 |
|
C7 Blues, Adding Rhythmic Embellishment: Skips |
|
1:13 |
|
|
| 3 |
|
Fmaj7 Practice with using Skips |
|
0:46 |
|
|
| 4 |
|
G7 Blues, More Skip Practice |
|
1:03 |
|
|
| 5 |
|
Bb7 Blues, Skips with Dead (Ghost) Notes |
|
1:08 |
|
|
| 6 |
|
D7 Blues, Skip, Ghost on Adjacent Lower String |
|
0:39 |
|
|
| 7 |
|
Cm7, Lift Off Ghost Notes |
|
0:50 |
|
|
| 8 |
|
Cm7 Skips, Putting It All Together |
|
2:30 |
|
|
| 9 |
|
C7, Using Tripletts |
|
0:19 |
|
|
| 10 |
|
C7, Using Tripletts with Flat 7th |
|
0:28 |
|
|
| 11 |
|
C7, Ascending & Descending Arpeggios Used As The Triplett |
|
0:28 |
|
|
| 12 |
|
C, Open String Arpeggio Tripletts |
|
1:10 |
|
|
| 13 |
|
C7, Even More Tripletts, Pull-Off Onto An Open String |
|
0:14 |
|
|
| 14 |
|
Bb7 Triplett, Open G String |
|
0:14 |
|
|
| 15 |
|
Am7 Triplett |
|
0:14 |
|
|
| 16 |
|
C7, Slur Onto Second Note |
|
0:14 |
|
|
| 17 |
|
Gm7, Tripletts In Action |
|
2:39 |
|
|
| 18 |
|
F7, Tripletts With Ghost Notes |
|
1:00 |
|
|
| 19 |
|
Gm7, Tripletts and Skips - Putting It All Together |
|
2:17 |
|
|
| 20 |
|
Bb7, Expanding the Twos Feel, Basic (1/2 notes, 1&5) |
|
0:45 |
|
|
| 21 |
|
Bb7, Expanding Twos, Rhythmic Embellishments |
|
1:17 |
|
|
| 22 |
|
G7 Blues, Expanding Twos, Rhythmic Embellishments |
|
1:00 |
|
|
| 23 |
|
C7, Targeting Non-Root Tones, Using Scale Tones As Targets |
|
0:16 |
|
|
| 24 |
|
C7, Chromatic Approach |
|
0:15 |
|
|
| 25 |
|
C7, Dominant Approach |
|
0:15 |
|
|
| 26 |
|
C7, Lower Chromatic Approach |
|
0:14 |
|
|
| 27 |
|
C7, Putting The Root Tone Off Until Beat 4 |
|
0:22 |
|
|
| 28 |
|
C7, Scale Tone 4 |
|
0:16 |
|
|
| 29 |
|
C7, Scale Tone 4, Another Example |
|
0:16 |
|
|
| 30 |
|
C7, Scale Tone 6 |
|
0:28 |
|
|
| 31 |
|
Eb7, Putting Together All The Scale Tone Targets |
|
1:00 |
|
|
| 32 |
|
Ab7, Putting Together All The Scale Tone Targets |
|
1:00 |
|
|
| 33 |
|
C7, Using Chromatic Passing Tones as Targets |
|
0:16 |
|
|
| 34 |
|
C7, targets b9, indirect resolution to the root |
|
0:16 |
|
|
| 35 |
|
C7, a little more weaving after the fact, but still works |
|
0:20 |
|
|
| 36 |
|
C7, "definitely stretching it" |
|
0:56 |
|
|
| 37 |
|
Cmaj7, Your Turn to Make It Or Break It |
|
1:56 |
|
|
| 38 |
|
F7b9, Interpreting Chord Symbols with Tensions |
|
0:14 |
|
|
| 39 |
|
Cmaj7, Playing Over Modal Tunes |
|
0:42 |
|
|
| 40 |
|
G7, G Mixolydian |
|
0:21 |
|
|
| 41 |
|
G7 Modal Mapping |
|
0:33 |
|
|
| 42 |
|
Dm7 Miles Davis Modal Tune |
|
2:12 |
|
|
| 43 |
|
Dm7, More Modal Mapping |
|
2:11 |
|
|
| 44 |
|
Fm7, Create Your Own Modal Map |
|
2:11 |
|
|
| 45 |
|
Ebmaj7, Pedal Points |
|
0:17 |
|
|
| 46 |
|
Dm7, Pedal Points |
|
1:31 |
|
|
| 47 |
|
Fm7, Walking Open: The Art Of Implied Harmony |
|
1:53 |
|
|
| 48 |
|
Gmaj7 "Do It Yourself" Tune |
|
2:37 |
|
|
| 49 |
|
Fmaj7 Bop Tune DIY |
|
2:20 |
|
|
| 50 |
|
Cmaj7 DIY With Several Tone Centers |
|
2:45 |
|
|
| 51 |
|
Bbmaj7 Expanded Twos Feel Bill Evans Trio DIY |
|
2:10 |
|
|
| 52 |
|
Gm7 Modal Tune DIY |
|
3:03 |
|
|
| 53 |
|
Fmaj7 DIY With Challenging Bridge |
|
2:35 |
|
|
| 54 |
|
Cm7 DIY For Pedal Points |
|
2:16 |
|
|
| 55 |
|
Mystery Tune 1 |
|
2:46 |
|
|
| 56 |
|
Mystery Tune 2 |
|
5:18 |
|
|
| 57 |
|
Mystery Tune 3 |
|
2:31 |
|
|
|
|
|
Total time |
|
66:28 |
|
|
|
|
|
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|
